A revelatory consideration of the wide-ranging practice of one of the most influential American artists of the 20th century A pioneer of minimalism and conceptual art, Sol LeWitt (1928–2007) is best known for his monumental wall drawings. LeWitt’s broad artistic practice, however, also included sculpture, printmaking, photography, artist’s books, drawings, gouaches, and folded and ripped paper works. From the familiar to the underappreciated aspects of LeWitt’s oeuvre, this book examines the ways that his art was multidisciplinary, humorous, philosophical, and even religious. Locating Sol LeWitt contains nine new essays that explore the artist’s work across media and address topics such as LeWitt’s formative friendships with colleagues at the Museum of Modern Art in the early 1960s; his photographs of Manhattan’s Lower East Side; his 1979 collaboration with Lucinda Childs and Philip Glass and its impact on his printmaking; and his commissions linked to Jewish history and the Holocaust. The essays offer insights into the role of parody, experimentation, and uncertainty in the artist’s practice, and investigate issues of site, space, and movement. Together, these studies reveal the full scope of LeWitt’s creativity and offer a multifaceted reassessment of this singular and influential artist.

"This catalogue is published in conjunction with the exhibition Sol LeWitt: the well-tempered grid, Williams College Museum of Art, Williamstown, Massachusetts, September 15-December 9, 2012."

An intimate portrait of a renowned conceptual artist Sol LeWitt (1928-2007), one of the most influential artists of the twentieth century, upended traditional practices of how art is made and marketed. A key figure in minimalism and conceptualism, he proclaimed that the work of the mind is much more important than that of the hand. For his site-specific work—wall drawings and sculpture in dozens of countries—he created the idea and basic plan and then hired young artists to install the pieces. Though typically enormous and intricate, the physical works held no value. The worth was in the pieces of paper that certified and described them. LeWitt championed and financially supported colleagues, including women artists brushed aside by the bullies of a male-dominated profession. Yet the man himself has remained an enigma, as he refused to participate in the culture of celebrity. Lary Bloom's book draws on personal recollections of LeWitt, whom he knew in the last years of the artist's life, as well as LeWitt's letters and papers and over one hundred original interviews with his friends and colleagues, including Chuck Close, Ingrid Sischy, Philip Glass, Adrian Piper, Jan Dibbets, and Carl Andre. This absorbing chronicle brings new information to our understanding of this important artist, linking the extraordinary arc of his life to his iconic work. Includes 28 illustrations.

A landmark survey of Sol LeWitt's printmaking practice

Om den amerikanske kunstner Sol LeWitt, født 1928

Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.

Eva Hesse and Sol LeWitt formed a close friendship between the late 1950s and Hesse's death in 1970. This book celebrates this friendship and offers an illuminating look at their close-knit New York circle. It intends to demonstrate that the artists influenced each other's art and lives in reciprocal and profound ways.

Tiré du site Artgallery : "The "Incomplete open cubes" are a sequence of open-sided cube structures, each missing between one and nine of their sides. At once repetitive and varied, this series lays out 122 possible variations on the concept. The 'Incomplete open cubes' exemplify LeWitt's conceptual practice and have been widely interpreted as embodying systematic rationality; they are based on an arithmetic concept which they then take to its logical extreme. While they are internally consistent, they also manifest an irrational, obsessive quality reflected in LeWitt's own comment that "irrational thoughts should be followed absolutely and logically". Here he presents a binary between the rational and the irrational."

One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!