In the 'Song of My People ' internationally acclaimed liturgical composer Liam Lawton tells the story behind his music. For the past 10 years he has been drawing inspiration from the rich and beautiful heritage of his native land, never tiring of discovering connections between people, landscape and spirituality, one constantly influencing the other. Song of My People tells the story of what has inspired him to compose. He explores what it is about the native Irish tradition that has created some of the most beautiful and lyrical melodies despite knowing times of great strife and struggle. This is not an academic study but rather a compelling look into the world that has shaped Liam Lawton s music, from the early Christian settlers in Ireland, to the stories of Famine days to the contemporary world of Irish music.

Award-winning illustrator Duncan Tonatiuh brings to life debut author Gloria Amescua's lyrical biography of an indigenous Nahua woman from Mexico who taught and preserved her people's culture through modeling for famous artists She was Luz Jiménez, child of the flower-song people, the powerful Aztec, who called themselves Nahua— who lost their land but who did not disappear. As a young Nahua girl in Mexico during the early 1900s, Luz learned how to grind corn in a metate, to twist yarn with her toes, and to weave on a loom. By the fire at night, she listened to stories of her community’s joys, suffering, and survival, and wove them into her heart. But when the Mexican Revolution came to her village, Luz and her family were forced to flee and start a new life. In Mexico City, Luz became a model for painters, sculptors, and photographers such as Diego Rivera, Jean Charlot, and Tina Modotti. These artists were interested in showing the true face of Mexico and not a European version. Through her work, Luz found a way to preserve her people's culture by sharing her native language, stories, and traditions. Soon, scholars came to learn from her. This moving, beautifully illustrated biography tells the remarkable story of how model and teacher Luz Jiménez became “the soul of Mexico”—a living link between the indigenous Nahua and the rest of the world. Through her deep pride in her roots and her unshakeable spirit, the world came to recognize the beauty and strength of her people. The book includes an author’s note, timeline, glossary, and bibliography.

Now, in The Song of Songs: The Honeybee in the Garden, author and artist Debra Band presents a breathtakingly beautiful illuminated work in which these two lines of interpretation are harmonized within a stunning visual context.

Shortlisted for the Women's Prize for Fiction, the Orwell Prize for Political Fiction, and the Rathbones Folio Prize Winner of the South Bank Sky Arts Award for Literature A Washington Post "Lily Lit" Book Club Selection

In selecting Margaret Walker as the recipient of the Yale Series of Younger Poets in 1942—making her the first African American to receive this national literary award—Stephen Vincent Benét proclaimed hers a vibrant new voice, finding in her collection For My People “a controlled intensity of emotion and a language that, at times, even when it is most modern, has something of a surge of biblical poetry.” Today, more than seventy years later, Walker’s voice still resonates with particular power. Addressing the literature and culture of black America, This Is My Century, first published in 1989, marked a significant contribution to American poetry, bringing together Walker’s selection of one hundred of her own poems. On the eve of the centennial of Walker’s birth, the University of Georgia Press is proud to reissue this classic of American letters. In addition to her award-winning debut collection, the volume includes Prophets for a New Day (1970), a celebration of the civil rights movement; October Journey (1973), a collection of autobiographical and dedicatory poems; and thirty-seven previously uncollected poems.

In the late 1940s a left-wing organization called People's Songs used their music as a battle cry for civil rights, civil liberties, and world peace. They were inspired by Woody Guthrie, led by Pete Seeger, and sponsored by Aaron Copland, Leonard Bernstein, Oscar Hammerstein II, and Paul Robeson among others. Many members of the group were involved in musical and political activities that spanned twenty years and encompassed sweeping changes in the American political arena. --Jacket

In the Song of the Prophet, we learn that affection doesnt happen in isolation; it happens in relationship with others. However, the moments when our soul is deeply affected by the Lords divine presence, the song of all songs does just that to our spirits. God graciously gave the wisest man that ever lived a revelation of lovea love thats real and not just a passing lustful thought, a love where growth and maturity are free to exist through both pain and promise, free from rejection and shame. The Songs of Solomon give us a map of what love can become through the eyes of God. Each phrase and each verse is the language of what heaven feels about those who are called. Language is such a beautiful gift from our Lord that expresses many multifaceted emotions. These eight chapters are an invitation to sit at his feet like Mary. The Song of the Prophet shows us that the ways of God make abandonment the only way to live. Giving our Lord everything isnt weighed because of what we might lose; Jesus gave us his all, so we give all.

This momentous, critically-acclaimed series is truly an essential source filled with traditional prayers, and modern commentaries.