Sonic Wilderness accesses the critical value of unusual vinyl records that concern our relationship with nature. These wild records reveal unconventional perspectives on the entanglements of human life with animals, gardens and plants. They form a lyrical unconscious exposing the conventions and ideologies of popular music, their warped perspectives and acoustic radioactivity comprising a resistance to enduring social, psychological and political conditions.

Diagrams: Tropes, Tools and Abstract Machines examines the pervasive roles of diagrams as analytical, generative, narrative and critical devices manifest in design practices by architects and non-architects that draw on thick cultural milieus and that operate at personal, architectural and urban scales. What are potentials of diagrams beyond representation, as situated cultural practices, corporeal engagement and choreographic script, as instruments of speculation and invention, as manifestation of ideas and incrimination of ideology, as abstract machines in scenarios of allopoïesis, autopoïesis and cosmopoïesis?

What futures are we designing by default? What collaborations are we complicit in? How can we incorporate an active civic engagement into our professional and creative practice – into our everyday lives? Esther Anatolitis presents a dynamic snapshot of her own practice from a distinctly Australian context but with a global perspective, offering tools and techniques for integrating civic engagement into daily practice. Taking leaps across spatial, creative, professional and political work, this is an unsettling text.

What futures are we designing by default? What collaborations are we complicit in? How can we incorporate an active civic engagement into our professional and creative practice – into our everyday lives? Esther Anatolitis presents a dynamic snapshot of her own practice from a distinctly Australian context but with a global perspective, offering tools and techniques for integrating civic engagement into daily practice. Taking leaps across spatial, creative, professional and political work, this is an unsettling text.

The Society of Interiors discusses a variety of spatial practices which critique, reveal, and resist the economical logic of a neo-liberal market. A market that caters for exclusiveness and individualities, where public space becomes an interior, that is highly controlled and privatized. The different essays unpack, develop and expand a diversity of interior and spatial practices in urban contexts that allow for a diverse public, express differences, and create other experiences and situations. Authors include the architect and researcher Tatjana Schneider, editor of the publication Spatial Agency (Routledge 2011); the activist architect Petra Pferdmenges from alive architecture in Brussels, the architectural theorist Peter Lang; the architect and artist Tor Lindstrand; as well as Rochus Hinkel, whose research focuses on the intersections between interior, architecture and urban environments.

Through his organization Wild Sanctuary, Bernie Krause has traveled the globe to hear and record the sounds of diverse natural habitats. Wild Soundscapes, first published in 2002, inspires readers to follow in Krause’s footsteps. The book enchantingly shows how to find creature symphonies (or, as Krause calls them, “biophonies”); use simple microphones to hear more; and record, mix, and create new expressions with the gathered sounds. After reading this book, readers will feel compelled to investigate a wide range of habitats and animal sounds, from the conversations of birds and howling sand dunes to singing anthills. This rewritten and updated edition explains the newest technological advances and research, encouraging readers to understand the earth’s soundscapes in ways previously unimaginable. With links to the sounds that are discussed in the text, this accessible and engaging guide to natural soundscapes will captivate amateur naturalists, field recordists, musicians, and anyone else who wants to fully appreciate the sounds of our natural world.

This book explores the new performativity in art theory and practice, examining ways of rethinking interpretive processes in visual culture. Since the 1960s, visual art practices - from body art to minimalism - have taken contemporary art outside the museum and gallery; by embracing theatricality and performance and exploding the boundaries set by traditional art criticism. The contributors argue that interpretation needs to be recognised as much more dynamic and contingent. Offering its own performance script, and embracing both canonical fine artists such as Manet, De Kooning and Jasper Johns, and performance artists such as Vito Acconci and Gunter Brus, this book offers radical re-readings of art works and points confidently towards new models for understanding art.

***Information is forthcoming from the Hayward Gallery