"Something has gone crack," Tolkien wrote about the first death among his tight-knit fellowship of friends in 1916, and the impact of the war haunted his writing for the rest of his life. In his work, the Great War serves as a source of imagery, motifs, themes and of personal trauma to be worked out in meaningful symbolic form throughout his life.

J.R.R. Tolkien, one of the world's most beloved authors, was a World War I signaling officer who survived the Battle of the Somme, and two of his sons served during World War II. Such experiences and events led Tolkien to a complex attitude toward war and military leadership, the themes of which find their way into his most important writings. His fiction, criticism, and letters demonstrate a range of attitudes that would change over the course of his life. In the end, his philosophy on human nature and evil, and the inevitability of conflict, would appear to be pragmatic and rational, if regretful and pessimistic. Croft explores the different aspect of Tolkien's relationship with war both in his life and in his work from the early Book of Lost Tales to his last story Smith of Wootten Major, and concentrating on his greatest and most well-known works The Hobbit and The Lord of the Rings. This valuable consideration of war in the life of Tolkien is essential reading for all readers interested in deepening their understanding of this great writer.

How the First World War influenced the author of the Lord of the Rings Trilogy: “Very much the best book about J.R.R. Tolkien that has yet been written.” —A. N. Wilson As Europe plunged into World War I, J. R. R. Tolkien was a student at Oxford and part of a cohort of literary-minded friends who had wide-ranging conversations in their Tea Club and Barrovian Society. After finishing his degree, Tolkien experienced the horrors of the Great War as a signal officer in the Battle of the Somme, where two of those school friends died. All the while, he was hard at work on an original mythology that would become the basis of his literary masterpiece, the Lord of the Rings trilogy. In this biographical study, drawn in part from Tolkien’s personal wartime papers, John Garth traces the development of the author’s work during this critical period. He shows how the deaths of two comrades compelled Tolkien to pursue the dream they had shared, and argues that the young man used his imagination not to escape from reality—but to transform the cataclysm of his generation. While Tolkien’s contemporaries surrendered to disillusionment, he kept enchantment alive, reshaping an entire literary tradition into a form that resonates to this day. “Garth’s fine study should have a major audience among serious students of Tolkien.” —Publishers Weekly “A highly intelligent book . . . Garth displays impressive skills both as researcher and writer.” —Max Hastings, author of The Secret War “Somewhere, I think, Tolkien is nodding in appreciation.” —San Jose Mercury News “A labour of love in which journalist Garth combines a newsman’s nose for a good story with a scholar’s scrupulous attention to detail . . . Brilliantly argued.” —Daily Mail (UK) “Gripping from start to finish and offers important new insights.” —Library Journal “Insight into how a writer turned academia into art, how deeply friendship supports and wounds us, and how the death and disillusionment that characterized World War I inspired Tolkien’s lush saga.” —Detroit Free Press

“Iced is a powerhouse. . . . Ray Shell writes beautifully. The story is heartbreaking. I kept putting it down and picking it up again—it won’t let me go.”—Maya Angelou A timeless tale of one man’s decline into the depths of addiction that is at both a shocking study of the addict’s life, and a deeply compelling and often uplifting tale of human love and loss. First published at the height of the crack cocaine epidemic thirty years ago, Ray Shell’s “powerhouse” (Maya Angelou) of a novel is as timely and relevant today as it was in 1994. It is the story of Cornelius Washington, a young upper-middle-class Black man blessed with burning talent and ambition, who enjoys experimenting with drugs—a dangerous pastime that gradually becomes a destructive addiction. Now a middle-aged crackhead, Cornelius ponders his life and the choices that have led him here. Written as a series of immersive stream of consciousness diary entries, Iced captures the despair and dashed dreams of a man caught between the harsh realities of his present and the adventures and upheavals of his past—a youth marked by a host of characters both intriguing and terrifying. A complicated man both compelling and maddening, sympathetic and defiant, Cornelius tries desperately to break free from his addiction, a struggle that ends in defeat time and time again. Despite the thought loops that lead to his bad choices, this painfully realistic character elicits hope for his survival, even though he will likely meet a devastating end. Resonant and haunting, illuminating and heartbreaking, Iced paints a portait of being Black in America, and the ways in which marginalized communities are targeted and ignored, left to suffer the consequences of policies made by powerful people ignorant and uncaring of their lives. It is a novel that transcends time, offering a glimpse of the past that is present in our lives today.

