“I build this story like my lair. One willow, / a rib at a time” — “The Crooked Good” Since 1990, Sky Dancer Louise Bernice Halfe’s work has stood out as essential testimony to Indigenous experiences within the ongoing history of colonialism and the resilience of Indigenous storytellers. Sôhkêyihta includes searing poems, written across the expanse of Halfe’s career, aimed at helping readers move forward from the darkness into a place of healing. Halfe’s own afterword is an evocative meditation on the Cree word sôhkêyihta: Have courage. Be brave. Be strong. She writes of coming into her practice as a poet and the stories, people, and experiences that gave her courage and allowed her to construct her “lair.” She also reflects on her relationship with nêhiyawêwin, the Cree language, and the ways in which it informs her relationships and poetics. The introduction by David Gaertner situates Halfe’s writing within the history of whiteness and colonialism that works to silence and repress Indigenous voices. Gaertner pays particular attention to the ways in which Halfe addresses, incorporates, and pushes back against silence, and suggests that her work is an act of bearing witness – what Kwagiulth scholar Sarah Hunt identifies as making Indigenous lives visible.

Deportment is a selection of poems – surreal, cerebral, and defiant – by Alice Burdick. Burdick examines the dangers of dogma, women’s rights, and environmental degradation in biting satires, moving elegies, and anti-sentimental lyrics filled with mischievous wordplay. The selection includes some of Burdick’s most iconic poems as well as rare work from the beginning of her career in 1990s Toronto and previously unpublished material. Burdick’s later poetry, more expansive in form and subject matter, addresses motherhood, the rural landscape, and sex and desire at middle age. Deportment makes the case for Alice Burdick as one of Canada’s best poets, alongside figures such as Lisa Robertson, Karen Solie, and Sina Queyras. Alessandro Porco’s introduction situates Burdick’s early work within the Toronto small press scene, focusing on her fugitive chapbooks, broadsides, and literary ephemera while highlighting her formative relationships with Victor Coleman and Stuart Ross. He traces her move from Toronto to Nova Scotia in the early 2000s and the impact of publishing from the social and spatial margins of Canadian literature. In her afterword, Burdick reflects on everyday life – as a poet and citizen, daughter and mother –in both the zombieland of downtown Toronto and the alien geography of Eastern Canada. She explores how the comparative speed, sound, and density of urban and rural spaces have shaped her literary imagination.

Selected by editor John Barton, the 2023 edition of Best Canadian Poetry showcases the best Canadian poetry writing published in 2021. “My goal,” writes guest editor John Barton of his long career as a literary magazine editor, “was always to be jostled awake, and I soon realized that I was being jostled awake for two—myself and the reader … I came to understand that my job description included an obligation to expose readers to wide varieties of poetry, to challenge their assumptions while expanding their taste.” In selecting this year’s edition of Best Canadian Poetry, Barton brings the same catholic spirit to his survey of Canadian poems published by magazines and journals in 2021. From new work by Canadian favourites to exciting new talents, this year’s anthology offers fifty poems to challenge and enlarge your sense of the power and possibility of Canadian poetry. Featuring: Leslie Joy Ahenda • Billy-Ray Belcourt • Bertrand Bickersteth • Tawahum Bige • Stephanie Bolster • Susan Braley • Moni Brar • Jake Byrne • Helen Cho • Conyer Clayton • Lucas Crawford • Sophie Crocker • Michael Dunwoody • Evelyna Ekoko-Kay • Tyler Engström • Triny Finlay • Elee Kraljii Gardiner • Lise Gaston • Susan Gillis • Beth Goobie • Patrick Grace • Laurie D. Graham • River Halen • Eva H.D. • Louise Bernice Halfe—Skydancer • Sarah Hilton • Karl Jirgens • Mobólúwajídìde D. Joseph • Penn Kemp • Jeremy Loveday • Randy Lundy • Helen Han Wei Luo • Colin Morton • Jordan Mounteer • Samantha Nock • Kathryn Nogue • Michelle Porter • Rebekah Rempel • Armand Garnet Ruffo • Richard Sanger • Nedda Sarshar • K.R. Segriff • Christina Shah • Sandy Shreve • Adrian Southin • J.J. Steinfeld • Sarah Yi-Mei Tsiang • Eric Wang • Tom Wayman • Jan Zwicky

Through the voice of ê-kwêskît – Turn-around Woman – Louise Halfe guides the reader on a three-fold journey down a path where the personal, the historical and the mythic walk hand-in-hand. Louise Halfe revisits familiar Indigenous themes, but pushes them farther than she has before, in this third collection of her moving, powerful poetry. The ancestors speak through a Mother’s fireside stories, and the figure of Rolling Head recurs everywhere on the path – as nightmare, as conscience, as maternal lover. The heartbreaking dysfunction of an Indigenous family, and the haunted memories and temptations of one woman’s quest, are tempered by the tenderness, the loyalty, and the outbursts of earthy laughter that distinguish Louise Halfe’s unique gifts as a poet and as mediator between two cultures.

