Cultural History Of India Has Been Divided Into Three Parts To Discuss Various Aspects Of Development Of Indian Culture. It Talks About How Religions Such As The Vedic Religion, Buddhism, Jainism, Saivism And Vaisnavism Aimed At Securing Social Harmony, Moral Upliftment, And Inculcated A Sense Of Duty In The Individual. The Development Of Indian Art And Architecture Was A Creative Effort To Project Symbols Of Divine Reality As Conceived And Understood By The Collective Consciousness Of The People As A Whole. The Book Also Focuses On Social Intuitions, Educational Systems And Economic Organisation In Ancient India. Finally, The Book Discusses The Dietary System Of Indians From Pre-Historic Times To C. 1200 A.D. The Basis For Inclusion Of Food And Drinks In The Book On Indian Culture Is That Ancient Indians Believed That Food Not Only Kept An Individual Healthy, But Was Also Responsible For His Mental Make Up.According To The Author, It Is Of Utmost Importance That The Present Generation Imbibe Those Elements Of Indian Culture Which Have Kept India Vital And Going Through Its Long And Continuous History .Cultural History Of India Is An Extremely Useful Journal On Indian History And Culture For All Readers, Both In India And Abroad. It Is Therefore A Must-Read For All Interested In Indias Proud Past, Which Forms The Eternal Bed-Rock Of Its Fateful Present And Glorious Future. It Is An Academic Book Very Useful For Student Of History Aspiring For I.A.S.

The Book Deals With All Aspects Of Social And Cultural History Of India Since 1556 In Detail And In A Simple Lucid Manner. The First Five Chapters Of The Book Make A Quick Survey Of The Social And Cultural History Of India From Mughals To The 19Th Century. The Next Five Chapters Deal With Indian Islam, Growth Of New India, Regeneration Of Indian Society, The Freedom Struggle And March Of Free India.Overwhelming Stress Has Been Laid On Social And Cultural Affairs Throughout This Book. An Attempt Has Been Made To Describe How Men And Women Lived And Thought And How Their Lives Influenced By The Great Figures That Have Passed Were Of Human History. The Descriptions Are Brief And Accurate. The Chapter On The Freedom Struggle Takes Readers Back Again To British India Where The Intense Struggles Were At Length Fought Out During The British Period With Its Far Reaching Results For Good And Ill.The Book Would Be Of Great Value To The Students As Well As The Teachers. Even A Laymen Would Enjoy Reading The Book Because Of Its Simple Style.

This Book Shows How The Culture Of India Emerged As A Result Religio-Spiritual Thinking Of The Indian Seers And Saints. Discussing The Ethnic Composition And Foreign Elements In Indian History, It Provides A Deep Insight In To The Four Asramas Brahmacharya, Grihasthya, Vanaprastha And Sanyasa. Also It Takes A Close Look At Marriage, Sex Relations, Status Of Women, Spirituality, Religion, Philosophy, Language, Literature, Art And Living Conditions Of The People.

Are Indian women powerful mother goddesses, or domestic handmaidens trailing behind men in literacy, wages, opportunities, and rights? Have they been agents of their own destinies, or voiceless victims of patriarchy? Behind these colorful over-simplifications lies the reality of many feminine personas belonging to various classes, ethnicities, religions, and castes. This two-volume set looks at Indian history from ancient to modern times, revealing precisely why ideas of gender rights were not static across eras or regions. Raman's work is a reflection on the various ways in which women in a non-Western culture have developed and expressed their own feminist agenda. Are Indian women powerful mother goddesses, or domestic handmaidens trailing behind men in literacy, wages, opportunities, and rights? Have they been agents of their own destinies, or voiceless victims of patriarchy? Behind these coloful over-simplifications lies the reality of many feminine personas belonging to various classes, ethnicities, religions, and castes. This two-volume set looks at Indian history from ancient to modern times, revealing precisely why ideas of gender rights were not static across eras or regions. Raman's work is a reflection on the various ways in which women in a non-western culture have developed and expressed their own feminist agenda. Individual chapters highlight the enduring legacies of many important male and female figures, illustrating how each played a key role in modifying the substance of women's lives. Political movements are examined as well, such as the nationalist reform movement of 1947 in which the ideal of Indian womanhood became central to the nation and the push for independence. Also included is a survey of women in contemporary India and the role they played in the resurgence of militant Hindu nationalism. Aside from being an engaging and readable narrative of Indian history, this set integrates women's issues, roles, and achievements into the general study of the times, providing a clear presentation of the social, cultural, religious, political, and economic realities that have helped shape the identity of Indian women.

