SONG OF LOCKE is a story made up for 4 parts called scrolls. This is the first two, yours to read for FREE. “Just think LEGEND OF ZELDA meets GAME OF THRONES.” — Nathan Tucker, Numinous Locke loves stories—they fill him with a longing he can never quite describe—but he’s not the sort of kid who actually lives adventures himself. That is, until a bloodthirsty band of marauders passes near his home and Picke, a musical sylfe, dares him to follow. In hopes of fulfilling his longing, Locke accepts the dare. This leads him on a quest where he must face snarling wolves, wield a magic blade, and risk his life to rescue a Goddess—a girl he hardly knows but who he can’t stop thinking about. In the spirit of Legend of Zelda and Peter Pan, SONG OF LOCKE portrays a detailed fantasy world, somewhat grittier than its forebears and drenched in human emotion. The tale has swordfights, witty banter, crushes, and even some subtle philosophy smuggled in. It’s an epic for everyone who loves good stories—for anyone who has longed for something that seemed forever out of reach.

"Just think LEGEND OF ZELDA meets GAME OF THRONES." -- Nathan Tucker, Numinous Locke loves stories--they fill him with a longing he can never quite describe--but he's not the sort of kid who actually lives adventures himself. That is, until a bloodthirsty band of marauders passes near his home and Picke, a musical sylfe, dares him to follow. In hopes of fulfilling his longing, Locke accepts the dare. This leads him on a quest where he must face snarling wolves, wield a magic blade, and risk his life to rescue a Goddess--a girl he hardly knows but who he can't stop thinking about. In the spirit of Legend of Zelda and Peter Pan, SONG OF LOCKE portrays a detailed fantasy world, somewhat grittier than its forebears and drenched in human emotion. The tale has swordfights, witty banter, crushes, and even some subtle philosophy smuggled in. It's an epic for everyone who loves good stories--for anyone who has longed for something that seemed forever out of reach.

Music was integral to the daily life of ancient Israel. It accompanied activities as diverse as manual labor and royal processionals. At key junctures and in core institutions, musical tones were used to deliver messages, convey emotions, strengthen communal bonds and establish human-divine contact. This book explores the intricate and multifaceted nature of biblical music through a detailed look into four major episodes and genres: the Song of the Sea (Exod. 15), King Saul and David's harp (1 Sam. 16), the use of music in prophecy, and the Book of Psalms. This investigation demonstrates how music helped shape and define the self-identity of ancient Israel.

Reading Westworld is the first volume to explore the cultural, textual and theoretical significance of the hugely successful HBO TV series Westworld. The essays engage in a series of original enquiries into the central themes of the series including conceptions of the human and posthuman, American history, gaming, memory, surveillance, AI, feminism, imperialism, free will and contemporary capitalism. In its varied critical engagements with the genre, narratives and contexts of Westworld, this volume explores the show’s wider and deeper meanings and the questions it poses, as well considering how Westworld reflects on the ethical implications of artificial life and technological innovation for our own futurity. With critical essays that draw on the interdisciplinary strengths and productive intersections of media, cultural and literary studies, Reading Westworld seeks to respond to the show’s fundamental question; “Have you ever questioned the nature of your reality?” It will be of interest to students, academics and general readers seeking to engage with Westworld and the far-reaching questions it poses about our current engagements with technology.

For over one hundred years International Critical Commentaries have had a special place among works on the Bible. They bring together all the relevant aids to exegesis - linguistic, textual, archaeological, historical, literary, and theological - to help the reader understand the meaning of the books of the Old and New Testaments. The new commentaries continue this tradition. All new evidence now available is incorporated and new methods of study are applied. The authors are of the highest international standing. No attempt has been made to secure a uniform theological or critical approach to the biblical text: contributors have been invited for their scholarly distinction, not for their adherence to any one school of thought.

An important modern exponent of Asian dance, Pandit Chitresh Das brought kathak to the United States in 1970. The North Indian classical dance has since become an important art form within the greater Indian diaspora. Yet its adoption outside of India raises questions about what happens to artistic practices when we separate them from their broader cultural contexts. A Guru's Journey provides an ethnographic study of the dance form in the San Francisco Bay Area community formed by Das. Sarah Morelli, a kathak dancer and one of Das's former students, investigates issues in teaching, learning, and performance that developed around Das during his time in the United States. In modifying kathak's form and teaching for Western students, Das negotiates questions of Indianness and non-Indianness, gender, identity, and race. Morelli lays out these issues for readers with the goal of deepening their knowledge of kathak aesthetics, technique, and theory. She also shares the intricacies of footwork, facial expression in storytelling, and other aspects of kathak while tying them to the cultural issues that inform the dance.