Socialist Cowboy is a political biography detailing the life and activism of longtime New Democrat MPP Peter Kormos, one of the most colourful and controversial political personalities in the history of Ontario politics. Throughout his illustrious twenty-three year career as a member of the Ontario legislature, Kormos's unapologetic commitment to democratic socialism and his shoot-from-the-hip brand of small-town populism won him strong accolades back in his blue-collar hometown of Welland, while raising eyebrows at Queen's Park and within his own party. From his days as a student strike leader, to his short-lived time in Bob Rae's cabinet, to his run for the Ontario NDP leadership and his epic battles with the province's political establishment, the book chronicles Kormos's political trajectory, through interviews and archival research, with a view to unpacking the ideas and traits that have made him a New Democrat icon.

A Texas Cow Boy' (A Western Classic) stands as a seminal anthology, capturing the rugged essence and the adventurous spirit of the American West through a compilation of vivid narratives and personal accounts. This collection embodies the diversity of the Western experience, showcasing a range of literary styles from raw, unvarnished tales to meticulously detailed accounts of cowboy life. The anthology serves not only as a historical document but also as a literary mosaic, weaving together stories that highlight the resilience, bravery, and spirit of exploration that defined the era. The inclusion of pieces by Charles A. Siringo and Charlie Siringo adds a unique authenticity and depth, drawing readers into the dusty trails and sun-soaked landscapes of a bygone America. The contributing authors, Charles A. Siringo and Charlie Siringo, anchor the anthology with their firsthand experiences of the frontier. Their backgrounds as cowboys who transitioned to authors allow them to capture the essence of the Western frontier with unparalleled authenticity. These narratives stand at the intersection of history, culture, and mythology, evidencing how personal accounts can elevate understanding and appreciation of the American West. The collection aligns with and contributes to the discourse on America's frontier period, offering insights into the challenges and triumphs faced by those who ventured into unknown territories. 'A Texas Cow Boy' offers readers an unprecedented opportunity to immerse themselves in the diversity of Western life and lore. It beckons enthusiasts of history, literature, and the American frontier to explore the myriad stories that paint a comprehensive picture of the cowboy era. Each narrative invites the reader into a world marked by stark realities and boundless dreams, fostering a deeper appreciation for the complex tapestry that the American West represents. This anthology is a must-read for anyone eager to explore the depth and breadth of the Western experience, providing a rich educational journey through the eyes of those who lived it.

Will Wright explores the continuing popularity of the myth of the Wild West, demonstrating how, as a cultural icon, it speaks deeply to a desire for individualism and liberty. The author discusses the myth through market and social theory.

One more journey to the universe of Roberto Bolaño, an essential voice of contemporary Latin American literature Cowboy Graves is an unexpected treasure from the vault of a revolutionary talent. Roberto Bolaño's boundless imagination and seemingly inexhaustible gift for shaping the chaos of his reality into fiction is unmistakable in these three novellas. In "Cowboy Graves," Arturo Belano--Bolaño's alter ego--returns to Chile after the coup to fight with his comrades for socialism. "French Comedy of Horrors" takes the reader to French Guiana on the night after an eclipse where a seventeen year old answers a pay phone and finds himself recruited into the Clandestine Surrealist Group, a secret society of artists based in the sewers of Paris. And in "Fatherland," a young poet reckons with the fascist overthrow of his country, as the woman he is obsessed with disappears in the ensuing violence and a Third Reich fighter plane mysteriously writes her poetry in the sky overhead. These three fiercely original tales bear the signatures of Bolaño's extraordinary body of work, echoing the strange characters and uncanny scenes of his triumphs, while deepening our reverence for his gifts.

In prohibition-era Southern California, real life detectives Charles D. Siringo and Dashiell Hammett must solve a mystery involving a ruthless politician—Joseph P. Kennedy. With sharp dialogue and rich historical background, Ragtime Cowboys is an exciting, suspenseful tale in which the Old West and Hollywood collide. Los Angeles, 1921: Ex-Pinkerton Charlie Siringo is living in quiet retirement when Wyatt Earp knocks on his door and asks him to track down his missing horse. What begins as horse thievery turns into a deeper mystery as Siringo and another ex-Pinkerton, the young Dashiell Hammett, follow clues that take them from the streets of Los Angeles to Jack London's farm, until they discover a conspiracy masterminded by the notorious and powerful Joseph P. Kennedy. From the first page to the closing chapter, these ragtime cowboys chase the truth in Loren D. Estleman's compelling tale of the Old West and early Hollywood. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Europeans believe that, while the U.S. economy may create more growth, they have it better when it comes to job security, income equality, and other factors. Gersemann, a German reporter went to America, and found that the greater market freedoms in America create a more flexible, adaptable, and prosperous system than the declining welfare states of "old Europe." This book presents statistical data in extensive yet accessible charts and graphs.

When Trisha Low moves west, her journey is motivated by the need to arrive “somewhere better”—someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one's life comes to the fore—sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won't find. Attempting to reconcile her desires with her radical politics, she asks: do our quests to fulfill our deepest wishes propel us forward, or keep us trapped in the rubble of our deteriorating world?

What are the connections between cattle branding and Christian salvation, between livestock castration and square dancing, between rustling and the making of spurs and horsehair bridles in prison, between children's coloring books and cowboy poetry as it is practiced today? The Cowboy usesliterary, historical, folkloric, and pop cultural sources to document ways in which cowboys address religion, gender, economics, and literature. Arguing that cowboys are defined by the work they do, Allmendinger sets out in each chapter to investigate one form of labor (such as branding, castration,or rustling) that cowboys perform in their "work culture." He then looks at early oral poems that cowboys recited around campfires, on trail drives, at roundups, and at home in their bunkhouses, and at later poems, histories and autobiographies written by cowboys--most of which have never beforebeen studied by scholars. He discovers that these texts not only deal with work but with larger concerns, including art, morality, spirituality, and male sexuality. In addition to spotlighting little-known texts, art, and archival sources, The Cowboy examines the works of Twain, Steinbeck, Cather,Norris, Dana, McMurtry, and others, and features more than 60 historic photographs, many of which have not been published until now.