These works on the Art of Memory bracket Giordano Bruno's ten year journey through the centers of learning in late 16th century Europe.Song of Circe was written in 1583, near the outset of Girodano Bruno's career in England as a simplified version of the memory palace technique developed in On the Shadows of Ideas, at the request of his students there. On the Composition of Ideas was Bruno's last published work in 1591, shortly before he fell into the hands of the Inquisition. Both works demonstrate the phenomenally complex scale and intricacy of the Art of Memory, incorporating the techniques described in Thirty Seals and Thirty Statues to form a truly universal imaginary inner landscape.

Written in 1591 and published posthumously, Bruno's Lamps of the Thirty Statues presents an advanced example of the memory palace technique, He presents a periodic table or encyclopedia of classical philosophy, representing thirty abstract ideas through images taken from Ovid's Metamorphoses. These images are then given attributes which can be combined and manipulated to address fundamental arguments and isues of philosophical interest. At the same time, he develops a theogony and a categorization scheme for substances and concepts through the framework of the scale of nature and the scale of predicates or ideas. First English Translation.

Giordano Bruno (/dʒɔːrˈdɑːnoʊ ˈbruːnoʊ/; Italian: [dʒorˈdaːno ˈbruːno]; Latin: Iordanus Brunus Nolanus; born Filippo Bruno, January or February 1548 - 17 February 1600) was an Italian philosopher, poet, cosmological theorist and esotericist. He is known for his cosmological theories, which conceptually extended to include the then-novel Copernican model. He proposed that the stars were distant suns surrounded by their own planets (exoplanets), and he raised the possibility that these planets might foster life of their own, a cosmological position known as cosmic pluralism. He also insisted that the universe is infinite and could have no center.

Giordano Bruno's third work on the Art of Memory or memory palace consists of a set of seals, which represent data structures for arranging and developing memory images and for processing mental representations and propositions. In this work, he fully combines for the first time both the retrospective Art of Memory and the prospective art of logic and judgment originally developed by Ramon Llull. Appended to this is the Seal of Seals, a discussion of psychological dynamics from a Neoplatonic viewpoint.

From its ancient incarnation as a song to recent translations in modern languages, Homeric epic remains an abiding source of inspiration for both scholars and artists that transcends temporal and linguistic boundaries. The Cambridge Guide to Homer examines the influence and meaning of Homeric poetry from its earliest form as ancient Greek song to its current status in world literature, presenting the information in a synthetic manner that allows the reader to gain an understanding of the different strands of Homeric studies. The volume is structured around three main themes: Homeric Song and Text; the Homeric World, and Homer in the World. Each section starts with a series of 'macropedia' essays arranged thematically that are accompanied by shorter complementary 'micropedia' articles. The Cambridge Guide to Homer thus traces the many routes taken by Homeric epic in the ancient world and its continuing relevance in different periods and cultures.

A BRILLIANT AND BEGUILING REIMAGINING OF ONE OF OUR GREATEST MYTHS BY A GIFTED YOUNG WRITER Zachary Mason's brilliant and beguiling debut novel, The Lost Books of the Odyssey, reimagines Homer's classic story of the hero Odysseus and his long journey home after the fall of Troy. With brilliant prose, terrific imagination, and dazzling literary skill, Mason creates alternative episodes, fragments, and revisions of Homer's original that taken together open up this classic Greek myth to endless reverberating interpretations. The Lost Books of the Odyssey is punctuated with great wit, beauty, and playfulness; it is a daring literary page-turner that marks the emergence of an extraordinary new talent.

Giordano Bruno (1548-1600) was a philosopher in his own right. However, he was famous through the centuries due to his execution as a heretic. His pronouncements against teachings of the Catholic Church, his defence of the cosmology of Nicholas Copernicus, and his provocative personality, all this made him a paradigmatic figure of modernity. Bruno’s way of philosophizing is not looking for outright solutions but rather for the depth of the problems; he knows his predecessors and their strategies as well as their weaknesses, which he exposes satirically. This introduction helps to identify the original thought of Bruno who proudly said about himself: “Philosophy is my profession!” His major achievements concern the creativity of the human mind studied through the theory of memory, the infinity of the world, and the discovery of atomism for modernity. He never held a permanent office within or without the academic world. Therefore, the way of thinking of this “Knight Errant of Philosophy” will be presented along the stations of his journey through Western Europe.

Why did the Greeks of the archaic and early Classical period join in choruses that sang and danced on public and private occasions? This book offers a wide-ranging exploration of representations of chorality in the poetry, art and material remains of early Greece in order to demonstrate the centrality of the activity in the social, religious and technological practices of individuals and communities. Moving from a consideration of choral archetypes, among them cauldrons, columns, Gorgons, ships and halcyons, the discussion then turns to an investigation of how participation in choral song and dance shaped communal experience and interacted with a variety of disparate spheres that include weaving, cataloguing, temple architecture and inscribing. The study ends with a treatment of the role of choral activity in generating epiphanies and allowing viewers and participants access to realms that typically lie beyond their perception.