The history of exile literature is as old as the history of writing itself. Despite this vast and varied literary tradition, criticism of exile writing has tended to analyze these works according to a binary logic, where exile either produces creative freedom or it traps the writer in restrictive nostalgia. The Dialectics of Exile: Nation, Time, Language and Space in Hispanic Literatures offers a theory of exile writing that accounts for the persistence of these dual impulses and for the ways that they often co-exist within the same literary works. Focusing on writers working in the latter part of the twentieth century who were exiled during a historical moment of increasing globalization, transnational economics, and the theoretical shifts of postmodernism, Sophia A. McClennen proposes that exile literature is best understood as a series of dialectic tensions about cultural identity. Through comparative analysis of Juan Goytisolo (Spain), Ariel Dorfman (Chile) and Cristina Peri Rossi (Uruguay), this book explores how these writers represent exile identity. Each chapter addresses dilemmas central to debates over cultural identity such as nationalism versus globalization, time as historical or cyclical, language as representationally accurate or disconnected from reality, and social space as utopic or dystopic. McClennen demonstrates how the complex writing of these three authors functions as an alternative discourse of cultural identity that not only challenges official versions imposed by authoritarian regimes, but also tests the limits of much cultural criticism.

Michelle Cooper combines the drama of pre-War Europe with the romance of debutante balls and gives us another compelling historical page turner. Sophia FitzOsborne and the royal family of Montmaray escaped their remote island home when the Germans attacked, and now find themselves in the lap of luxury. Sophie's journal fills us in on the social whirl of London's 1937 season, but even a princess in lovely new gowns finds it hard to fit in. Is there no other debutante who reads?! And while the balls and house parties go on, newspaper headlines scream of war in Spain and threats from Germany. No one wants a second world war. Especially not the Montmaravians—with all Europe under attack, who will care about the fate of their tiny island kingdom? Will the FitzOsbornes ever be able to go home again? Could Montmaray be lost forever?

Women are looking for new ways to know themselves and to connect with God, two forms of knowledge that are intrinsically linked. Many have left traditional religion in frustration that it didn't reflect their real lives, turning instead to alternative spiritualities that purport to honor women's experience. In this post-feminist interpretation of Christianity, Lilian Calles Barger challenges both Christian tradition and feminist trends in spirituality to provide a fresh and inspiring look at divine wisdom, opening women's awareness to the voice of God in the world.

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To win a man's heart, a woman must have the mind of a diplomat, a general, and Cleopatra, all in one. Desperation has led Anne-Sophia Duncombe to a life of exile. Still, she is always just one mistake away from capture and a marriage she would rather die than endure. As a last resort to remain hidden from her former life, Sophia attempts a radical scheme; a life of humility and disguise. Rumor has it Wilhelm Montegue, the Earl of Devon, is insane. A tormented war hero haunted by scandal, he is only tolerated because of his brilliant mind and swarthy good looks. His unmentionable "condition," which keeps him confined to his country home, is also the source of his talent for composing music. When a new housemaid is hired at Rougemont, Lord Devon is perplexed to find himself fascinated by her. He knows the exquisite beauty is keeping secrets but her siren's voice draws him ever closer, and he can't resist the intoxicating scent of danger surrounding her.