Thirteen-year-old Eli Papadapoulous is worried. Even though he's part of in the most powerful family in the world. Even though his grandfather founded InfiniCorp, the massive corporation that runs everything in the bustling dome-cities. Even though InfiniCorp ads and billboards are plastered everywhere, proclaiming: DON'T WORRY! INFINICORP IS TAKING CARE OF EVERYTHING! Recently, Eli noticed there's something wrong with the artificial sky. It keeps shorting out, displaying strange colors and random, pixellated images. And though the Department of Cool and Comfortable Air is working overtime, the dome-city is hotter than it's ever been. Eli has been raised to believe that the dome-cities are safe and comfortable; that the important thing is to keep working, keep consuming; that InfiniCorp knows better than he, and he should leave everything in their hands. But now he begins asking questions.

As he faces a devastating personal loss, Detective Michael Bennett is about to take on the most sinister challenge of his career: a kidnapping crisis that could destroy the most powerful people in America. The nation has fallen into mourning after the unexpected death of a beloved former First Lady, and the most powerful people in the world gather in New York for her funeral. Then the inconceivable occurs: Billionaires, politicians, and superstars of every kind are suddenly trapped within one man's brilliant and ruthless scenario. Bennett, father of ten, is pulled into the fray. As the danger escalates, Michael is hit with devastating news: After fighting for many years, his wife has succumbed to a terrible disease. As New York descends into chaos, Bennett has lost the great love of his life and faces raising his ten devastated children alone-and rescuing 34 hostages. Day after day, Bennett confronts the most ruthless man he has ever dealt with, a man who kills without hesitation and counters everything the NYPD and FBI throw at him with impunity. As the entire world watches and the tension boils to a searing heat, Bennett has to find a way out-or face responsibility for the greatest debacle in history.

"Pip, a young boy who can speak to fish, and his sister Kinchen set off on a great adventure, joined by twins with magical powers, refugees fleeing post-war Vietnam, and some helpful sea monsters"--

The sequel to A Corner of White. “Mixed in with the regal intrigue is a complex, moving look at families, friendship, and loss . . . thrilling.” —School Library Journal (starred review) Picking up where A Corner of White left off, Elliot is more determined to find his father than ever, now that he knows he’s still alive. But first he must help Princess Ko find her own missing family, as the secret search for the royals of Cello begins. As part of the Royal Youth Alliance, Elliot will travel all over the Kingdom of Cello looking for any clue or detail or spell that could bring them (and maybe his own father) home. But once he learns that the royal family has been trapped in the World all this time, with no memory of their former lives, his real value to the Alliance becomes clear: He’s the only one with a connection to the World, through Madeleine. Together, through notes, letters, and late nights, Elliot and Madeleine must find a way to travel across worlds and bring missing loved ones home. The stakes are high, the writing both hilarious and heart-poundingly suspenseful, and the experience of reading it, sheer pleasure. “Madcap, whimsical, smart and even heartbreaking . . . By turns coming-of-age and wild adventure, this volume complicates the characters, expands the worldbuilding and sets things up for a grand finish in the trilogy closer . . . even better than the first.” —Kirkus Reviews (starred review) “Full of clever invention and intrigue, excellent surprises, and all the sophisticated wit Moriarty’s fans expect.” —The Horn Book (starred review)

When Bull Mastrick and Victor Konig wind up in the same psychiatric ward at age 16, each recalls and relates in group therapy the bullying relationship they have had since kindergarten as well as facts about themselves and their families that reveal how much they have in common. A first novel.

A self-portrait of a great writer 's rise and fall, intensely personal and etched with Fitzgerald's signature blend of romance and realism. The Crack-Up tells the story of Fitzgerald's sudden descent at the age of thirty-nine from glamorous success to empty despair, and his determined recovery. Compiled and edited by Edmund Wilson shortly after F. Scott Fitzgerald's death, this revealing collection of his essays—as well as letters to and from Gertrude Stein, Edith Wharton, T.S. Eliot, John Dos Passos—tells of a man with charm and talent to burn, whose gaiety and genius made him a living symbol of the Jazz Age, and whose recklessness brought him grief and loss. "Fitzgerald's physical and spiritual exhaustion is described brilliantly," noted The New York Review of Books: "the essays are amazing for the candor."