A young woman's fears regarding the gruesome photos appearing on her cell phone prove justified in a ghastly and unexpected way. A chainsaw-wielding Evil Dead fan defends herself against a trio of undead intruders. A bride-to-be comes to wish that the door between the physical and spiritual worlds had stayed shut on All Hallows' Eve. A lone passenger on a midnight train finds that the engineer has rerouted them toward a past she'd prefer to forget. A mother abandons a life she no longer recognizes as her own to walk up a mysterious staircase in the woods. In her debut collection, Christa Carmen combines horror, charm, humor, and social critique to shape thirteen haunting, harrowing narratives of women struggling with both otherworldly and real-world problems. From grief, substance abuse, and mental health disorders, to a post-apocalyptic exodus, a seemingly sinister babysitter with unusual motivations, and a group of pesky ex-boyfriends who won't stay dead, Something Borrowed, Something Blood-Soaked is a compelling exploration of horrors both supernatural and psychological, and an undeniable affirmation of Carmen's flair for short fiction.

Don't awaken what sleeps in the dark. In a future ravaged by fire and drought, two climate refugees ride their motorcycles across the wasteland of the western US, and stumble upon an old silver mine. Descending into the cool darkness of the caved-in tunnels in desperate search of water, the two women find Lavinia Cain’s diary, a settler in search of prosperity who brought her family to Nevada in the late 1860s. But Lavinia and the settlers of the Western town discovered something monstrous that dwells in the depths of the mine, something that does not want greedy prospectors disturbing the earth. Whispers of curses and phantom figures haunt the diary, and now, over 150 years later, trapped and injured in the abandoned mine, the women discover they’re not alone . . . with no easy way out. The monsters are still here—and they’re thirsty.

In this ingenious and subversive twist on the classic gothic novel, the mysterious past of an island mansion lures two sisters into a spiderweb of scandal, secrets, and murder. Two sisters, strangers since birth yet bound by family secrets, are caught up in a century-old mystery on an isolated island. After arriving on Block Island to find her birth mother, Blake Bronson becomes convinced she's the heroine of a gothic novel--the kind that allowed her intermittent escape from a traumatic childhood. How else to explain the torrential rain, the salt-worn mansion known as White Hall, and the restless ghost purported to haunt its halls? But before Blake can discern the novel's ending, she's found dead, murdered in a claw-foot tub. The proprietress of White Hall stands accused. Summoned by a letter sent from Blake before she died, Thalia Mills returns to the island she swore she'd left for good. She finds that Blake wasn't the first to die at White Hall under suspicious circumstances. Thalia must uncover the real reason for Blake's demise before the forces conspiring to keep Block Island's secrets dead and buried rise up to consume her too.

"Devil in Ohio kept me up until 3 a.m. with the lights on–in a good way. It’s a haunting thriller for readers who like fear, humor, and heart in one package."—Meredith Goldstein, advice columnist and feature reporter for The Boston Globe, author of upcoming YA novel Chemistry Lessons. "Gripping, urgent and addictive, Devil in Ohio balances the dark exploration of cults with a compelling and often humorous take on teen social dynamics. This is the debut you won’t want to miss."—Aditi Khorana, author of critically acclaimed The Library of Fates and Mirror in the Sky When fifteen-year-old Jules Mathis comes home from school to find a strange girl sitting in her kitchen, her psychiatrist mother reveals that Mae is one of her patients at the hospital and will be staying with their family for a few days. But soon Mae is wearing Jules’s clothes, sleeping in her bedroom, edging her out of her position on the school paper, and flirting with Jules’s crush. And Mae has no intention of leaving. Then things get weird. Jules walks in on a half-dressed Mae, startled to see: a pentagram carved into Mae’s back. Jules pieces together clues and discovers that Mae is a survivor of the strange cult that’s embedded in a nearby town. And the cult will stop at nothing to get Mae back.

DigiCat Publishing presents to you this special edition of "The Big Sleep" by Raymond Chandler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

For more than three decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the eleventh volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman Kim Stanley Robinson Stephen King Linda Nagata Laird Barron Margo Lanagan And many others With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

Netflix's The Haunting of Hill House has received both critical acclaim and heaps of contempt for its reimagining of Shirley Jackson's seminal horror novel. Some found Mike Flanagan's series inventive, respectful and terrifying. Others believed it denigrated and diminished its source material, with some even calling it a "betrayal" of Jackson. Though the novel has produced a great deal of scholarship, this is the first critical collection to look at the television series. Featuring all new essays from noted scholars and award-winning horror authors, this collection goes beyond comparing the novel and the Netflix adaptation to look at the series through the lenses of gender, architecture, education, hauntology, addiction, and trauma studies including analysis of the show in the context of 9/11 and #Me Too. Specific essays compare the series with other texts, from Flanagan's other films and other adaptations of Jackson's novel, to the television series Supernatural, Toni Morrison's Beloved and the 2018 film Hereditary. Together, this collection probes a terrifying television series about how scary reality can truly be, usually because of what it says about our lives in America today.

DEEP IN THE WEEDS, THEY WAIT. Behind graffitied fences or obscured by woods, the abandoned mills of New England watch…for thrillists and historians, urbexers and developers, or just the average passer-by. Omnipresent and looming, the mills lure the innocent to their mysteries, secrets…and terrors. The We are Providence writers hunt what lurks among the crumbled bricks and strangling sumac. A widower on a demolition crew wakes the revenants. A musician rents a foundry’s rehearsal space…and otherworldly tenants practice on him. A lonely girl combs the ruins to find an unsettling friend. A bitter punk moves into a refinery where her best friend vanishes. A criminal breaks into a cloth factory to discover a sentient—and sinister—machine. These sixteen terrifying tales and two poems suggest when abandoned mills beckon, it’s best to ignore them. After all, they’ve come to collect their due.

A zombie killer-for-hire faces off against a dangerous undead overlord in this post-apocalyptic science fiction horror series debut. I am not going to complain to you about my life. We’ve got zombies. They are not the brainless, rotting creatures we’d been led to expect. Unfortunately for us, they’re just as smart as they were before they died, very fast, much stronger than you or me, and possess no internal editor at all. Claws. Did I mention claws? I kill them for a living, but it’s as much a vocation as a freelance career choice. It helps me, helps my neighborhood, and the people I consider to be my family of choice. What’s more? I’m really good at it. My life had a nice rhythm, and I'd almost gotten used to it, but the military bungled an attempt to wipe out an organized bunch of undead near a major commuting route into D.C. The formerly-human survivors relocated. Now they’re less than an hour’s stroll away from where I live. The new Zombie Overlord is smarter, crazier, and much more well-equipped than anyone we’d dealt with in the past. We have something he wants, badly. I know he’s going to come and get it and try and wipe us out in the process . . . men, women, and even the children. I’d seen it done before elsewhere for lesser reasons. This is my home. These are my people, my family. This is personal. Praise for Blood Soaked and Contagious “I give it an “EW!” factor of +10!” —Diana Gabaldon, #1 New York Times–bestselling author of the Outlander Series