This is Strehlow's most widely regarded work and the culmination of his anthropological work related to the Aranda (Arunta) people of the Alice Springs region. In this work Strehlow records the patrilineal chants or songs of the Aranda people and puts them into a wider context of totemic cultural understanding. Of particular interest is Chapter 10, the love songs of the Aranda people, which pre-date European romantic conventions by several thousand years.

As an ethnography of Central Australian singing traditions and ceremonial contexts, this book asks questions about the vitality of the cultural knowledge and practices highly valued by Warlpiri people and fundamental to their cultural heritage. Set against a discussion of the contemporary vitality of Aboriginal musical traditions in Australia and embedded in the historical background of this region, the book lays out the features of Warlpiri songs and ceremonies, and centers on a focal case study of the Warlpiri Kurdiji ceremony to illustrate the modes in which core cultural themes are being passed on through song to future generations.

Print edition of multi-author work on Indigenous song. This is the first volume devoted specifically to the revitalisation of ancestral Indigenous singing practices in Australia. These traditions are at severe risk in many parts of the country, and this book investigates the strategies currently being implemented to reverse the damage. In some areas the ancestral musical culture is still transmitted across the generations; in others it is partially remembered, and being revitalised with the assistance of heritage recording and written documentation; but in many parts of Australia, the transmission of songs has been interrupted, and in those places revitalisation relies on research and restoration. The authors, Indigenous and non-Indigenous, consider these issues across a broad range of geographical locations, and from a number of different theoretical and methodological angles. The chapters provide helpful insights for Indigenous people and communities, researchers and educators, and anyone interested in the song traditions of Indigenous Australia.

Journey to Horseshoe Bend was first published in 1969 and has been out of print for almost forty years. An Australian literary classic, it was written by TGH (Ted) Strehlow, author of the monumental Songs of Central Australia. It describes the final days of his father, Pastor Carl Strehlow, head of the Lutheran mission at Hermannsburg, as they travel, with Aboriginal companions, in extreme heat, along the dry riverbed of the Finke River, to the nearest railhead in search of medical assistance. They never reach help: the journey ends at Horseshoe Bend, with Pastor Strehlow’s death. Ted Strehlow grew up with Aborigines on the mission, and his knowledge of their customs and stories was unique. The book combines this knowledge, with a detailed awareness of the landscape and its sacred places, the battles that have been fought there, the lonely outposts of white settlement, and of the Biblical resonances of their own journey through this desert setting.

Restoring the Chain of Memory describes and analyses the writings and records compiled by the notable linguist, T.G.H. Strehlow (1908-1978), on Australian Aboriginal Religions, particularly as practised by the Arrernte of Central Australia.During numerous research trips between 1932 and 1966, the local Indigenous Arrernte Elders entrusted him with sacred objects, allowed him to film their secret rituals and record their songs, partly because he was regarded as one of them, an 'insider', who they believed would help preserve their ancient traditions in the face of threats posed by outside forces.Strehlow characterized Arrernte society as 'personal monototemism in a polytotemic community'. This concept provides an important insight into understanding how Arrernte society was traditionally organized and how the societal structure was re-enforced by carefully organized rituals. Strehlow's research into this complex societal system is here examined both in terms of its meaning and current application and with reference to how the societal structure traditionally was interwoven into religious understandings of the world. It exemplifies precisely how the 'insider-outsider' problem is embodied in one individual: he was accepted by the Arrernte people as an insider who used this knowledge to interpret Arrernte culture for non-Indigenous audiences (outsiders).This volume documents how Strehlow's works are contributing to the current repatriation by Australian Aboriginal leaders of rituals, ancient songs, meanings associated with sacred objects and genealogies, much of which by the 1950s had been lost through the processes of colonization, missionary influences and Australian governmental interference in the lives of Indigenous societies.

Manikay are the ancestral songs of Arnhem Land, passed down over generations and containing vital cultural knowledge. Singing Bones foregrounds the voices of manikay singers from Ngukurr in southeastern Arnhem Land, and charts their critically acclaimed collaboration with jazz musicians from the Australian Art Orchestra, Crossing Roper Bar. It offers an overview of Wägilak manikay narratives and style, including their social, ceremonial and linguistic aspects, and explores the Crossing Roper Bar project as an example of creative intercultural collaboration and a continuation of the manikay tradition.

Place-based cultural knowledge - of ceremonies, songs, stories, language, kinship and ecology - binds Australian Indigenous societies together. Over the last 100 years or so, records of this knowledge in many different formats - audiocassettes, photographs, films, written texts, maps, and digital recordings - have been accumulating at an ever-increasing rate. Yet this extensive documentary heritage is dispersed. In many cases, the Indigenous people who participated in the creation of the records, or their descendants, have little idea of where to find the records or how to access them. Some records are held precariously in ad hoc collections, and their caretakers may be perplexed as to how to ensure that they are looked after. Archival Returns: Central Australia and Beyond explores the strategies and practices by which cultural heritage materials can be returned to their communities of origin, and the issues this process raises for communities, as well as for museums, galleries, and other cultural institutions.

The red kangaroo is at the heart of Australia’s ecological identity. It is Australia’s largest terrestrial land mammal, the largest extant marsupial, and the only kangaroo truly restricted to Australia’s arid interior. Almost nothing was known about the ecology of the red kangaroo when Alan Newsome began to study it in 1957. He discovered how droughts affect reproduction, why red kangaroos favour different habitats during droughts from those after rains, and that unprecedented explosions in red kangaroo numbers were caused by changes to the landscape wrought by graziers. Most importantly, he realised the possibilities of enriching western science with Indigenous knowledge, a feat recognised today as one of the greatest achievements of his career. First drafted in 1975 and now revised and prepared for publication by his son, The Red Kangaroo in Central Australia captures Alan’s thoughts as a young ecologist working in Central Australia in the 1950s and 1960s. It will inspire a new generation of scientists to explore Australia’s vast interior and study the extraordinary adaptations of its endemic mammals. It will also appeal to readers of other classics of Australian natural history, such as Francis Ratcliffe's Flying Fox and Drifting Sand and Harry Frith's The Mallee Fowl, The Bird that Builds an Incubator.

A comprehensive book on contemporary Aboriginal music in Australia.

An authoritative and entertaining exploration of Australia’s distinctive birds and their unheralded role in global evolution Renowned for its gallery of unusual mammals, Australia is also a land of extraordinary birds. But unlike the mammals, the birds of Australia flew beyond the continent’s boundaries and around the globe many millions of years ago. This eye-opening book tells the dynamic but little-known story of how Australia provided the world with songbirds and parrots, among other bird groups, why Australian birds wield surprising ecological power, how Australia became a major evolutionary center, and why scientific biases have hindered recognition of these discoveries. From violent, swooping magpies to tool-making cockatoos, Australia’s birds are strikingly different from birds of other lands—often more intelligent and aggressive, often larger and longer-lived. Tim Low, a renowned biologist with a rare storytelling gift, here presents the amazing evolutionary history of Australia’s birds. The story of the birds, it turns out, is inseparable from the story of the continent itself and also the people who inhabit it.