Through the writings of Cormac McCarthy, Don DeLillo, and Robert Stone, Sorrow's Rigging reflects on the American scene from the outbreak of the Vietnam War in 1965 to the uncertain future. In an innovative new reading, Gary Adelman presents these three authors as "Catholic cowboys", renegades, and above all furious parodists of Americana and its larger-than-life mythology, dreams, innocence, and power. Adelman explores the common inheritance of these American lapsed Catholics, born between the two World Wars, who found their voices on the eve of the Vietnam conflict. Their worlds are permeated by spirituality, rage, despair, and self-hatred. He shows how McCarthy creates macabre pageants of hope throttled, while in the Dantesque world of DeLillo's novels, psychopathic characters turn on themselves in an effort to overcome fear of the past. In Stone's work, the characters' rage is turned inward as a form of self-punishment for being a holdout against God. Sorrow's Rigging is a study of panic at the death of hope expressed in novels born of the terrors writers cannot escape, yet in the very act of writing they redeem the world through art.

About the Book In depth, comprehensive, and extensively researched, South Sudan’s Endless Sorrows chronicles the complex history of South Sudan and its long, bitter struggle for freedom. South Sudan’s long battle with colonization and invasion of foreign powers began as early as the twelfth century and has continued up until the twentieth century, when the struggle for liberation came to a long period of bloody civil unrest and war. To this day, South Sudan still struggles to find its own identity, voice, and freedom. With a devout love of his homeland and the people he holds dear, Gatluak’s history of South Sudan doubles as a heart-wrenching plea for intervention, compromise, and peace in the country that has been ransacked by violence for centuries. About the Author Lul Gatkuoth Gatluak is a South Sudanese American born in the Puldeng village near Bilpam, at the border of South Sudan and Ethiopia. Lul has always had a drive and passion for education; after moving to the United States, he received his high school diploma, his associate’s degree in Liberal Arts from Minneapolis Community and Technical College, a bachelor of arts in Criminal Justice from Metropolitan State University with a minor in English, and a bachelors of science in Communication Studies at Minnesota State University-Mankato with a minor in Sociology. Lul also hold a master’s degree in Public Administration at Hamline University. Besides this book, Lul has also written several articles.

The Vedas are a collection of hymns and other ancient religious texts written in India between about 1500 and 1000 BCE. It includes elements such as liturgical material as well as mythological accounts, poems, prayers, and formulas considered to be sacred by the Vedic religion. According to tradition, Vyasa is the compiler of the Vedas, who arranged the four kinds of mantras into four Samhitas (Collections). There are four Vedas: the Rigveda, the Yajurveda, the Samaveda and the Atharvaveda. The basic Vedic texts are the Samhita “Collections” of the four Vedas: Rig-Veda “Knowledge of the Hymns of Praise”, for recitation. Sama-Veda “Knowledge of the Melodies”, for chanting. Yajur-Veda “Knowledge of the Sacrificial formulas”, for liturgy. Atharva-Veda “Knowledge of the Magic formulas”, named after a kind of group of priests.

Apart for its mythological and philosophical significance Vedas have high literary values which demand in depth studies. Being the oldest among all, Veda, as literature, attained great aesthetic height and this critical analysis of the poems/ hymns/ suktas of the first four books of Rig Veda by Shri. Mukhopadhyay, a triple M.A. , M.Phil and Ph.D with various literary accomplishments, certainly is first ever work in the study of literature on Vedas as a book of Literature. The study is a difficult one as the exact date of composition is unknown. The very fact that it is handed down from generation to generation by verbal transmission, sruti , only. The beautiful part that it is still sung which perhaps acts as the most reliable tests whereby we could landed upon the hypothesis that the Vedas are worthwhile for study as literature

After surviving Thagoth and returning rich to Lucernis, Amra and Holgren have settled down to a very comfortable, if decidedly unexciting life--until the night Amra receives an old enemy's head in a box. A longstanding debt calls her back home to Bellarius, the scene of many childhood horrors she would much rather forget about. Yet, as bad as memories of the past might be, present-day Bellarius is rapidly becoming worse, for the Eightfold Goddess has not forgotten about Amra, and another of Her Blades, the Knife that Parts the Night, has been discovered and threatens to tear the very fabric of reality apart. All that stands in the way of utter destruction is one small, scarred thief and her mage companion. The Thief Who Knocked on Sorrow's Gate is the third volume in Michael McClung's Amra Thetys series.