Song of Opar is an update of Tarzan and La's adventures beginning in the early twentieth century. Working with new information, the Opar stories have been enhanced and updated. Song of Opar places more emphasis on the origins of Opar, adventures of Tarzan and La not documented anywhere else, and the demise of the lost city. Song of Opar is a tale of more than 115,000 words. It features a spectacular cover featuring the talent of well-known ERB artist Ñ Joe Jusko. Song of Opar has thirty interior illustrations newly created, by the author, expressly for this book.

In this classic fantasy novel a warrior sets out to win a deadly contest to rule a prehistoric empire—and take the hand of its beautiful priestess. The lost city of Opar was first introduced to readers in the Tarzan novels of Edgar Rice Burroughs. Hidden deep in Africa, it is a place shrouded in mystery and awash with incredible riches. In Hadon of Ancient Opar, Hugo and Nebula Award–winning author Philip José Farmer reimagines this forgotten land, revealing the heroes who lived in its prehistoric golden age . . . A poor young man of great ambition, Hadon leaves his village to enter the great games of Klakor—a bloody contest in which only the strongest and most cunning warrior will survive. He seeks the ultimate prize: to rule the Khokarsan Empire alongside the powerful High Priestess. But his quest for the throne leads him beyond the empire’s edge, where he finds himself embroiled in civil war.

A collection of Wold Newton-inspired short stories by Farmerphiles, experts, and the Grand Master of SF himself.A real meteorite fell near Wold Newton, Yorkshire, England, on December 13, 1795, and was found to be radioactive, causing genetic mutations in the occupants of a passing coach. Many of their descendants were thus endowed with extremely high intelligence and strength, as well as an exceptional capacity and drive to perform good, or, as the case may be, evil deeds.

One Grand, Sweet Song is a collection of familiar essays in which Sam Pickering explores libraries and woods and fields. He wanders over hills and far away—to Caribbean and Canada—but he always returns to the local, to Connecticut and his memories of a Southern childhood. He ponders writing and aging, joy and lunacy. He celebrates family and Christmas. He laughs and tells terrible lies, and jokes. He runs half-marathons, and on a farm in Nova Scotia, he tries to write his Walden. “O World, I cannot hold thee close enough!” Edna St. Vincent Millay once exclaimed. In these pages Pickering embraces his world with great love, wrapping it in words and pulling it and the reader unforgettably close. Pickering has written 28 books and 100s of articles. The subject matter of the books ranges. Three are scholarly studies, two of which focus on 18th century children’s literature. Four are travel books, three of these describing his family’s meanderings in Australia. One book mulls teaching, and another is a memoir. The rest of Pickering’s books are collections of familiar essays, providing his take or perhaps “untake” on things. “Reading Pickering,” a reviewer wrote in the Smithsonian, “is like taking a walk with your oldest, wittiest friend.”

This first standalone edition of Philip Jose Farmer and Christopher Paul Carey's critically acclaimed novel, The Song of Kwasin the third volume of the Khokarsa series contains a host of rare and previously unpublished bonus materials, including: a brand-new introduction by noted author and critic Paul Di Filippo; a preface to the Meteor House edition by Christopher Paul Carey; "Kwasin and the Bear God" by Philip Jose Farmer and Christopher Paul Carey (a 20,000-word novella featuring a lost adventure of Kwasin); The Khokarsan Calendar by Philip Jose Farmer; The Plants of Khokarsa by Philip Jose Farmer; A Guide to Khokarsa by Christopher Paul Carey; Philip Jose Farmer s notes on the Khokarsa series, including his original and alternate outlines to The Song of Kwasin; and correspondence by Philip Jose Farmer to Frank J. Brueckel and John Harwood, authors of "Heritage of the Flaming God," the monumental essay that inspired the Khokarsa series. After years of exile in the Wild Lands, the giant warrior Kwasin of Dythbeth returns to the mighty Khokarsan Empire seeking the oracle's forgiveness, only to find his native land torn asunder in a bloody civil war. The tyrannical King Minruth has usurped the throne from his daughter Awineth and, allied with the priests of the sun god Resu, overturned the beneficent, centuries-old rule of the priestesses of the goddess Kho. His spoiled cousin Hadon having fled with his companions to far-flung Opar, Kwasin soon finds he will have to take up the cause alone against Minruth the Mad. Wielding his massive Ax of Victory, forged from the heart of a fallen star, Kwasin sets out to reconquer the throne of Khokarsa. But when he finds himself caught between a vengeful queen who seeks to control him and a conspiring priest who wants him dead, Kwasin must decide between reining in his unruly passions or unleashing them in a fury that could hurl the empire into oblivion. For the high priestess has decreed that unless Kwasin can master his wild nature and stop King Minruth before he attains immortality in an unholy ritual of the sun god, Great Kho will destroy all the land!"

The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service,Bombay ,started on 22 december, 1935 and was the successor to the Indian Radio Times in english, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it was published by All India Radio,New Delhi.In 1950,it was turned into a weekly journal. Later,The Indian listener became "Akashvani" in January 5, 1958. It was made a fortnightly again on July 1,1983. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes,who writes them,take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. NAME OF THE JOURNAL: The Indian Listener LANGUAGE OF THE JOURNAL: English DATE,MONTH & YEAR OF PUBLICATION: 22-04-1939 PERIODICITY OF THE JOURNAL: Fortnightly NUMBER OF PAGES: 76 VOLUME NUMBER: Vol. IV, No. 9. BROADCAST PROGRAMME SCHEDULE PUBLISHED(PAGE NOS): 621-632, 635-646, 649-684 Document ID: INL-1938-39 (D-J) Vol-I (09)