"Throughout history, the religious imagination has attempted to control nothing so much as our bodies: what they are and what they mean; what we do with them, with whom, and under what circumstances; how they may be displayed-or, more commonly, how they must be hidden. Religious belief and mandate affect how our bodies are used in ritual practice, as well as how we use them to identify and marginalize threatening religious Others. This book examines how horror culture treats religious bodies that have stepped (or been pushed) out of their 'proper' place. Unlike most books on religion and horror, This book explores the dark spaces where sex, sexual representation, and the sexual body come together with religious belief and scary stories. Because these intersections of sex, horror, and the religious imagination force us to question the nature of consensus reality, supernatural horror, especially as it concerns the body, often shows us the religious imagination at work in real time. It is important to note that the discussion in this book is not limited either to horror cinema or to popular fiction, but considers a wide range of material, including literary horror, weird fiction, graphic storytelling, visual arts, participative culture, and aspects of real-world religious fear. It is less concerned with horror as a genre (which is mainly a function of marketing) and more with the horror mode, a way of storytelling that finds expression across a number of genres, a variety of media, and even blurs the boundary between fiction and non-fiction. This expanded focus not only deepens the pool of potential examples, but invites a much broader readership in for a swim"--

This book asks a critical question for our times: why do an increasing number of people support, admire and aspire to be outlaws? Outlaw motorcycle clubs have grown, spread and matured. Popular culture glamorizes them; law enforcement agencies fight them and the media vilify them. Meanwhile, the outlaw bikers exploit the current cultural and economic climate to attract new members. How Outlaws Win Friends and Influence People argues that the growth of these anti-establishment groups under neoliberalism is not coincidental, but inevitable. The book asks a critical question for our times: why do people today, in increasing numbers, support, admire and aspire to be outlaws? What needs and desires do the clubs satisfy? How do they win support and influence? Answering this is crucial if we are to successfully fight the social harms caused by these groups, as well as the harms that underlie their proliferation. Unless we understand the cultural dynamic at play here, our fight against these organizations will always take the form of a battle against the mythological Hydra: when one head is cut off, two more grow. “Tereza Kuldova is a rebel with a cause - her new book is a razor-sharp critique of stereotypical conceptions of the ‘outlaw biker’ and provides refreshing insights into their subjective life-worlds”​ - Daniel Briggs, author of the award-winning Dead-End Lives.

Men's adventure magazines were a form of pulp publishing which flourished in 1950s and 1960s America, pandering to the cruelty and lust of young men with luridly illustrated stories of war, sleaze and savagery. They arose partly in response to the inauguration of the Comics Code in 1954, as a way of circumventing censorship by presenting material in a new, "adults-only" format. The prime years of the men's adventure magazine unleashed a visual and verbal deluge of exposed and tormented flesh, bloody mayhem and sexual delinquency, representing a unique cultural phenomenon in US publishing and art. SOFT FLESH AND ORGIES OF DEATH is a new anthology which collects some prime examples of text and artwork from a range of men's adventure magazines published between 1955 and 1963. The Feature section includes a selection of semi-factual confessions and case histories on sensationalistic subjects ranging from psychotropic drugs, carnival freaks and nude gladiators to prostitution, devil worship and cannibal death cults; the Fiction section includes numerous examples of garishly illustrated short pulp fiction, with categories including war, white slavery, Nazi horror, jungle curses, pirates, Red menace, mobsters, torture, sadism, and erotic carnage. Cover art is also included, in full color and in detail. The book includes more than 30 features and stories, more than 100 illustrations, and 32 pages of full colour, with work by such classic pulp artists as Norm Eastman, Norman Saunders and John Duillo. Features and stories include: HANDMAIDENS OF HORROR FOR THE DEVILS BLOOD ORGIES; THE UNHOLY NAKED GERMAN WITCH CULTS; JUKEBOX GOONS EXPLODED MY GUTS ; DEATH ORGY OF THE LEOPARD WOMEN; SOFT FLESH FOR SATANS BUBBLING CAULDRON; HITLERS DEATH GAME; NYMPHO TIGER QUEEN OF LAOS; CHAINED NUDES FOR THE DEVILS SEAT IN HELL: LUST REVENGE OF THE DEPRAVED NAZI CAT MASTER; SHACKLED NUDES FOR THE BUTCHERS FLAYING KNIFE; SOFT BRIDE FOR THE SLITHERING MONSTER FROM HELL; and NUDE LUST SLAVES OF HITLERS RUSSIAN MONSTER. Pulp Mayhem is a new illustrated book series of vintage pulp fiction, art and pop culture.

