Discover the behind-the-scenes story of how The Second City theater created a generation of world class great actors, directors, and writers. In the late Fifties and Sixties, iconoclastic young rebels in Chicago opened two tiny theaters—The Compass and The Second City—where they satirized politics, religion, and sex. Building scenes by improvising based on audience suggestions turned out to be a fine way to develop great actors, directors, and writers. Alumni went on to create such groundbreaking works as The Graduate, Groundhog Day, and Don’t Look Up. Many of them also became stars on Saturday Night Live. Something Wonderful Right Away features the pioneers of the empire that transformed American comedy. This new edition tells even more of the story. Included for the first time is an interview with Viola Spolin, the genius who invented theater games that were the foundation of improvisational theater. Also included are dozens of follow-up stories about Mike Nichols, Barbara Harris, Del Close, Joan Rivers, Alan Arkin, and Gilda Radner, plus “You Only Shoot the Ones You Love,” the story of how this book’s author, playwright Jeffrey Sweet, became so involved in the community he covered that he was captured by it.

A brief description of the history and goals of two improvizational comedy groups, the Compass and Second City, accompanies interviews with past members from Mike Nichols to Gilda Radner

With gentle humor and quirkiness, this sympathetic book demonstrates how to say goodbye to a beloved pet and give it a proper sendoff. “[The End of Something Wonderful is] really good. It’s funny and sardonic and it gets to be touching at the end.” —Betsy Bird, School Library Journal Children love their pets very much—and when the animals die, that loss can be hard to process. The End of Something Wonderful helps kids handle their feelings when they’re hurting and can’t find all the right words. In a warm, understanding, sometimes funny way, it guides children as they plan a backyard funeral to say goodbye, from choosing a box and a burial spot to giving a eulogy and wiping away tears. Most of all, it reassures them that it’s not the end of everything . . . and that Something Wonderful can always happen again.

Let New York Times bestselling author Judith McNaught who “is in a class by herself” (USA TODAY) sweep you off your feet and into another time with her sensual, passionate, and spellbinding historical romance classics, featuring her “unique magic” (RT Book Reviews). “Judith McNaught not only spins dreams but makes them come true” (RT Book Reviews) in this sensual and moving tale of a tempestuous marriage facing its ultimate test. Alexandra Lawrence, an innocent country girl, and Jordan Townsende, the rich and powerful Duke of Hawthorne, have always had a stormy relationship. But when she is swept into the endlessly fascinating world of London society, free-spirited Alexandra becomes ensnared in a tangled web of jealousy, revenge, and overwhelming passion. But behind her husband’s cold, haughty mask, there lives a tender, vital, sensual man...the man Alexandra married. Now, she will fight for his very life and the rapturous bond they alone can share.

Miss May Does Not Exist, by Carrie Courogen is the riveting biography of comedian, director, actor and writer Elaine May, one of America’s greatest comic geniuses. May began her career as one-half of the legendary comedy team known as Nichols and May, the duo that revolutionized the comedy sketch. After performing their Broadway smash An Evening with Mike Nichols and Elaine May, Elaine set out on her own. She toiled unsuccessfully on Broadway for a while, but then headed to Hollywood where she became the director of A New Leaf, The Heartbreak Kid, Mikey and Nicky, and the legendary Ishtar. She was hired as a script doctor on countless films like Heaven Can Wait, Reds, Tootsie, and The Birdcage. In 2019, she returned to Broadway where she won the Tony Award for Best Leading Actress in The Waverly Gallery. Besides her considerable talent, May is well known for her reclusiveness. On one of the albums she made with Mike Nichols, her bio is this: “Miss May does not exist.” Until now. Carrie Courogen has uncovered the Elaine May who does exist. Conducting countless interviews, she has filled in the blanks May has forcibly kept blank for years, creating a fascinating portrait of the way women were mistreated and held back in Hollywood. Miss May Does Not Exist is a remarkable love story about a prickly genius who was never easy to work with, not always easy to love and frequently often punished for those things, despite revolutionizing the way we think about comedy, acting, and what a film or play can be.

The Compass began in a storefront theater near the U. of Chicago campus in the summer of 1955 and lasted only a few years before its players--including Paul Sills, Elaine May, Mike Nichols, Barbara Harris, Severn Darden, and Shelley Berman--moved on. Coleman recreates the time, the place, the personalities, and the neurotic magic whereby the Campus made theater history in America. Annotation copyrighted by Book News, Inc., Portland, OR.

A brief description of the history and goals of two improvizational comedy groups, the Compass and Second City, accompanies interviews with past members from Mike Nichols to Gilda Radner

Can you really write a play that lasts a minute? The one minute play offers a unique challenge to actors, directors and writers: how do you create a whole world, where actors have room to perform and where audiences have a true experience all in 60 seconds? One Minute Plays: A Practical Guide to Tiny Theatre demystifies the super-short-form play, demonstrating that this rich, accessible format offers great energy and variety not only to audiences but to everyone involved in its creation and performance. This handbook includes: An anthology of 200 one-minute plays selected from the annual Gone in 60 Seconds festival. A toolbox of exercises, methodologies and techniques for educators, practitioners and workshop leaders at all levels. Tips and advice on the demands of storytelling, inclusivity and creative challenges. Detailed practical information about creating your own minute festival, including play selection, running order, staging and marketing. Drawing on a wealth of experience, Steve Ansell and Rose Burnett Bonczek present an invaluable guide for anyone intrigued by the art of creating, producing and performing a one minute play.

One the most meaningful and inspiring gifts any couple could wish for. If you believe life was meant to be shared, here are priceless stories, ideas, insights, questions and adventures that will touch your heart and lift your relationship to new heights. The perfect gift to celebrate a new romance, weddings, anniversaries or Valentines Day

Nichols and May. John Belushi. Bill Murray. Chris Farley. Tina Fey. Mike Myers. Stephen Colbert. For nearly a half century, Del Close—cocreator of the Harold, director for the Second City, San Francisco's the Committee, and the ImprovOlympic, and “house metaphysician” for Saturday Night Live—influenced improvisational theater's greatest comedic talents. His students went on to found the Groundlings in Los Angeles, the Upright Citizens Brigade in both New York and Los Angeles, and the Annoyance Theatre in Chicago. But this Pied Piper of improv has gone largely unrecognized outside the close-knit comedy community. Del was never one to let the truth of his life stand in the way of a good story—and yet the truth is even more fascinating than the fiction. In his early years, he traveled the country with Dr. Dracula's Den of Living Nightmares, knew L. Ron Hubbard before Scientology, and appeared in The Blob. Del cavorted with the Merry Pranksters, used aversion therapy to recover from alcoholism, and kicked a cocaine habit with the help of a coven of witches. And when he was dying, Del bequeathed his postmortem skull to the Goodman Theatre for use in its productions of Hamlet—a final legend that lives on, long beyond the death of the father of long-form improvisation.