Our Lord has wisely given the Psalms, the songbook of the Bible, for the benefit of the church. But for many people, the Psalms’ contents are mysterious because they no longer have a place of prominence in the church’s worship. Author J. V. Fesko hopes to awaken the church to the majesty, beauty, and splendor of the Psalms through a devotional exploration of Psalms 1–8, a “grand Christ hymn,” in which David, as the suffering king, prefigures the king of kings, Jesus Christ. To encourage readers to come to a greater appreciation for the Psalms, the author includes with each chapter questions for further reflection and study and a metrical version of each psalm. He also recommends Internet resources that provide digital files of the tunes.

Our Lord has wisely given the Psalms, the songbook of the Bible, for the benefit of the church. But for many people, the Psalms' contents are mysterious because they no longer have a place of prominence in the church's worship. Author J. V. Fesko hopes to awaken the church to the majesty, beauty, and splendor of the Psalms through a devotional exploration of Psalms 1 8, a "grand Christ hymn," in which David, as the suffering king, prefigures the king of kings, Jesus Christ. To encourage readers to come to a greater appreciation for the Psalms, the author includes with each chapter questions for further reflection and study and a metrical version of each psalm. He also recommends Internet resources that provide digital files of the tunes. Author J.V. Fesko is an ordained minister in the Orthodox Presbyterian Church, and is also academic dean and associate professor of systematic theology at Westminster Seminary California. Endorsements "Christians know they need instruction not only to pray but also to sing. By tracing the narrative of Christ in the opening eight psalms of the Psalter, this book helps me pray while I sing and sing while I pray. I learn not only to hear Christ in each psalm but I also begin to sing under the aegis of Christ, the chief musician. Those who have sung these psalms from their earliest days as well as those who have joined the Psalter choir only recently will find, with the Spirit's blessing, deeper and fuller sound." Gerald M. Bilkes, professor of New Testament and biblical theology, Puritan Reformed Theological Seminary, Grand Rapids, and author of Memoirs of the Way Home: Ezra and Nehemiah as a Call to Conversion

The Book of First Kings 4:32 says that Solomon wrote 1005 songs. A song is poetry like the Psalms that were sung to bring forth a message from God. God deemed this song important enough to keep it in His manual, the Bible. The Books of First and Second Samuel are the historical books of David, but His love and emotions for God were written in his Psalms. Likewise, the Book of Revelation is a historical book of the bride of Christ, but the Song of Solomon is the love and emotions of Christ and His bride. This book is being published at the same time as Revelation to be companion books with the same overview. God desired a people who would be adopted into His kingdom. Christ would redeem every person who would acknowledge the plan of God to become children of the Most High God. The Bible was inspired by God (2 Tim 3:16). The Book of Song of Solomon shows the love of the Lord Jesus to His bride, the Church, who is called Shulamite. Shulamite in Hebrew is the feminine noun for Solomon. Solomon in Hebrew is shalom meaning peace unto wholeness. This wholeness comes from a relationship with the Lord which is offered to everyone, male or female, Jewish or Gentile (non-Jewish). Do not think of Solomon in this book as the king, for he too is a believer in the Lord, so therefore He too can be the Shulamite. This is not a picture of Solomons love for a woman, but instead the story of how Solomon came to love the Lord and grow spiritually throughout His life. Both Books (Revelation and Song of Solomon) are actually a symbolic picture of the Ancient Jewish Wedding. The bride is the Church, and therefore, seen as female, yet we know that God is identified as being present in both male and female. Therefore, Solomon is writing as a believer growing in his walk with the Lord. Song of Solomon, like all books in the Old Testament, point to Jesus. It cant be about Solomon and his love for a woman; IT HAS TO BE ABOUT JESUS. Therefore, it shows how a believer grows in their relationship with Jesus. The Jewish wedding takes us from the first time we see Jesus in the spirit and are engaged (salvation) to the time we see Jesus face to face in marriage (our resurrection) to the time we return with Christ to rule and reign as His wife (Millennium) to the time we live in the new heaven and earth (eternity). The intention of this book is to experience in the spirit the life of the believer growing in our knowledge and relationship with Jesus Christ.

