Seventeen-year-old Astor thinks she's about to wed the handsome plutocrat Lorrain Swale. But to her horror, her mother and stepfather abandon her, and she finds herself a lowly governess in the Swale household. Treated with contempt by the whole family, Astor is determined to escape. Help arrives unexpectedly in the form of the charismatic and mysterious Verrol. Together they plunge into the slums of Brummingham and find themselves in a street band, making wild music-- a new kind of music that takes the world by storm. But the Swale brothers haven't finished with them yet.

The author was a Japanese Christian pacifist, reformer, and labour activist. He grew up in the slums of Kobe, Japan and would later return there to do missionary work. His poems describes aspects of slum society.

An absorbing, page-turning story about fame, changing fortunes and music, set in an alternative Victorian world, from the brilliant creator of Worldshaker. What if they'd invented rock 'n roll way back in the 19th century? What if it could take over the world and change the course of history? In the slums of Brummingham, the outcast gangs are making a new kind of music, with pounding rhythms and wild guitars. Astor Vance has been trained in refined classical music. But when her life plummets from riches to rags, the only way she can survive is to play the music the slum gangs want. Charismatic Verrol, once her servant, is now her partner in crime...and he could be so much more if only he'd come clean about his mysterious past...

Oh, Men, with Sisters dear! Oh, Men, with Mothers and Wives! It is not linen you're wearing out, But human creatures' lives! Stitch - stitch - stitch, In poverty, hunger and dirt, Sewing at once, with a double thread, A Shroud as well as a Shirt. -from "The Song of the Shirt" by Thomas Hood (1843) In April 2013 Rana Plaza, an unremarkable eight-story commercial block in Dhaka, the capital of Bangladesh, collapsed, killing 1,129 people and injuring over 2,000. Most of them were low paid textile workers who had been ordered to return to their cramped workshops the day after ominous cracks were discovered in the building's concrete structure. Rana Plaza's destruction revealed a stark tragedy in the making: of men (in fact mostly women and children) toiling in fragile, flammable buildings who provide the world with limitless cheap garments - through Walmart, Benetton and Gap - and bring in 70% of Bangladesh's foreign exchange. In elegiac prose, Jeremy Seabrook investigates the disproportionate sacrifices demanded by the manufacture of such throwaway items as baseball caps and sweatshirts. He also traces the intertwined histories of workers in what is now Bangladesh, and Lancashire. Two hundred years ago the former were dispossessed of ancient skills and their counterparts in Lancashire forced into labour settlements; in a ghostly replay of traffic in the other direction, the decline of Britain's textile industry coincided with Bangladesh becoming one of the world's major clothing exporters. The two examples offer mirror images of impoverishment and affluence. With capital becoming more protean than ever, it won't be long before global business, in its nomadic cultivation of profit, relocates mass textile manufacture to an even cheaper source of labour than Bangladesh, with all too predictable consequences for those involved.

This book discusses John Galsworthy’s compassion for people and animals, in his fiction, non-fiction and drama. Initial chapters explore compassion in The Forsyte Saga and The Modern Comedy, and his parents’ influence. Other chapters examine his works helping prison reform, men and children disabled during the First World War, and people whose relatives were interned as war-time alien enemies. Two chapters focus on slum clearance and labour unrest during the twentieth century’s first three decades. Another two concentrate on animal welfare and vivisection. The final chapter attempts to appraise Galsworthy as a writer by looking at what commentators past and present have said, and at what constitutes literature.

Did advocates of the social gospel carry the burden of humanitarian aid during the late nineteenth and early twentieth centuries? Were evangelicals content merely to maintain the status quo and avoid ameliorating the plight of the needy? Focusing upon the period from the Civil War to about 1920, this study attempts to portray the sizeable body of Christians whose extensive welfare activities and concern sprang similarly from their passion for evangelism and personal holiness, writes the author. He meticulously traces the urban welfare activities of the Salvation Army, the Volunteers of America, the Christian Missionary and Alliance, multiple rescue missions and homes, and the religious journal 'Christian Herald'.