Jerry Silverman has taken the best songs from Songs of England; Songs of Ireland; and Songs of Scotland and arranged them for voice with complete lyrics and annotated guitar accompaniment, as well as guitar solos. A new section on Songs of Wales has been added. Solos appear in standard notation and tablature.

A master solo collection by classic guitarist James Bellizzi containing 16 English airs and country dances; 21 Irish tunes by O' Carolan and others; and 14 lively Scottish tunes and country dances. the arrangements capture the unique tone and spirit of these wonderful folk melodies and compositions. In notation and tablature.

Jerry Silverman has taken the best songs from Songs of England, Songs of Ireland, and Songs of Scotland and has arranged them for voice with piano accompaniment and guitar chords. A new section on Songs of Wales is also included.

This collection of classic folksongs has been beautifully arranged for guitar ensembles of beginning to intermediate ability or for two players with more advanced skill. All parts stay in the first position except for guitar 1. the parts have been written in two staves; guitars 1 & 3 in staff one and guitars 2 & 4 in staff 2. Pull out parts are provided to avoid any page turns. A separate piano score, written just below the guitar score, has been included to help guitar ensemble directors who have more experience with piano than guitar. These versatile arrangements present a traditional harmonization of the theme followed by a more adventuresome variation.

The joyous Christmas season has inspired musicians to compose wonderful songs throughout the ages. This book contains 21 Christmas carols from the British Isles arranged for solo plectrum/flatpick guitar. Each solo can also be playable in fingerstyle and classical styles. All of the solos are written in standard notation and tablature. Includes access to online audio.

This collection of classic folksongs has been beautifully arranged for guitar ensembles of beginning to intermediate ability or for two players with more advanced skill. All parts stay in the first position except for guitar 1. The parts have been written in two staves; guitars 1 & 3 in staff one and guitars 2 & 4 in staff 2. Pull out parts are provided to avoid any page turns. A separate piano score, written just below the guitar score, has been included to help guitar ensemble directors who have more experience with piano than guitar. These versatile arrangements present a traditional harmonization of the theme followed by a more adventuresome variation.

"This book offers a collection of lyrical tunes from Ireland, Scotland, Wales and England plus a few original pieces by William Bay." -- Preface.

Christmas Carols in the British Isles presents 20 songs from the Renaissance through early 20th century. It includes familiar compositions such as the “Coventry Carol”, “Away in a Manger”, and the “Wexford Carol”, and incorporates some lovely pieces that may be new to the listener. The melodies for these lyrical pieces appear in their most easily recognized form before any variation is presented. Raymond Gonzalez has a gift for combining traditional harmonies with occasional harmonic and rhythmic twists, providing freshness, color, and new life to familiar tunes. All arrangements are in standard or dropped-D tuning, suitable for both steel and nylon-string guitar performance and should be comfortably accessible to the intermediate guitarist. The reader is referred to the tablature for string, fret, and harmonic locations. The book includes access to online audio of every tune recorded by the author.

Ideal for the intermediate-level guitarist, these 17 traditional tunes from the UK plus one from France are arranged to be played with your electric guitar plugged-in. The transformation that occurs in switching from acoustic to electric instruments adds an unmistakable Celtic rock element to the author’s companion recording. The tunes are all played twice through on the recording and transcribed note-for-note in the book. The recording features backup from both electric bass and a second electric guitar, often played with a slide and a little “dirt” thrown into the mix. Skillful bodhrán playing on many of the tracks adds to the dynamic nature of the recording. Many of these tunes can be played in lower positions but a few venture as high as the 14th fret. Playing one note at a time within a narrow range, if you don’t read particularly well now, working through these tunes will help you improve and gain confidence as a sight reader. Written in standard notation and guitar tablature. Includes access to online audio.