This book, edited by the well-known historian A. L. Basham, presents a comprehensive survey of Indian culture, covering such aspects as religion, philosophy, social organization, literature, art. architecture, music and science. It includes a special section dealing with the influence ofIndian civilization on the rest of the world, as well as details of the political history of the region to provide a chronological framework for the non-specialist. Contributors include such eminent scholars as Radhakrishnan, Burrow, Das, and Spear.

Cultural History Of Medieval India Is A Part Of The Series, Readings In History. The Books In This Series Have Been Edited And Put Together By Eminent Historians For Their Students. This Anthology Of Readings Seeks To Explore Indian Culture In The Medieval Period Through Five Themes: Kingship Traditions, Social Processes Of Religious Devotion, Inter-Cultural Perception, Forms Of Identities, And Aesthetics. Written By Well-Known Scholars, The Eleven Essays In This Book Present Sub-Cultures In Diverse Regional Settings Of The Subcontinent. The Articles Suggest That Culture Does Not Exist As Fragments Of The Great And Little , Or Classic And Folk In Any Given Tradition. In Fact, Variants Within A Given Tradition Interact With One Another And Assimilate New Characteristics Over Time. These Interactions Also Take Place Across Boundaries Of Different Religious And Cultural Spheres, And In The Process, Give Meaning To The Notions Of The 'Self' And The 'Other'. In An Attempt To Define The 'Other' One Discovers The 'Self'. These Readings Introduce A New Way Of Understanding Medieval Indian History By Engaging With Interdisciplinary Methods Of Research On Issues That Are Significant To Everyday Existence In A Plural Society Like That Of India. This Book Will Be Of Great Value To Students Of History, As Well As To Other Readers Interested In The Culture Of The Medieval Period In India.

In A Cultural History of India, first published in 1975, A.L. Basham brought together scholars from across the globe to provide international viewpoints on the rich cultural heritage of India. With contributors from across the world covering a wide array of topics including religion, philosophy, social organization, literature, art, architecture, music, and science, the book presented a comprehensive survey of India's rich cultural heritage. Over the years the book became a classic in its own right. The Illustrated Cultural History of India, an adapted and illustrated version of the original book, aims to sensitize young readers to the country's historic past and rich cultural heritage, and the need to preserve it. Key chapters cover the Indus civilization, Ashokan India and the Gupta Age, ancient Indian religions, philosophy, classical literature, early art and architecture, music, Muslim architecture in India, Islam, Sikhism, the nationalist movement, and modern Indian literature, and are complemented by extensive visuals, making for an informative and interesting read.

First published in 1965, The Culture and Civilisation of Ancient India in Historical Outline is a strikingly original work, the first real cultural history of India. The main features of the Indian character are traced back into remote antiquity as the natural outgrowth of historical process. Did the change from food gathering and the pastoral life to agriculture make new religions necessary? Why did the Indian cities vanish with hardly a trace and leave no memory? Who were the Aryans – if any? Why should Buddhism, Jainism, and so many other sects of the same type come into being at one time and in the same region? How could Buddhism spread over so large a part of Asia while dying out completely in the land of its origin? What caused the rise and collapse of the Magadhan empire; was the Gupta empire fundamentally different from its great predecessor, or just one more ‘oriental despotism’? These are some of the many questions handled with great insight, yet in the simplest terms, in this stimulating work. This book will be of interest to students of history, sociology, archaeology, anthropology, cultural studies, South Asian studies and ethnic studies.

The book ' social and Cultural History of India' has been prepared for the students of graduate, post graduate and other competitive Examination of History courses Syllabus in almost all the Indian Universities. The various courses conducted by various examinations at the Central and State level too have been considered in respect of their syllabus, course contents and requirements. Thus the material presented here would be of interest as well as great use to all concerned students. this book will provide the complete knowledge of social and religious reforms; Muslim reforms; national movement; impact of British rule; agrarian economy; labour movement in India; national movement; history of Indian education; language and literature etc. to the students in an impressive manner.

Curing Madness? focusses on the institutional and non-institutional histories of madness in colonial north India. It proves that 'madness' and its 'cure' are shifting categories which assumed new meanings and significance as knowledge travelled across cultural, medical, national, and regional boundaries. The book examines governmental policies, legal processes, diagnosis and treatment, and individual case histories by looking closely at asylums in Agra, Benaras, Bareilly, Lucknow, Delhi, and Lahore. Rajpal highlights that only a few mentally ill ended up in asylums; most people suffering from insanity were cared for by their families and local vaidyas, ojhas, and pundits. These practitioners of traditional medicine had to reinvent themselves to retain their relevance as Western medical knowledge was widely disseminated in colonial India. Evidence of this is found in the Hindi medical advice literature of the era. Taking these into account Shilpi Rajpal moves beyond asylum-centric histories to examine extensive archival materials gathered from various repositories.