The struggle of Native American peoples after the arrival of the Europeans is well documented, even in poetry. Yet Blue Marrow introduces a unique voice and perspective to this tension, one that is poignant and simultaneously reminiscent of all that is already familiar. In this haunting collection, Halfe brings to light the hypocrisy shaped by the conflict of Christianity and tradition-unique, informative, artistic and memorable, a combination worthy of note. (KLIATT).

Among her healing arts are Native symbolism and history, the memories of her childhood on the reserve, and her own dark brand of humour. Like Tomson HIghway and Thomas King, Halfe is actively involved in reclaiming the long overlooked Native comedic tradition. Her poems about the erosion of old ways, the terrors of residential school and hth pain inflicted by alcoholism abound with satiric portraits and shared jokes, yet pierce the heart with their truthfulness. Her angriest poems, infused with dark humour, are written in a Cree-inflected English she calls her "grassroots tongue." It is with this voice that she comes to terms with the legacy of Catholicism in the moving poems "ten hail mary's" and "dear poop."

Social Poesis: The Poetry of Rachel Zolf introduces readers to the work of one of Canada's most challenging and exciting poets. The selection of poems is framed by an introduction by Heather Milne and an afterword by Rachel Zolf that situate Zolf's poetry in relation to the philosophical and ethical concepts that inform it.

In heart-wrenching detail, Louise Halfe recalls the damage done by the residential schools to her parents, her family, and herself in her new poetry collection.

“Don’t say in the years to come that you would have lived your life differently if only you had heard this story. You’ve heard it now.” —Thomas King, in this volume Read, Listen, Tell brings together an extraordinary range of Indigenous stories from across Turtle Island (North America). From short fiction to as-told-to narratives, from illustrated stories to personal essays, these stories celebrate the strength of heritage and the liveliness of innovation. Ranging in tone from humorous to defiant to triumphant, the stories explore core concepts in Indigenous literary expression, such as the relations between land, language, and community, the variety of narrative forms, and the continuities between oral and written forms of expression. Rich in insight and bold in execution, the stories proclaim the diversity, vitality, and depth of Indigenous writing. Building on two decades of scholarly work to centre Indigenous knowledges and perspectives, the book transforms literary method while respecting and honouring Indigenous histories and peoples of these lands. It includes stories by acclaimed writers like Thomas King, Sherman Alexie, Paula Gunn Allen, and Eden Robinson, a new generation of emergent writers, and writers and storytellers who have often been excluded from the canon, such as French- and Spanish-language Indigenous authors, Indigenous authors from Mexico, Chicana/o authors, Indigenous-language authors, works in translation, and “lost“ or underappreciated texts. In a place and time when Indigenous people often have to contend with representations that marginalize or devalue their intellectual and cultural heritage, this collection is a testament to Indigenous resilience and creativity. It shows that the ways in which we read, listen, and tell play key roles in how we establish relationships with one another, and how we might share knowledges across cultures, languages, and social spaces.

A gender-fluid trickster character leaps from Cree stories to inhabit this racous and rebellious new work by poet Louise Bernice Halfe. There are no pronouns in Cree for gender; aw'sis (which means illuminated child) reveals herself through shape-shifting, adopting different genders, exploring the English language with merriment, and sharing his journey of mishaps with humor, mystery, and spirituality. Opening with a joyful and intimate Introduction from Elder Maria Campbell, aw'sis - kinky and dishevelled is a force of Indigenous resurgence, resistance, and soul-healing laughter. If you've read Halfe's previous books, prepared to be surprised by this one. Raging in the dark, uncovering the painful facts wrought on her and her people's lives by colonialism, racism, religion, and residential schools, she has walked us through raw realities with unabashed courage and intense, precise lyricism. But for her fifth book, another choice presented itself. Would she carve her way with determined ferocity into the still-powerful destructive forces of colonialism, despite Canada's official, hollow promises to make things better? After a soul-searching Truth and Reconciliation process, the drinking water still hasn't improved, and Louise began to wonder whether inspiration had deserted her. Then aw'sis showed up--a trickster, teacher, healer, wheeler-dealer, shapeshifter, woman, man, nuisance, inspiration. A Holy Fool with their fly open, speaking Cree, aw'sis came to Louise out of the ancient stories of her people, her Elders, from community input (through tears and laughter), from her own full heart and her three-dimensional dreams. Following aw'sis's lead, Louise has flipped her blanket over, revealing a joking, mischievous, unapologetic alter ego--right on time.