Rare voices in fiction, the lives of the working class consume this collection. Winner of the Prairie Schooner Book Prize in Fiction, One-Hundred-Knuckled Fist brings to life the narratives of midwestern blue-collar workers. In these sixteen stories, author Dustin M. Hoffman invites readers to peek behind the curtain of the invisible-but-ever-present "working stiff" as he reveals their lives in full complexity, offering their gruff voices--so often ignored--without censorship. The characters at the heart of these stories work with their hands. They strive to escape invisibility. They hunt the ghost of recognition. They are painters, drywall finishers, carpenters, roofers, oil refinery inspectors, and hardscapers, all aching to survive the workday. They are air force firemen, snake salesmen, can pickers, ice-cream truck drivers, and Jamaican tour guides, seething forth from behind the scenes. They are the underemployed laborers, the homeless, the retired, the fired, the children born to break their backs. One-Hundred-Knuckled Fist initiates readers into the secret nightmares and surprising beauty and complexity of a sweat-stained, blue-collar world.

Men's adventure magazines were a form of pulp publishing which flourished in 1950s and 1960s America, pandering to the cruelty and lust of young men with luridly illustrated stories of war, sleaze and savagery. They arose partly in response to the inauguration of the Comics Code in 1954, as a way of circumventing censorship by presenting material in a new, "adults-only" format. The prime years of the men's adventure magazine unleashed a visual and verbal deluge of exposed and tormented flesh, bloody mayhem and sexual delinquency, representing a unique cultural phenomenon in US publishing and art. SOFT BLONDES IN THE CLAWS OF TORTURE HELLe ^is a new anthology which collects some prime examples of text and artwork from a range of men's adventure magazines published during the prime years of the genre. The book is divided into two main sections: FEATURES includes a selection of sensationalistic, semi-factual confessions and case histories on such subjects as Wild West massacres, serial killers, mobsters, female chain gangs, and other aberrations; and FICTION collects numerous examples of garishly illustrated short pulp fiction, with categories including war, white slavery, Nazi horror, jungle savagery, Red menace, Devil worship, torture, sadism and erotic carnage. The book also features numerous examples of interior art from classic men's magazines, and includes 35 features and stories, with more than 50 illustrations, and 16 pages of full colour. Pulp Mayhem is an illustrated book series of vintage pulp fiction, art and pop culture.

When the crash of Air Force One leaves the President and First Lady dead, and an apocalyptic explosion destroys Yellowstone National Park, the Vice President imposes martial law, and only one man, Army Lieutenant Adam Burch, can stop those in power from achieving their sinister goals. Original.

Bottled Up Tears is an anthology rich in expression and authenticity. It goes beyond self-reflection by tackling contemporary issues that are often overlooked, either from fear or ignorance. Moreover, while the setting of most stories has been Africanized, issues tackled are boundless in geography and demography. Politics, misleading social practices, inequality and inequity, and other motifs of ethical concern have been artistically presented through language. This is a collection of short stories by Kenyan youth, about the youth and for the youth.

