If you enjoyed The Shack, you'll love this nonfiction look at faith, suffering, and healing. Weaving comedy, tragedy, and faith together into a tapestry of stories that will resonate with people from a wide variety of backgrounds, acclaimed columnist Tony Woodlief offers hope and assurance of the enduring power of love and grace.

Acclaimed columnist Tony Woodlief pens the poignant and powerful story of his search for meaning in the midst of tragedy. When he and his wife lost their adored little girl, his trust in God turned to bitter anger. As he and his wife struggled to save their marriage and his faith, they discovered that home is more than just rooms and a roof. Home is a place where people are sometimes wounded or betrayed. Home is also where God is strong in the broken places. Woodlief takes readers through his house, room by room, showing that home is:• Where we cry out to God as we seek him in the small things• Where the sacred and the mundane meet• The place that makes us better than we could ever be on our own• More than the place where we eat and sleep...it is where we learn graceWoodlief’s heart-touching stories leavened with humor will appeal to a wide audience, especially those trying to reconcile the idea of a loving God in a broken world.

In an epic narrative, sometimes moving, sometimes astonishing, always revealing, Moffat writes an entirely new history of Britain. Instead of the usual parade of the usual suspects – kings, queens, saints, warriors and the notorious – this is a people's history, a narrative made from stories only DNA can tell, which offers insights into who we are and where we come from. Based on exciting new research involving the largest sampling of DNA ever made in Britain, Alistair Moffat shows the true origins of our island's inhabitants.

Poetry. Women's Studies. Young Adult. Somewhere between the stem and the fruit is that paradoxical nexus, the point that is both connection and separation, from where you came, to what you are becoming, the scene of the severing, the letting go, the stepping away, the necessary violence and the radical isolation required to be oneself, wholly. And, perhaps, holy. "The poems are written / before they occur to me," Gwen Frost declares at the conclusion of her shattering first collection. "Something about a scar, something about a hymn." She says that poetry saved her life, making this volume a document of that on-going process of healing, and a gift and a hope for others on the same journey. Foremost, it is a document of a contemporary young woman negotiating her way through a perilous world. "Turns out, there are a million different ways to kill a girl," she observes in "Watch," a poem that references Hitchcock's advice to "torture the women" in order to make a popular film, and by extension the misogynistic voyeurism that fetishizes violence against women. This book documents more than a few of those ways, and nowhere more chillingly than in the poem "sticking heads in the sand," in which the query "How was your summer?" follows up almost casually with another question, "What was your rapist's name?" In the inventory of anticipated experience for a young woman, "summer love and sexual assault / adventures and attacks" go hand in hand, "heads pushed into sand" both an act of violence and an act of willful forgetting. Gwen Frost won't forget, and won't let us forget. She is fiercely self-examining and self-revealing, admitting her chief fear is "what I am capable of, I am afraid / that I could kill a man, / and I am afraid / that I might like it." In lieu of this (perhaps understandable) act of violence, she exorcises and expiates through her verse. In the process, she might save us along with herself. She concludes that she "will write one, unshareable poem, / and I will let it die with me, simple and / forever, folded neatly in my throat." This is her one prediction that we must hope is untrue, for we need her to write many, many more poems, and to share them for many years to come.

Most congregations today exist in what George Thompson calls the "middle of anywhere." They live comfortably with their surrounding culture, focusing their energies on serving the needs of their current members. These congregations have many strengths and gifts that they can exercise without changing a thing. But Thompson envisions a deeper, more prophetic call for congregations to explore the meaning of being in the world but not of it--a church on the "edge of somewhere." Thompson sees a church that is deeply engaged in ministering to the community while calling on others to commit to doing the same. By analyzing the interaction between a congregation's focus of identity and their stance with the world, Thompson has created a helpful grid for congregations to place themselves on today's cultural map. A congregation that sees itself as existing on the margins of society will look different than one that sees itself as embedded in society. A congregation that hears a call to serve the surrounding community will look different from one that focuses on its internal needs. Knowing where they stand now is the key for congregations to discover where they must go in the future to fully live out their call to be God's people in the world.

Based on her work with over a thousand women across the country, psychologist Helene G. Brenner has learned that women feel the impulse to accommodate, adapt and mold themselves to serve others at their own expense. Her solution is an invigorating new approach to women's psychology. The key to transformation, she explains, is not self-improvement, but self-acceptance—affirming and validating what we truly feel and experience and who we already are. Dr. Brenner shows women how to discover and express what they truly want and value, guiding you toward your own Inner Voice. I Know I’m In There Somewhere will show you: - How to embrace, rather than fix, the Inner Voice that has been there all along - How to distinguish the Outer Voices (the expectations of the people around you) from Your Inner Voice (the voice of your true self that goes beyond intuition and guides you wisely towards what is right for you) - What to do when you feel that the essence of who you are is being stifled by external demands and expectations

What would it be like taking a few weeks break and planning an unplanned travel across length and breadth of the country and explore the vastness and diversity of India? Aditya Khanna is a confused jobless ex-investment banker with an IIT - IIM lineage who does the same - except that nothing goes as he had expected. There were different kinds of people, each having a different tale to tell. From encounters ranging from meeting a know-it-all sadhu in the Himalayas to getting kidnapped by naxals to meeting a girl on the run whose only aim in life was to die. There were experiences of varied hues and shades in this roller coaster of a journey - experiences that could have made the trip a memorable one; and the experiences that had the power to break and change a person and in the process probably discover oneself. Will he take it all in his stride and move ahead and laugh at it when he looks back? Or will it leave him broken and shattered? Or will he discover his non confused self? Or will he be left stranded somewhere in the middle of nowhere? Or ...

Emily Henry’s beloved New York Times bestselling novel now in this stunning hardcover collector’s edition featuring: • A shimmering revamped cover • Sunset sky art endpapers and sprayed edges • Gold foil stamped case, and... • A new introduction from the author and a bonus January and Gus epilogue, “The Layover” A romance writer who no longer believes in love and a literary writer stuck in a rut engage in a summer-long challenge that may just upend everything they believe about happily ever afters. Augustus Everett is an acclaimed author of literary fiction. January Andrews writes bestselling romance. When she pens a Happily Ever After, he kills off his entire cast. They’re polar opposites. In fact, the only thing they have in common is that for the next three months they’re living in neighboring beach houses, broke and bogged down with writer’s block. Then one hazy evening, one thing leads to another and they strike a deal designed to force them out of their creative ruts: Augustus will spend the summer writing something happy, and January will pen the next Great American Novel. She’ll take him on field trips worthy of any rom-com montage, and he’ll take her to interview surviving members of a backwoods death cult (obviously). Everyone will finish a book and no one will fall in love. Really. “A tender, thoughtful, and very funny book…it’s not only convincing but infectious.”—The New York Times Book Review