“Always preach to broken hearts and you will never lack for a congregation,” an old saying goes. And for that reason, this book is for everyone—because there are many, many things that break our hearts. Sicknesses, spiritual depression, disabilities, painful memories, strained relationships... all of these weigh on Christians’ hearts at one time or another. And even when our hearts feel light, there is a longing that runs through us—a crying of the soul for eternity, for a new heavens and a new earth. Yet even in the midst of our heartache, we know there is a faith that comes from Jesus Christ that not only encourages us through our pain, but can even transform our pain... as long as we let it. And here is a collection of warm, pastoral messages, filled with personal illustration, that does just that: helps the brokenhearted Christian to locate the God of all comfort in the center of all pain. We are not left there, either; Mike Milton takes us a step further to see how the gospel actually transforms our private pain into personal praise. So read and discover how God uses the things that seek to destroy us to become the very things that bring us salvation, bring us hope, bring us to prayer, bring us together, and ultimately bring us to heaven.

The Servant Song of Isaiah 53 has been highly significant in both Jewish and Christian thought. Rarely, however, has it been explored from the broad range of perspectives represented in this long-awaited volume. In The Suffering Servant ten talented biblical interpreters trace the influence of the Servant Song text through the centuries, unpacking the theological meanings of this rich passage of scripture and its uses in various religious contexts. Chapters examine in depth Isaiah 52:13-53:12 in the Hebrew original and in later writings, including pre-Christian Jewish literature, the New Testament, the Isaiah Targum, the early church fathers, and a sixteenth-century rabbinic document informed by Jewish-Christian dialogue. Contributors Jostein Ådna Daniel P. Bailey Gerlinde Feine Martin Hengel Hans-Jürgen Hermisson Otfried Hofius Wolfgang Hüllstrung Bernd Janowski Christoph Markschies Stefan Schreiner Hermann Spieckermann Peter Stuhlmacher

Did Jesus of Nazareth live and die without the teaching about the righteous Servant of the Lord in Isaiah 53 having exerted any significant influence on his ministry? Did the use of Isaiah 53 to interpret his mission actually begin with Jesus?

This extract from the Eerdmans Commentary on the Bible provides Jarik and Rogerson’s introduction to and concise commentary on Ecclesiastes and Song of Songs. The Eerdmans Commentary on the Bible presents, in nontechnical language, the best of modern scholarship on each book of the Bible, including the Apocrypha. Reader-friendly commentary complements succinct summaries of each section of the text and will be valuable to scholars, students, and general readers. Rather than attempt a verse-by-verse analysis, these volumes work from larger sense units, highlighting the place of each passage within the overarching biblical story. Commentators focus on the genre of each text—parable, prophetic oracle, legal code, and so on—interpreting within the historical and literary context. The volumes also address major issues within each biblical book—including the range of possible interpretations—and refer readers to the best resources for further discussions.

James Kugel’s essential introduction and companion to the Bible combines modern scholarship with the wisdom of ancient interpreters for the entire Hebrew Bible. As soon as it appeared, How to Read the Bible was recognized as a masterwork, “awesome, thrilling” (The New York Times), “wonderfully interesting, extremely well presented” (The Washington Post), and “a tour de force...a stunning narrative” (Publishers Weekly). Now, this classic remains the clearest, most inviting and readable guide to the Hebrew Bible around—and a profound meditation on the effect that modern biblical scholarship has had on traditional belief. Moving chapter by chapter, Harvard professor James Kugel covers the Bible’s most significant stories—the Creation of the world, Adam and Eve, Cain and Abel, Noah and the flood, Abraham and Sarah, Jacob and his wives, Moses and the exodus, David’s mighty kingdom, plus the writings of Isaiah, Jeremiah, and the other prophets, and on to the Babylonian conquest and the eventual return to Zion. Throughout, Kugel contrasts the way modern scholars understand these events with the way Christians and Jews have traditionally understood them. The latter is not, Kugel shows, a naïve reading; rather, it is the product of a school of sophisticated interpreters who flourished toward the end of the biblical period. These highly ideological readers sought to put their own spin on texts that had been around for centuries, utterly transforming them in the process. Their interpretations became what the Bible meant for centuries and centuries—until modern scholarship came along. The question that this book ultimately asks is: What now? As one reviewer wrote, Kugel’s answer provides “a contemporary model of how to read Sacred Scripture amidst the oppositional pulls of modern scholarship and tradition.”

Re-tune your heart to what God thinks and wants with these studies in the Psalms

"Saints and sinners, all jumbled up together." That's the genius of Johnny Cash, and that's what the gospel is ultimately all about. Johnny Cash sang about and for people on the margins. He famously played concerts in prisons, where he sang both murder ballads and gospel tunes in the same set. It's this juxtaposition between light and dark, writes Richard Beck, that makes Cash one of the most authentic theologians in memory. In Trains, Jesus, and Murder, Beck explores the theology of Johnny Cash by investigating a dozen of Cash's songs. In reflecting on Cash's lyrics, and the passion with which he sang them, we gain a deeper understanding of the enduring faith of the Man in Black.