‘As entertaining as it is instructive . . . Surprisingly funny and touching.’ - Evening Standard A Sunday Times bestseller, Where's My Happy Ending? asks the questions you've always wondered: What is ‘happily ever after’? How do you make love last? Is there such a thing as ‘the one’? Maybe you’ve just had a first date with ‘the one’, maybe you’ve been married for ten years. Either way, it’s hard to know if they’re really meant to be by your side until you both wear dentures. In this book Anna Whitehouse and Matt Farquharson, co-founders of the Mother Pukka website and authors of the Sunday Times bestseller Parenting the Sh*t Out of Life, set out to discover what it takes to make it to forever, by asking our greatest questions about love. They ask a former sex-worker and her ex-gigolo husband, celibate monks and free-loving hippies. They ask people who never wanted kids and people who have loads of them. They speak to couples, throuples and singles; gay, straight and anywhere in-between. And in asking these questions, they are forced to confront their own relationship after a decade of marriage. Join Anna and Matt on a searingly honest, belly-laugh inducing journey through love and relationships, social media and small children, expert advice and everyday exasperation, as they navigate the muddy waters of modern romance.

When her boyfriend of three months, Tad Showers, proposes, twenty-six-year-old April thinks that everything in her life is finally falling into place. Between her flaky, tree-hugging mother and her she-devil boss, marriage seems like the place she'll find love and security. Tad's exactly the kind of man April wants: smart, ambitious and wildly romantic. But soon after they're married, the honeymoon ends. Tad's crazy, extravagant gestures are starting to look less romantic and more…well, just plain crazy. Is it normal for her husband to never mention his family, rack up secret credit card debt and get less sleep than your average insomniac? Are you still supposed to stand by your man, even if it turns out he isn't who you thought he was? When she promised "for richer or poorer, in sickness and in health," this isn't what she pictured. But sometimes you don't get the life you imagined. And sometimes you have to figure out how to write your own happy ending.

Wanda grew up being told she was ugly, fat, and all around horrible. Considering it all, she grew up really well. But high school is a new ball game.Making herself the outcast of the school by making the captain of the football team look stupid wasn't her smartest move. And finding love along the way wasn't easy either. Will it all work out or will she end up being torn apart?

Four fairy tales. One broken spell. And a secret that threatens everyone. After his farm fails and his cow goes dry, Jack is certain the Happy Ending will intervene. He isn't prepared for how lost he feels when it doesn't. Heartbroken, he determines to save his family himself. Hepsibah resents being cast by the Happy Ending as the villain in the cursed princess story. Ignoring tradition, the aged fairy tries to give a true gift to the babe rather than a curse. She doesn't know that nothing she does will turn out as expected. Ella dreams of one night of happiness, away from the harsh reality of her life. She's crushed when the evening doesn't go as planned. After the ball ends, Ella's dreary existence becomes even more difficult for her to bear. Adalia can't decide what she wants lately. She worries about her family and the threat to her kingdom. She hates not knowing whether the midnight dances are the answer to her problem or the cause of it. Hepsibah is terrified her magic is out of control. Jack races to warn about a secret that has been hidden for millennia. Ella flees, hoping it's not too late to escape. And Adalia fights against the spell that holds her hostage. All of them are about to discover just how dangerous their world can be.

From the show's modest beginnings to its massive Emmy sweep, You Are My Happy Ending tells the story of how Schitt’s Creek became the surprise hit that changed the way we think about LGBTQ relationships. Cultural analyst Emily Garside shows how this series fused classic romcom and sitcom tropes to create a world with a queer love story at its core, starting with Daniel Levy, the co-creator who plays David. She examines the show’s Canadian identity and its diverse incorporation of references from literature (Brideshead Revisited) to cinema (Hitchcock’s The Birds), as well as numerous romantic comedy texts. Schitt’s Creek is an homage to all these elements of the past literary and cinematic canon while also creating an important contemporary narrative of its own. Most importantly, Garside delves into the references to queer icons and culture—from Cabaret to drag. How did this supposedly light comedy embrace an activist perspective? And how does it use (and subvert) its romantic-comedy genre in order to make that activism even more powerful? Combining a fan's affection with a scholar's insight, Garside explains how this “little show that could” is the product of a long history of queer activism, breaking down barriers and marking a turning point in future representation of LGBTQ stories.

Book Delisted

Betty T. Smith thought that she had received her “Happy Ending” when her marriage was miraculously restored — but God had much more in store for her life!

In How To Be Perfectly Unhappy, Inman explores the surprising benefits of forgetting about “happiness,” and embracing instead the meaningful activities that keep us busy and interested and fascinated.

"e;Hollywood 'happy ending' has long been considered among the most famous and standardised features in the whole of narrative filmmaking. Yet, while ceaselessly invoked, this notorious device has received barely any detailed attention from the field of film studies. This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliche, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films. "e;