Plan developmentally appropriate, play-based curriculum for early childhood classrooms.

Due to their unique geophysical and geodynamic environment, both the Arctic and Antarctic polar regions are often utilized for geodetic and geophysical observations. This book is a collection of papers on various aspects of the scientific investigation and observation techniques of the polar regions at both temporary and permanent observatories. Most papers focus on regional models based on data acquired in polar regions. Geodetic satellite positions systems (GNSS: GPS, GLONASS, GALILEO) will also be discussed as well as other space techniques (DORIS, VLBI). Gravimetry, absolute gravimetry, and tidal gravimetry are also discussed, as well as seismology and meteorology. The book also touches on data analysis and geodynamic interpretation and discusses methods of constructing autonomous observatories.

WILDE NOWreads Oscar Wilde through our now, through a contemporary sensibility (and approach), in which literature and popular culture interrogate and are interrogated by critical concepts and categories such as performance, celebrity, intermediality, and consumerism. This volume exceeds the shape and meaning of a critical study to turn into a drama of five different acts/moments in Wilde’s life and work: his early performances in Dublin, London and Oxford; the 1882 American tour; his successful season of the first half of the 1890s, his prison years and finally his glorious resurrection in contemporary pop culture. Most importantly WILDE NOW approaches these moments through contemporary rewritings and performances of “Oscar Wilde” in the fields of cinema, music and literature by such artists as Al Pacino, Rupert Everett, Stephen Fry, Gyles Brandreth, David Hare, David Bowie, Morrissey, Nick Cave, Neil Tennant, Gavin Friday. These artists – through their awareness of the importance of being/playing Oscar in their specific worlds and cultural contexts – will also show us that Wilde can be conceived as a subversive, critical role one might successfully perform and appropriate, now more than ever.

Justin Marc Smith argues that the gospels were intended to be addressed to a wide and varied audience. He does this by considering them to be works of ancient biography, comparative to the Greco-Roman biography. The earliest Christian interpreters of the Gospels did not understand their works to be sectarian documents. Rather, the wider context of Jesus literature in the second and third centuries points toward the broader Christian practice of writing and disseminating literary presentations of Jesus and Jesus traditions as widely as possible. Smith addresses the difficulty in reconstructing the various gospel communities that might lie behind the gospel texts and suggests that the 'all nations' motif present in all four of the canonical gospels suggests an ideal secondary audience beyond those who could be identified as Christian.