An accessible, expert introduction to one of the greatest minds of nineteenth century. Whether you're completely new to him, or if you're already familiar with his work, Kierkegaard: A Single Life presents a fresh understanding of his life and thought. Kierkegaard was a brilliant and enigmatic loner whose ideas permeated culture, shaped modern Christianity, and influenced people as diverse as Franz Kafka and Martin Luther King Jr. Though few people today have read his work, that lack of familiarity with the real Kierkegaard is changing with this biography by scholar Stephen Backhouse, who clearly presents the man's mind as well as the acute sensitivity behind Kierkegaard's books. Drawing on biographical material that has newly come to light, Kierkegaard: A Single Life introduces his many guises—the thinker, the lover, the recluse, the writer, the controversialist—in prose as compelling and fluid as a novel and pursues clarity to long-standing questions about him: What made this Danish theologian so controversial and influential? Why were so many people drawn to his books, even if they didn't understand what they were reading? Can his complicated relationship with the Church and religion be untangled? Or, for that matter, what about his complicated—at times almost paradoxical—relationship with every sphere of life from politics to poetry? To be considered everything from a great intellect to a dandy, from a martyr to a "false messiah" is no mean feat, and this biography sheds light on Søren Kierkegaard as he was with empathy and humor. Included is an appendix presenting an overview of each of Kierkegaard's works, for the scholar and lay reader alike.

"Eric Ziolkowski's monumental study examines Kierkegaard's whole "prolix literature" - including the pseudonymous and the signed published writings as well as his private journals, papers, and letters - in relation to works by five other literary giants. Kierkegaard himself stresses the essentially literary as opposed to the strictly theological or philosophical nature of his writings. Uncovering this neglected aspect of Kierkegaard's oeuvre, Ziolkowski first considers the notions of aesthetics and the aesthetic as Kierkegaard adapted them, then his posture as a poet and his self-conception as "a weed in literature". After taking account of the history of the critical recognition of Kierkegaard as a literary artist, Ziolkowski looks at an important characteristic of Kierkegaard's literary craft that has received relatively little attention: the manner by which he and his pseudonyms read and quoted other authors. Ziolkowski explores the connections between the philosopher's writings and those of other literary masters who directly influenced him, such as Aristophanes, Cervantes, and Shakespeare, and those such as Wolfram von Eschenbach and Carlyle, who, while not direct influences, gave paradigmatic expression to some of the same aspects of aesthetic, ethical, and religious existence that Kierkegaard portrayed. A necessary resource for Kierkegaard scholars, philosophers, and students of religion and literature alike, 'The literary Kierkegaard' corrects a significant lack in our understanding of one of the most significant thinkers of the modern era." -- dust jacket.

In recent years interest in the thought of Kierkegaard has grown dramatically, and with it the body of secondary literature has expanded so quickly that it has become impossible for even the most conscientious scholar to keep pace. The problem of the explosion of secondary literature is made more acute by the fact that much of what is written about Kierkegaard appears in languages that most Kierkegaard scholars do not know. Kierkegaard has become a global phenomenon, and new research traditions have emerged in different languages, countries and regions. The present volume is dedicated to trying to help to resolve these two problems in Kierkegaard studies. Its purpose is, first, to provide book reviews of some of the leading monographic studies in the Kierkegaard secondary literature so as to assist the community of scholars to become familiar with the works that they have not read for themselves. The aim is thus to offer students and scholars of Kierkegaard a comprehensive survey of works that have played a more or less significant role in the research. Second, the present volume also tries to make accessible many works in the Kierkegaard secondary literature that are written in different languages and thus to give a glimpse into various and lesser-known research traditions. The six tomes of the present volume present reviews of works written in Catalan, Chinese, Czech, Danish, Dutch, English, Finnish, French, Galician, German, Greek, Hebrew, Hungarian, Italian, Japanese, Norwegian, Polish, Portuguese, Romanian, Russian, Slovak, Spanish, and Swedish.

