A beautiful, poetic translation of the Book of Psalms, Songs Ascending includes textual commentary and insights into the translation process, illuminating the choices of the original composers and the choices facing us in the 21st century as we try to make each psalm our own. The spiritual commentary asks: To what events, struggles, and triumphs in our lives might this psalm speak? How might this psalm articulate an aspect of our own sacred existence, or how might it help us celebrate a special day in our lives? How might it provide comfort when we are bereft and most in need of consolation, or how might it help us provide comfort for someone else? Songs Ascending explores all this and more, engaging the reader in dialogue that will inform and inspire.

A beautiful, poetic translation of the Book of Psalms, Songs Ascending includes textual commentary and insights into the translation process, illuminating the choices of the original composers and the choices facing us in the 21st century as we try to make each psalm our own. The spiritual commentary asks: To what events, struggles, and triumphs in our lives might this psalm speak? How might this psalm articulate an aspect of our own sacred existence, or how might it help us celebrate a special day in our lives? How might it provide comfort when we are bereft and most in need of consolation, or how might it help us provide comfort for someone else? Songs Ascending explores all this and more, engaging the reader in dialogue that will inform and inspire. "For Richard Levy, the force of the Psalms comes from their spiritual intentions; and he re-enforces this priority with rich commentary and postscripts that help the reader actually USE the Psalms in some meaningful way. Songs Ascending may be the high point in Richard Levy's career--a career filled with high points." - Rabbi William Cutter, PhD, Steinberg Emeritus Professor of Human Relations at HUC-JIR Los Angeles "With its clear and engaging English translation, the insightful commentary, and thought provoking spiritual applications, Songs Ascending offers something for everyone, from lay person, to rabbi, to biblical scholar alike. And for that, I give it a "two thumbs up," or as we say in Hebrew: kol hakavod!" - Professor Kristine Henriksen Garroway, Visiting Assistant Professor of Hebrew Bible at HUC-JIR Los Angeles

This study defines the traditional styles and genres of Netsilik Inuit music and examines the extent of change which this music has undergone especially as a result of contact with European and North American music. Volume two consists of song transcriptions and commentaries.

In its scope and command of primary sources and its generosity of scholarly inquiry, Nikolai Findeizen's monumental work, published in 1928 and 1929 in Soviet Russia, places the origins and development of music in Russia within the context of Russia's cultural and social history. Volume 2 of Findeizen's landmark study surveys music in court life during the reigns of Elizabeth I and Catherine II, music in Russian domestic and public life in the second half of the 18th century, and the variety and vitality of Russian music at the end of the 18th century.

The Collected Works of Witness Lee, 1969, volume 1, contains messages given by Brother Witness Lee from February through May 1969. Brother Lee remained in Los Angeles until the end of March, after which he made a brief trip to Waco, Texas, and then returned to Los Angeles. At the beginning of May he made a brief visit to San Francisco and then returned to Los Angeles, where he remained until the end of the month. The contents of this volume are divided into six sections, as follows: 1. Five messages given in Los Angeles, California, from February 4 through March 4. These messages were combined with three additional messages given in Altadena, California, on July 18 and 25 and August 1, 1963, and were previously published in a two-part, eight-chapter book under the title To Serve in the Human Spirit. The three messages given in 1963 are also included in The Collected Works of Witness Lee, 1963, volume 3, as chapters 1 through 3 of Basic Principles for the Service in the Church Life. 2. Twenty-three messages given in Los Angeles, California, during periods of informal training from February 5 through May 21, 1969, and from April 1 through May 13, 1970. These messages were previously published in a book under the title How to Meet. 3. One message given in Los Angeles, California, on May 28, 1969. This message is included in this volume under the title A Testimony concerning Christ, the Local Churches, and the Spirit. 4. Sixteen messages given in Los Angeles, California, from February 7 through May 16. They were previously published in a book of fifteen chapters under the title The Experience of Christ as Life for the Building Up of the Church. 5. Two messages given in Los Angeles, California, on March 11 and 18. They were previously published in The Stream, volume 7, number 3, August 1, 1969. They are published in this volume under the general title Serving the Lord by Seeing the Heavenly Vision. 6. Eight messages given in Los Angeles, California, from February 16 through April 13. These messages are included in this section under the title Miscellaneous Messages.

"A new, poetic translation of the Book of Psalms faces the Masoretic Hebrew text. A running textual commentary takes us inside the translation process. A second, spiritual commentary connects each psalm to the events, struggles, and triumphs in our spiritual lives"--

The repertoire files of the late Dr. Barbara Doscher, in which she noted her tips, observations on each particular piece, and notes on how to best teach it, comprise a unique trove of wisdom unmatched by any other source. Laboriously transcribed and annotated by John Nix, one of Doscher's students, the notes are presented here as a companion volume to her best-selling text, The Functional Unity of the Singing Voice. Entries are divided by broad category (art song, arias, folk songs, oratorio, musicals, etc.) and are arranged by song title. Each entry includes author, poet or librettist, key(s) available, ranges (for each key), tessitura, difficulty level, voice types, comments, a summary of the text, and notes as to genre, language, and editions available. Five comprehensive indexes facilitate searching. As a guide to selecting vocal repertoire, this book's practical and sometimes colorful comments on each song or aria will assist the vocal instructor in matching the student's ability and range to the appropriate piece. This distillation of Barbara Doscher's many years of experience in the teaching studio is a necessary addition to any vocal instructor's collection, as well as a valuable resource for the individual singer.

Includes CD of the broadcasts (2-disc set) Book URL: https://www.areditions.com/rr/rrotm/otm010.html The ethnomusicologist Robert Lachmann (1892¿1939) wrote and presented twelve radio programs entitled Oriental Music, which were transmitted by the Palestine Broadcasting Service between November 1936 and April 1937. The programs, which formed part of Lachmann¿s pioneering project to establish an ¿Oriental music archive¿ at the Hebrew University of Jerusalem, included live performances of traditional music representing the different ethnic and religious communities of Palestine, performances which were simultaneously recorded onto metal disc. This edition presents Lachmann¿s scripts with musical transcriptions of performances, transcriptions and translations of the sung texts, and selected digitally restored musical recordings (provided on the accompanying set of compact discs). The introduction and editorial commentaries explore Lachmann¿s radio lectures as they relate to his body of research on ¿Oriental music¿ and to wider concerns of scholarship, politics, and ideology. This edition will appeal to scholars of Middle Eastern cultural history and ethnomusicology, and especially to those interested in the history of sound archives, recording and broadcasting, the intellectual history of ethnomusicology, and the history, theory, and aesthetics of Middle Eastern music.

Reprint of the original, first published in 1875.