Guide to the Euphonium Repertoire is the most definitive publication on the status of the euphonium in the history of this often misunderstood and frequently under-appreciated instrument. This volume documents the rich history, the wealth of repertoire, and the incredible discography of the euphonium. Music educators, composers/arrangers, instrument historians, performers on other instruments, and students of the euphonium (baritone horn, tenor tuba, etc.) will find the exhaustive research evident in this volume's pages to be compelling and comprehensive. Contributors are Lloyd Bone, Brian L. Bowman, Neal Corwell, Adam Frey, Marc Dickman, Bryce Edwards, Seth D. Fletcher, Carroll Gotcher, Atticus Hensley, Lisa M. Hocking, Sharon Huff, Kenneth R. Kroesche, R. Winston Morris, John Mueller, Michael B. O'Connor, Eric Paull, Joseph Skillen, Kelly Thomas, Demondrae Thurman, Matthew J. Tropman, and Mark J. Walker.

Bach's life was "a searching for all that was best in his art to refine it in the fire of his genius." "Grove's Dictionary of Music and Musicians "Bach's mastery of rhythm and harmony, inventiveness, and genius for composition produced some of the richest and most beautiful music of all time. Those qualities are strikingly evident in his early concerti, which are among the most recorded and performed works in the baroque repertoire. This easy-to-read volume reprints, complete and unabridged, the master's seven complete concerti for solo keyboard and orchestra from the renowned Bach-Gesellschaft edition, still considered the primary source for Bach's music. Composed in Leipzig (c. 1735), these elegant works are almost completely based on earlier extant or lost concerti by Bach for violin and wind instruments. The concerti reproduced here in full score include Concerto in D Minor (BWV1052), Concerto in E Major (BWV 1053), Concerto in D Major (BWV 1054), Concerto in A Major (BWV 1055), Concerto in F Minor (BWV 1056), Concerto in F Major (BWV 1057), and Concerto in G Minor (BWV 1058). Musicians, students, and Bach devotees will applaud this clearly printed, wonderfully affordable playing edition of classic compositions by the supreme master of the baroque. "

(Amadeus). This is a study of Saint Saens's concertante works - five concertos for piano, three for violin, two for cello, and shorter works.

German and English: Academic Usage and Academic Translation focuses on academic and popular scientific/academic usage. This book’s brief is both theoretical and practical: on the theoretical side, it aims to provide a systematic, corpus-based account of current academic usage in English and in German as well as of the translation problems associated with various academic genres; on the practical side, it seeks to equip academic translators with the skills required to produce target-language text in accordance with disciplinary conventions. The main perspective taken is that of a translator working from German into English, but the converse direction is also regularly taken into account. Most of the examples used are based on errors that occurred in real-life translation jobs. Additional practice materials and sample translations are available as eResources here: www.routledge.com/9780367619022. This book will be an important resource for professionals aspiring to translate academic texts, linguists interested in academic usage, translation scholars, and graduate and post-graduate students.

Correspondence capturing Dreiser's own take on his long and eventful life In addition to his novels, short stories, plays, poetry, and a flood of journalism, Theodore Dreiser is estimated to have written an astonishing 20,000 letters. A Picture and a Criticism of Life presents a selection from his previously unpublished letters and shows Dreiser in every mood and circumstance, from crisply professional to happily unbuttoned. Meticulously annotated by Donald Pizer, the selections often shed significant new light on the writer's beliefs and activities during the various stages of his long career. A volume in the series The Dreiser Edition, edited by Thomas P. Riggio

Der Abschlussband des deutsch-französischen ANR-DFG-Projekts MUSICI widmet sich der Musikermigration im Europa der Frühen Neuzeit mit einem kultur- und musikgeschichtlichen Blick auf Venedig, Rom und Neapel als Reiseziele und Wirkungsorte von Instrumentalisten, Sängern, Komponisten und Instrumentenbauern, die nicht von der italienischen Halbinsel stammten. Im Sinne einer "histoire croisée" werden Netzwerke, Integrations- und Austauschprozesse aufgedeckt, mit denen fremde Musiker zwischen musikalischem Alltag und herausragenden Festlichkeiten konfrontiert waren. Auf dieser Grundlage wird eine systematische Betrachtung der frühneuzeitlichen Musikermigration sowie eine Untersuchung musikalischer Stile jenseits nationaler Forschungstraditionen möglich.

Contains nearly 1000 pages of precise and accessible information on all musical subjects.