Karate just got real! Sonny Leads is a black belt with something to prove to himself, and to the world. He's oozing with talent, but he can't seem to put it together when it matters most. So he takes the advice of a coach and follows his dream to train with the best in Japan. Before anything can go right, though, everything goes wrong. In the dojo. At his new Japanese home. Even in front of a cute university student named Haruka. Does Sonny have the fighting spirit needed to survive Japan? He'd better. Because real karate isn't for pretenders.

Netprov is an emerging interdisciplinary digital art form that offers a literature-based “show” of insightful, healing satire that is as deep as the novels of the past. This accessible history of Netprov emerges out of an ongoing conversation about the changing roles and power dynamics of author and reader in an age of real-time interactivity. Rob Wittig describes a literary genre in which all the world is a platform and all participants are players. Beyond serving as a history of the genre, this book includes tips and examples to help those new to the genre teach and create netprovs. “Jargon-free and ambitious in scope, Netprov meets the needs of several types of readers. Casual readers will be met with straightforward and easy-to-follow definitions and examples. Scholars will find deep wells of in- formation about networked roleplay games. Teachers and students will find instructions for how-to play, and a ready-made academic context to make their play meaningful and memorable.” —Kathi Inman Berens, Portland State University

Pamela lost her dad when she was three. Later she begins a search to find a grandfather presented by such a loss. Armed with a mission to find him, the facts start to skew. Clues twist and turn; and then entwine to such a degree she bumps into her dad's story. and learns the only way to find the man fate chose to leave behind is that first she must go through her dad. Both in the search, both on the same path, but forty years apart, do the gods lead them to the one they want so desperately to find. Fourteen and growing up in the streets, Sonny cant wait to leave; he lives for the day he can put all the shame behind him. But with the hard times that have hit the country and the fact all the kids depend on himwhere would he go. Its not as if he has a direction. All he has in this world is his brother Paul. and even though Paul has him by a few years, the big guy depends on him too. Naw, labeled bastards since as far back as they can rememberits just he and Paul against the rest of them. Forced to be the responsible one, he will bide his time and deal with the chaos and turmoil as it comes. That is until he finds out the secret kept; one that ignites a fire so strong that without thought leads him on a journey that will take him to all but two of the forty-eight states in the Union. Join him on his mission. Share his thoughts. Share his dreams. Life now his school, meet those that help shape the man he grows up to be. Travel with him through a period of time when millions of Americans are on the same path. A period of history now known as the Great Depression, they're all looking for a better lifeall that is except one. Sonny isnt looking for a better lifehe is looking for his life. but they call me Sonny is a book based on a real life. Does he have a dad? If so, where is he? Why would the man take off and leave him alone with Susie? Can he fill the void that aches in his heart? and is it true, was he robbed of the life he was born to live? Who are these strangers standing over your grave; ... not knowing your story and you not knowing theirs. We are the ones that know where you lie; ... yet we are the ones that wont let you die. Maybe this story will comfort our hearts; ... to bring us closer and not so far apart. We always wondered, we were always sad; ... and all we could do is call you Dad.

Winner of the 2022 Peter C. Rollins Book Award and the 2022 Browne Best Edited Reference/Primary Source Work in Popular and American Culture Award In Vitagraph: America's First Great Motion Picture Studio, Andrew A. Erish provides a comprehensive examination and reassessment of the company most responsible for defining and popularizing the American movie. This history challenges long-accepted Hollywood mythology that Paramount and Fox invented the feature film, that Universal created the star system, and that these companies, along with MGM and Warner Bros., developed motion pictures into a multimillion-dollar business. In fact, the truth about Vitagraph is far more interesting than the myths that later moguls propagated about themselves. Established in 1897 by J. Stuart Blackton and Albert E. Smith, Vitagraph was the leading producer of motion pictures for much of the silent era. Vitagraph established America's studio system, a division of labor utilizing specialized craftspeople and artists and developed fundamental aspects of American movies, from framing, lighting, and performance style to emphasizing character-driven comedy and drama in stories that respected and sometimes poked fun at every demographic of Vitagraph's vast audience. For most of its existence America's most influential studio was headquartered in Brooklyn, New York, before relocating to Hollywood. A historically rigorous and thorough account of the most influential producer of American motion pictures during the silent era, Erish draws on valuable primary material long overlooked by other historians to introduce readers to the fascinating, forgotten pioneers of Vitagraph.

