Meet Marla Mason—smart, saucy, slightly wicked witch of the East Coast. . . . Sorcerer Marla Mason, small-time guardian of the city of Felport, has a big problem. A rival is preparing a powerful spell that could end Marla’s life—and, even worse, wreck her city. Marla’s only chance of survival is to boost her powers with the Cornerstone, a magical artifact hidden somewhere in San Francisco. But when she arrives there, Marla finds that the quest isn’t going to be quite as cut-and-dried as she expected . . . and that some of the people she needs to talk to are dead. It seems that San Francisco’s top sorcerers are having troubles of their own—a mysterious assailant has the city’s magical community in a panic, and the local talent is being (gruesomely) picked off one by one. With her partner-in-crime, Rondeau, Marla is soon racing against time through San Francisco’s alien streets, dodging poisonous frogs, murderous hummingbirds, cannibals, and a nasty vibe from the local witchery, who suspect that Marla herself may be behind the recent murders. And if Marla doesn’t figure out who is killing the city’s finest in time, she’ll be in danger of becoming a magical statistic herself. . . .

Merciful Truth and her brother, Gospel, have just pulled their dead mother into the kitchen and stowed her under the table. It was a long illness, and they wanted to bury her—they did—but it's far too cold outside, and they know they won't be able to dig into the frozen ground. The Minister who lives with them, who preaches through his animal form, doesn't make them feel any better about what they've done. Merciful calms her guilty feelings but only until, from the other room, she hears a voice she thought she'd never hear again. It's her mother's voice, and it's singing a lullaby. . . . Engines of the Broken World is a chilling young adult novel from Jason Vanhee.

Welcome to the City Unspoken, where Gods and Mortals come to die. Contrary to popular wisdom, death is not the end, nor is it a passage to some transcendent afterlife. Those who die merely awake as themselves on one of a million worlds, where they are fated to live until they die again, and wake up somewhere new. All are born only once, but die many times . . . until they come at last to the City Unspoken, where the gateway to True Death can be found. Wayfarers and pilgrims are drawn to the City, which is home to murderous aristocrats, disguised gods and goddesses, a sadistic faerie princess, immortal prostitutes and queens, a captive angel, gangs of feral Death Boys and Charnel Girls . . . and one very confused New Yorker. Late of Manhattan, Cooper finds himself in a City that is not what it once was. The gateway to True Death is failing, so that the City is becoming overrun by the Dying, who clot its byzantine streets and alleys . . . and a spreading madness threatens to engulf the entire metaverse. Richly imaginative, David Edison's The Waking Engine is a stunning debut by a major new talent.

Extraordinary Engines: The Definitive Steampunk Anthology assembles original stories by some of the genre's foremost writers. Edited by Nick Gevers, this collection includes brand new stories by Stephen Baxter, Eric Brown, Paul Di Filippo, Hal Duncan, Jeffrey Ford, Jay Lake, Ian R. MacLeod, Michael Moorcock, Robert Reed, Lucius Shepard, Brian Stableford, Jeff VanderMeer and more.

Leonard Setright was one of the twentieth century's most influential, opinionated and idiosyncratic motoring journalists; described as 'more Isaiah Berlin than Jeremy Clarkson', everything he wrote was inspired by his knowledge of and passion for all things automotive. Long Lane with Turnings is a dryly witty memoir of his early years and the author's last book, left unfinished at the time of his death in the summer of 2005. We encounter Setright as a child standing behind his father's driving seat in family Wolseley, enjoining him to 'Go fast!' and taking an early delight in machines of all sorts, from the camera-like precision of the Setright ticket machine for bus conductors (manufactured by his father's firm) to his first bicycle. We also see him developing that independence of mind which so characterized his writing as a critic: readers will savour his pitch-perfect descriptions of many of the cars that he drove, be it the Mini ('a very convincing little brick'), a Renault 4 ('swaying like a sailing dinghy in corners') or his beloved Bristols. The portrait of the writer which emerges from these pages is marvellously detailed, quirky and full of warmth.