Men's adventure magazines were a form of pulp publishing which flourished in 1950s and 1960s America, pandering to the cruelty and lust of young men with luridly illustrated stories of war, sleaze and savagery. They arose partly in response to the inauguration of the Comics Code in 1954, as a way of circumventing censorship by presenting material in a new, "adults-only" format. The prime years of the men's adventure magazine unleashed a visual and verbal deluge of exposed and tormented flesh, bloody mayhem and sexual delinquency, representing a unique cultural phenomenon in US publishing and art. SOFT NUDES FOR THE DEVIl'S BUTCHER is a new anthology which collects some prime examples of text and artwork from a range of men's adventure magazines published during the prime years of the genre. The book is divided into two main sections: FEATURES includes a selection of sensationalistic, semi-factual confessions and case histories on such subjects as rape in Soviet prisons, Hitler's secret sex life, prostitution, the persecution of witches, and other aberrations; and FICTION collects vivid examples of garishly illustrated short pulp fiction, with categories including war, white slavery, Nazi horror, jungle savagery, Red menace, Devil worship, torture, sadism and erotic carnage. The book also features numerous examples of interior art from classic men's magazines, and includes 35 features and stories, with more than 50 full-size illustrations, and 16 pages of full color, with work by such classic pulp artists as Norm Eastman, Norman Saunders and John Duillo. Features and stories include: I ESCAPED FROM THE SOVIET HELL CAMP; CHAINED NUDES FOR THE DEVIl'S DUNGEON; CRUSHED BY THE CONGO MONSTERS; VIRGIN BRIDES FOR SATAN'S LUST ORGIES; PASSION SLAVE OF THE WHIP GODDESS; NAZI MADHOUSE ZOO OF RAVAGED WOMEN; TEENAGE NAZI WEREWOLVES OF BERLIN; SECRET HORROR CAGES OF THE NAZI DWARF; HANDMAIDENS OF HORROR OF THE KEMPEITAI; 1,000 NAKED BEAUTIES FOR THE DEVIl'S PLAGUE; SOFT BODIES FOR THE NAZI'S HALL OF THE LIVING DEAD; and many others. Pulp Mayhem is a new illustrated book series of vintage pulp fiction, art and pop culture.

Men's adventure magazines were a form of pulp publishing which flourished in 1950s and 1960s America, pandering to the cruelty and lust of young men with luridly illustrated stories of war, sleaze and savagery. They arose partly in response to the inauguration of the Comics Code in 1954, as a way of circumventing censorship by presenting material in a new, "adults-only" format. The prime years of the men's adventure magazine unleashed a visual and verbal deluge of exposed and tormented flesh, bloody mayhem and sexual delinquency, representing a unique cultural phenomenon in US publishing and art. SOFT BRIDES FOR THE BEAST OF BLOODe ^is a new anthology which collects some prime examples of text and artwork from a range of men's adventure magazines published during the prime years of the genre. The book is divided into two main sections: FEATURES includes a selection of sensationalistic, semi-factual confessions and case histories on such subjects as Nazi doctors, tortures of the Spanish Inquisition, cannibal serial killers, vice, juvenile delinquency and other aberrations; and FICTION collects numerous examples of garishly illustrated short pulp fiction, with categories including war, white slavery, Nazi horror, jungle savagery, Red menace, Devil worship, torture, sadism and erotic carnage. The book also features numerous examples of interior art from classic men's magazines, and includes 35 features and stories, with more than 80 illustrations, and 16 pages of full colour, with work by such classic pulp artists as Norm Eastman, Norman Saunders and John Duillo. Features and stories include: THE CANNIBAL BUTCHER OF HANOVER; A SOFT WHITE THROAT FOR THE DEVIl'S HANGMAN; TORTURED NUDES FOR THE DEVIl'S CHARNEL HOUSE; SOFT BRIDES FOR THE HIDEOUS RITES OF THE DAMNED; NUDE NURSES FOR THE BEASTS OF BUSHIDO; DOOMED NUDES IN THE CIRCUS OF HORROR; TORTURE TRAP OF THE NYMPHO SCHOOLGIRLS; PRISON BREAK FROM CHAWCAGEE HELL HOLE; and many others.

After her body experiences the Blossom, the confused virgin Vuyis heart begins to burn with unquenchable and relentless passion. Her parents and the village practices compel her to travel to the Village of Virtue, where the fire in her heart would be molded and, thus, gain permission to reign as queen with the faithful. With other virgins, she quickly learns that dreams, pain, and sacrifice are strangehowever necessarybedfellows. Though determined to reach her destination, her journey is littered with sadistic creatures that seek to corrupt her, break her down, and puncture her dreams of purity. Corrupting Virgins is a book about purity, second chances, and tsunamis of hatred. It is a story about wading through oceans of opinions, tunnelling through mountains of ignorance, and dancing through the joys and sorrows of life. It is a story that seeks to defend love in a society where love is constantly on trial. Corrupting Virgins is a book about wrestling arguments and monsters that besiege those who believe in faith, hope, and love. Through a unique African and poetic lens, the reader will be taken through Jungles of Insult, Trains of Testing, Rivers of Life, Cities of Instant Gratification, and Villages of Virtue.