In 1948, the Orioles, a Baltimore-based vocal group, recorded "It's Too Soon to Know." Combining the sound of Tin Pan Alley with gospel and blues sensibilities, the Orioles saw their first hit reach #13 on the pop charts, thus introducing the nation to vocal rhythm & blues and paving the way for the most successful groups of the 1950s. In the first scholarly treatment of this influential musical genre, Stuart Goosman chronicles the Orioles' story and that of myriad other black vocal groups in the postwar period. A few, like the Orioles, Cardinals, and Swallows from Baltimore and the Clovers from Washington, D.C., established the popularity of vocal rhythm & blues nationally. Dozens of other well-known groups (and hundreds of unknown ones) across the country cut records and performed until about 1960. Record companies initially marketed this music as rhythm & blues; today, group harmony continues to resonate for some as "doo-wop." Focusing in particular on Baltimore and Washington and drawing significantly from oral histories, Group Harmony details the emergence of vocal rhythm & blues groups from black urban neighborhoods. Group harmony was a source of empowerment for young singers, for it provided them with a means of expression and some aspect of control over their lives where there were limited alternatives. Through group harmony, young black males celebrated and musically confounded, when they could not overcome, complex issues of race, separatism, and assimilation during the postwar period. Group harmony also became a significant resource for the popular music industry. Goosman interviews dozens of performers, deejays, and industry professionals to examine the entrepreneurial promise of midcentury popular music and chronicle the convergence of music, place, and business, including the business of records, radio, promotion, and song writing. Featured in the book's account of the black urban roots of rhythm & blues are the recollections of singers from groups such as the Cardinals, Clovers, Dunbar Four, Four Bars of Rhythm, Five Blue Notes, Hi Fis, Plants, Swallows, and many others, including Jimmy McPhail, a well-known Washington vocalist; Deborah Chessler, the manager and songwriter for the original Orioles; Jesse Stone, the writer and arranger from Atlantic Records; Washington radio personality Jackson Lowe; and seminal black deejays Al ("Big Boy") Jefferson, Maurice ("Hot Rod") Hulbert, and Tex Gathings.

50th ANNIVERSARY EDITION—WITH A NEW INTRODUCTION BY FRANCIS FORD COPPOLA Mario Puzo’s classic saga of an American crime family that became a global phenomenon—nominated as one of America’s best-loved novels by PBS’s The Great American Read. With its brilliant and brutal portrayal of the Corleone family, The Godfather burned its way into our national consciousness. This unforgettable saga of crime and corruption, passion and loyalty continues to stand the test of time, as the definitive novel of the Mafia underworld. A #1 New York Times bestseller in 1969, Mario Puzo’s epic was turned into the incomparable film of the same name, directed by Francis Ford Coppola, which won the Academy Award for Best Picture. It is the original classic that has been often imitated, but never matched. A tale of family and society, law and order, obedience and rebellion, it reveals the dark passions of human nature played out against a backdrop of the American dream. With a Note from Anthony Puzo and an Afterword by Robert J. Thompson

Example of school of writing giving emphases to local color.

"In the first chapter of Graham Salisbury: Island Boy, David Gill chronicles the labyrinthine path of Salisbury's life and career, from barefoot island boy to college dropout, from pop musician to schoolteacher, and from real estate manager to author of young adult fiction. In subsequent chapters, Gill reviews critical responses to Salisbury's work and discusses the author's plots, style, literary themes, use of archetypes, and coming-of-age stories that dominate his work. In the concluding chapter, fans are treated to a peek at some of Salisbury's future projects."--Jacket.