Philosopher of the Heart is the groundbreaking biography of renowned existentialist Søren Kierkegaard’s life and creativity, and a searching exploration of how to be a human being in the world. Søren Kierkegaard is one of the most passionate and challenging of all modern philosophers, and is often regarded as the founder of existentialism. Over about a decade in the 1840s and 1850s, writings poured from his pen pursuing the question of existence—how to be a human being in the world?—while exploring the possibilities of Christianity and confronting the failures of its institutional manifestation around him. Much of his creativity sprang from his relationship with the young woman whom he promised to marry, then left to devote himself to writing, a relationship which remained decisive for the rest of his life. He deliberately lived in the swim of human life in Copenhagen, but alone, and died exhausted in 1855 at the age of 42, bequeathing his remarkable writings to his erstwhile fiancée. Clare Carlisle’s innovative and moving biography writes Kierkegaard’s life as far as possible from his own perspective, to convey what it was like actually being this Socrates of Christendom—as he put it, living life forwards yet only understanding it backwards.

The long period from the Renaissance to the nineteenth century supplied numerous sources for Kierkegaard's thought in any number of different fields. The present, rather heterogeneous volume covers the long period from the birth of Savonarola in 1452 through the beginning of the nineteenth century and into Kierkegaard's own time. The Danish thinker read authors representing vastly different traditions and time periods. Moreover, he also read a diverse range of genres. His interests concerned not just philosophy, theology and literature but also drama and music. The present volume consists of three tomes that are intended to cover Kierkegaard's sources in these different fields of thought. Tome III covers the sources that are relevant for literature, drama and music. Kierkegaard was well read in the European literature of the seventeenth and eighteenth century. He was captivated by the figure of Cervantes' Don Quixote, who is used as a model for humor and irony. He also enjoyed French literature, represented here by articles on Chateaubriand, Lamartine, and Mérimée. French dramatists were popular on the Danish stage, and Kierkegaard demonstrated an interest in, among others, Moliére and Scribe. Although he never possessed strong English skills, this did not prevent him from familiarizing himself with English literature, primarily with the help of German translations. While there is an established body of secondary material on Kierkegaard's relation to Shakespeare, little has been said about his use of the Irish dramatist Sheridan. It is obvious from, among other things, The Concept of Irony that Kierkegaard knew in detail the works of some of the main writers of the German Romantic movement. However, his use of the leading figures of the British Romantic movement, Byron and Shelley, remains largely unexplored terrain. The classic Danish authors of the eighteenth century, Holberg, Wessel and Ewald, were influential figures who prepared the way for the Golden Age of Danish poetry. Kierkegaard constantly refers to their dramatic characters, whom he often employs to illustrate a philosophical idea with a pregnant example or turn of phrase. Finally, while Kierkegaard is not an obvious name in musicology, his analysis of Mozart's Don Giovanni shows that he had a keen interest in music on many different levels.

This bibliography on Sren Kierkegaard carries on the work of Jens Himmelstrup's international bibliography (1962). It collates everything written about Kierkegaard - books, contributions to edited collections, and journals - and also features an appendix of primary text editions and translations. Discussion notes, reviews, etc., are catalogued according to the items they refer to. The bibliography contains more than 5,600 primary entries and is a testament to the expanding worldwide interest in the Danish philosopher. It also remedies the deeply-felt need for a collected overview of the extensive literature on Kierkegaard.

Soren Kierkegaard is one of the prophets of the contemporary age, a man whose acute observations on life in nineteenth-century Copenhagen might have been written yesterday, whose work anticipated fundamental developments in psychoanalysis, philosophy, theology and the critique of mass culture by over a century. John Caputo offers a compelling account of Kierkegaard as a thinker of particular relevance in our postmodern times, who set off a revolution that numbers Martin Heidegger and Karl Barth among its heirs. His conceptions of truth as a self-transforming 'deed' and his haunting account of the 'single individual' seemed to have been written with us especially in mind. Extracts include Kierkegaard's classic reading of the story of Abraham and Isaac, the jolting theory that truth is subjectivity and his ground-breaking analysis of the concept of anxiety.