"Lyrical and emotionally gutting." —O, THE OPRAH MAGAZINE “Intellectually satisfying [and] artistically profound.” —KIRKUS REVIEWS (STARRED REVIEW) “Mesmeric.”—THE PARIS REVIEW “Vividly awesome and truly great." —EILEEN MYLES “Gorgeous, gutting, unforgettable." —LENI ZUMAS “Brilliant.” —MICHELLE TEA An arresting memoir equal parts refugee-coming-of-age story, feminist manifesto, and meditation on motherhood, displacement, gender politics, and art that follows award-winning writer Sophia Shalmiyev’s flight from the Soviet Union, where she was forced to abandon her estranged mother, and her subsequent quest to find her. Russian sentences begin backward, Sophia Shalmiyev tells us on the first page of her striking lyrical memoir. To understand the end of her story, we must go back to the beginning. Born to a Russian mother and an Azerbaijani father, Shalmiyev was raised in the stark oppressiveness of 1980s Leningrad (now St. Petersburg), where anti-Semitism and an imbalance of power were omnipresent in her home. At just eleven years old, Shalmiyev’s father stole her away to America, forever abandoning her estranged alcoholic mother, Elena. Motherless on a tumultuous voyage to the states, terrified in a strange new land, Shalmiyev depicts in urgent, poetic vignettes her emotional journeys through an uncharted world as an immigrant, artist, and, eventually, as a mother of two. As an adult, Shalmiyev voyages back to Russia to search endlessly for the mother she never knew—in her pursuit, we witness an arresting, impassioned meditation on art-making, gender politics, displacement, and most potently, motherhood.

Award-winning filmmaker and writer Sophia Al-Maria’s The Girl Who Fell to Earth is a funny and wry coming-of-age memoir about growing up in between American and Gulf Arab cultures. Part family saga and part personal quest, The Girl Who Fell to Earth traces Al-Maria’s journey to make a place for herself in two different worlds. When Sophia Al-Maria's mother sends her away from rainy Washington State to stay with her husband's desert-dwelling Bedouin family in Qatar, she intends it to be a sort of teenage cultural boot camp. What her mother doesn't know is that there are some things about growing up that are universal. In Qatar, Sophia is faced with a new world she'd only imagined as a child. She sets out to find her freedom, even in the most unlikely of places. The Girl Who Fell to Earth takes readers from the green valleys of the Pacific Northwest to the dunes of the Arabian Gulf and on to the sprawling chaos of Cairo. Struggling to adapt to her nomadic lifestyle, Sophia is haunted by the feeling that she is perpetually in exile: hovering somewhere between two families, two cultures, and two worlds. She must make a place for herself—a complex journey that includes finding young love in the Arabian Gulf, rebellion in Cairo, and, finally, self-discovery in the mountains of Sinai. The Girl Who Fell to Earth heralds the arrival of an electric new talent and takes us on the most personal of quests: the voyage home.

"Silvia Schroer's stunning work on Wisdom breaks new ground, with its challenge to move beyond traditional and Western ways of hearing, reading, and interpreting the biblical text. The work calls all people to ethical responsibility for the sake of all creation. Written with grace, illumined by insight, and meticulously researched, this text is thoroughly engaging. It takes into account the images of personified wisdom as they appear in both the First and Second Testaments. "Schroer's work offers both the scholarly community and the general public a new and bold sense of great hope in the midst of the ongoing global struggle for solidarity: human beings with one another, and human beings with creation. Distinctly refreshing in its approach, depth, and breadth, this work needs to be a part of every scholarly conversation on Wisdom. It must be taken seriously by readers in general if transformation at its deepest level is to continue, and the reign of God celebrated." -- Carol J. Dempsey, University of Portland

A New York Times bestselling series A USA TODAY bestselling series A California Young Reader Medal–winning series In this riveting series opener, a telepathic girl must figure out why she is the key to her brand-new world before the wrong person finds the answer first. Twelve-year-old Sophie has never quite fit into her life. She’s skipped multiple grades and doesn’t really connect with the older kids at school, but she’s not comfortable with her family, either. The reason? Sophie’s a Telepath, someone who can read minds. No one knows her secret—at least, that’s what she thinks… But the day Sophie meets Fitz, a mysterious (and adorable) boy, she learns she’s not alone. He’s a Telepath too, and it turns out the reason she has never felt at home is that, well…she isn’t. Fitz opens Sophie’s eyes to a shocking truth, and she is forced to leave behind her family for a new life in a place that is vastly different from what she has ever known. But Sophie still has secrets, and they’re buried deep in her memory for good reason: The answers are dangerous and in high-demand. What is her true identity, and why was she hidden among humans? The truth could mean life or death—and time is running out.