"One can only wish for more poets like David Lee."--Chowder Review Set in the American Southwest, So Quietly the Earth is a book of landscape meditations on philosophical, theological and environmental issues. Radically departing from his justly famous narratives of rural life, David Lee weaves the archetypal elements of earth, fire, water, and air throughout his poems as he explores spiritual connections to the natural world. David Lee, author of 15 books of poems, was named Utah's first Poet Laureate and in 2001 was a finalist for the United States Poet Laureate. A former seminary candidate, semi-pro baseball player and hog farmer, he recently retired as the head of the languages and literature department at Southern Utah University.

John Hobson, a geneticist, wakes one morning to find his watch stopped at 6.12. The streets are deserted, there are no signs of life or death anywhere, and every clock he finds has stopped: at 6.12. Is Hobson the last person left on the planet? Inventive and suspenseful, The Quiet Earth is a confronting journey into the future, and a dark past. This new edition of Craig Harrison's highly sought-after 1981 novel, which was later made into a cult film starring Bruno Lawrence, Pete Smith and Alison Routledge, comes with an introduction by Bernard Beckett. Craig Harrison was born in Leeds in 1942. He left for New Zealand in 1966 after being appointed a lecturer at Massey University. There he devised a course in art history, which he taught until his retirement in 2000. His award-winning play Tomorrow Will Be a Lovely Day (1974) was performed for a quarter of a century, including in the Soviet Union. He is the author of five other plays, including Ground Level (1974), which led to a television series, Joe & Koro. Craig's most recent book, the young-adult comedy The Dumpster Saga, was a finalist in the 2008 New Zealand Post Book Awards. He lives in Palmerston North. 'Cuts to the heart of our most basic fears...compelling...a classic.' Bernard Beckett 'Excellent...The inevitability of the horror has a Hitchcock quality.' Listener

At once joyous and somber, this thoughtful gathering of new and selected essays spans Kathleen Dean Moore's distinguished career as a tireless advocate for environmental activism in the face of climate change. In this meditation on the music of the natural world, Moore celebrates the call of loons, howl of wolves, bellow of whales, laughter of children, and shriek of frogs, even as she warns of the threats against them. Each group of essays moves, as Moore herself has been moved, from celebration to lamentation to bewilderment and finally to the determination to act in defense of wild songs and the creatures who sing them. Music is the shivering urgency and exuberance of life ongoing. In a time of terrible silencing, Moore asks, who will forgive us if we do not save nature's songs?

HERE is fierce poetic imagination that faces indifference and cynicism with a rallying call for individual activism and collective action.

From award-winning author Paul Yoon comes a beautiful, aching novel about three kids orphaned in 1960s Laos—and how their destinies are entwined across decades, anointed by Hernan Diaz as “one of those rare novels that stays with us to become a standard with which we measure other books.” Alisak, Prany, and Noi—three orphans united by devastating loss—must do what is necessary to survive the perilous landscape of 1960s Laos. When they take shelter in a bombed out field hospital, they meet Vang, a doctor dedicated to helping the wounded at all costs. Soon the teens are serving as motorcycle couriers, delicately navigating their bikes across the fields filled with unexploded bombs, beneath the indiscriminate barrage from the sky. In a world where the landscape and the roads have turned into an ocean of bombs, we follow their grueling days of rescuing civilians and searching for medical supplies, until Vang secures their evacuation on the last helicopters leaving the country. It’s a move with irrevocable consequences—and sets them on disparate and treacherous paths across the world. Spanning decades and magically weaving together storylines laced with beauty and cruelty, Paul Yoon crafts a gorgeous story that is a breathtaking historical feat and a fierce study of the powers of hope, perseverance, and grace.

Into a world where it often seems nobody is listening comes a poignant story that celebrates the power of silence. “Why are you so quiet?” Her teacher implores it, her classmates shout it, even her mom wonders it. Everyone, it seems, is concerned for Myra Louise. So, in search of an answer to the tiresome question nobody will stop asking, she invents a listening machine. If the raindrops, or the crickets, or the dryers at the laundromat can tell her why they’re so quiet, maybe Myra Louise can finally make everybody understand. But the more she listens, the less interested she becomes in finding any answer at all. Because Myra Louise comes to realize that all she really needs is someone else to listen alongside her. With gorgeous illustrations from Risa Hugo, Jaclyn Desforges’s first picture book champions introversion and the value of being a listener, a thinker, and an observer in our increasingly loud world.

Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.

“The longtime chronicler of Michigan’s Upper Peninsula . . . gives eloquent expression to death and the grieving process.” —Booklist Hailed by The New York Times Book Review as “a master . . . who makes the ordinary extraordinary, the unnamable unforgettable,” beloved author Jim Harrison returns with a masterpiece—a tender, profound, and magnificent novel about life, death, and finding redemption in unlikely places. Donald is a middle-aged Chippewa-Finnish man slowly dying of Lou Gehrig’s Disease. His condition deteriorating, he realizes no one will be able to pass on to his children their family history once he is gone. He begins dictating to his wife, Cynthia, stories he has never shared with anyone as around him, his family struggles to lay him to rest with the same dignity with which he has lived. Over the course of the year following Donald’s death, his daughter begins studying Chippewa ideas of death for clues about her father’s religion, while Cynthia, bereft of the family she created to escape the malevolent influence of her own father, finds that redeeming the past is not a lost cause. Returning to Earth is a deeply moving book about origins and endings, making sense of loss, and living with honor for the dead. It is among the finest novels of Harrison’s long, storied career, and confirms his standing as one of the most important American writers. “A deeply felt meditation on life and death, nature and God, this is one of Harrison’s finest works.” —Library Journal

George Bridge has a secret, a wrong he did a lifetime ago that he must confess. Back in the summer and autumn of 1918 he lived life at a pitch he never experienced again; any moment could have been his last. He was a pilot in the RAF.??Day after day, George and his friend Billy Love fight for their lives. Just nineteen, they have everything to live for, but flying three miles above France, its kill or be killed and machine guns, Fokkers and a long burning fall haunt their dreams.??At home their families wait; and so do their girls. Billy loves Jessica. Constance loves George. But who does George love???Then Billy flies into history and nothing is ever the same again.??That Quiet Earth is rich in the kind of 'boys own' descriptions of combat that characterise this kind of fiction, but underlying the novel is an astute study of madness; the insanity of the war itself and the personal decline of tormented young Billy Love.??As featured on BBC Radio Bristol and Clifton Life Magazine.