A deeply personal memoir spanning three generations of women, this is the intimate autobiography of Emmy Award–winning actress Debbi Morgan, best known as Angie Hubbard on the long-running soap opera All My Children. Raised in the South Bronx and beloved for the diverse and captivating characters she’s played, Debbi Morgan enjoyed a thirty-year tenure on All My Children before joining the cast of The Young and the Restless and later appearing opposite Denzel Washington and Samuel L. Jackson in several films. But this book is not about her career, and it’s not about Hollywood. It’s not even about her rise to stardom. Charting her family history as well as her own life from childhood to the present in this compelling memoir, Debbi reveals the fear, doubt, and insecurities she’s struggled with for much of her life—and how she escaped a vicious cycle of pain to find self-confidence, happiness, and success. Early on in her family history, an ugly pattern of abuse developed into fear, insecurity, self-doubt, and emotional trauma, which passed down from one generation to the next. From her maternal grandmother, who was beaten by her husband as they struggled through the Great Depression, to Debbi’s mother, who became pregnant as a young teen and suffered the same abuse as her mother, down to Debbi, who internalized the physical abuse she watched her mother endure, a deep-rooted fear plagued all three generations of women. But through it all, Debbi endured, and with a good dose of humor and self-compassion, she emerged with the deepest love of herself—and her mojo quite intact! Told with intense emotion, candor, and a barrage of belly laughs, Debbi shares a deeply moving, explosive, yet inspirational journey about what it took to break the cycle and emerge as a confident, fearless woman.

Reinforced cloth library binding, no dust jacket, individual shrinkwrap

First Published in 1994. Look Who's Laughing belies the notion that in a joke the only place for a woman is in the butt, Rather than analysing women's humor in isolation, Gail Finney and twenty scholars map the terrain that the genders share and the areas that each hold exclusively. Their essays investigate witty heroines, sexual parodies, domestic humor and romantic power. They focus on comic drama and fiction, stand-up comedy, cartoons, and film describing the roles gender has played in the creation, reception and interpretation of comedy from the sixteenth century to present. They consider works by Shakespeare, Oscar Wilde, Zora Neale Hurston and Virginia Woolf, whilst discussing characters such as V.I. Warshawski, Molly Bloom and Elizabeth Bennet. The book's emphasis on comedy's diverse sources uncovers critical prejudices and defines new contexts enabling men and women to understand more about each other's attitudes towards humor, its means and ends.

Reproduction of the original: The Story of Waitstill Baxter by Kate Douglas Wiggin

This computer-generated anthology serves as a companion to Taft's Blues Lyric Poetry: a Concordance and gives the user the complete poetic context for every word, phrase or line in which he is interested. He also provides a selection of blues lyrics which have never appeared in print before or are scattered. Taft has transcribed over 2,000 blues lyrics from recordings made between 1920 and 1942 and includes over 350 singers such as Josh White, Sonny Boy Williamson, Robert Johnson and Ma Rainey. The anthology includes both country and urban, male and female, "downhome" and vaudeville singers. The songs are arranged according to singer and under each singer, according to dates of recording and sequences in the recording sessions. Information given includes singer, title, place, date and record numbers. The final section is a line-concordance index to the titles of the songs. ISBN 0-8240-9235-X (alk. paper) : $75.00 (For use only in the library).

This rollicking collection—personally selected by the author (in collaboration with his editor Tom Marksbury)—gathers the best of Ed McClanahan's work, making it a must–have for both long–time fans and newcomers alike. Comprised of fourteen works, I Just Hitched in from the Coast is an admixture of fiction and non–fiction, memoir and imagination. It includes such classics as "Fondelle, or: The Whore with a Heart of Gold," and the wry essay "The Day the Lampshades Breathed," chronicling McClanahan's time in the 1960s. In "The Essentials of Western Civilization," McClanahan imagines the affairs of Assistant Professor Harrison B. Eastep, MA, of Arbuckle State in Oregon, and of the gradual erosion of his dedication to academia. Weaving together Vietnam, rock and roll, a lackluster counterculture past, and the Great Plague of London, this is storytelling at its best by a master of the craft. The foremost stylist of the Yippie generation, McClanahan writes with bemused affection. He parlays his Southern sensibilities and California experiences with a mastery of language, to tantalize his readers with musings that are absurd, whimsical, outrageous, and, in the words of one reviewer, "wickedly sharp."

For nearly 50 years Cher has been entertaining the world with her music, television shows, movies, outrageous stage shows, and Bob Mackie costumes. Her film Burlesque and dance track 'Woman's World' are proof that Cher is the Queen of Everything. This full length biography tells you everything you need to know, and what you never knew about the career and personal life of the artist Cher.