2084 bce: In the great city of Mohenjodaro, along the banks of the Indus, a young man named Prkaa becomes increasingly mistrustful of the growing authority of a cult of priests. 455 ce: In the fabled university city of Takshasilla, Buddhamitra, a monk, is distressed by how his colleagues seem to have lost sight of the essence of the Buddha's message of compassion. 1620 ce: During the reign of the Mughal emperor Jahangir, a pair of itinerant fortune seekers endeavour to swindle the patrician elite, only to find themselves utterly disillusioned. 1857 ce: Mir Sahib, a wandering minstrel, traverses the realms of human deception even as a rebellion against the British Raj is advancing across India. 2009 ce: In contemporary Lahore, the widow Rafiya Begum navigates legal complexities in order to secure her rights and fend off predatory charlatans. 2084 ce: A scholar revisits the known history of the cataclysmic events that led to world domination by ruthless international water conglomerates. Across epochs and civilizations, these are intensely personal journeys that investigate the legitimacy of religion and authority, and chronicle the ascent of dissent. Snuffing Out the Moon is a dazzling debut novel that is at once a cry for freedom and a call for resistance.

This book explores the complex relationship between colonial law and the reform of legal systems in postcolonial states.

"In the murky London gloom, a knife-wielding gentleman prowls the midnight streets with his faithful watchdog Snuff - gathering together the grisly ingredients they will need for an upcoming ancient and unearthly rite. And all manner of players, both human and undead, are preparing to participate."--Publisher.

Dean Koontz has surpassed his longtime reputation as “America’s most popular suspense novelist”(Rolling Stone) to become one of the most celebrated and successful writers of our time. Reviewers hail his boundless originality, his art, his unparalleled ability to create highly textured, riveting drama, at once viscerally familiar and utterly unique. Author of one #1 New York Times bestseller after another, Koontz is at the pinnacle of his powers, spinning mysteries and miracles, enthralling tales that speak directly to today’s readers, balm for the heart and fire for the mind. In this stunning new novel, he delivers a tour de force of dark suspense and brilliant revelation that has all the Koontz trademarks: adventure, chills, riddles, humor, heartbreak, an unforgettable cast of characters, and a climax that will leave you clamoring for more. Dylan O’Connor is a gifted young artist just trying to do the right thing in life. He’s on his way to an arts festival in Santa Fe when he stops to get a room for himself and his twenty-year-old autistic brother, Shep. But in a nightmarish instant, Dylan is attacked by a mysterious “doctor,” injected with a strange substance, and told that he is now a carrier of something that will either kill him...or transform his life in the most remarkable way. Then he is told that he must flee--before the doctor’s enemies hunt him down for the secret circulating through his body. No one can help him, the doctor says, not even the police. Stunned, disbelieving, Dylan is turned loose to run for his life...and straight into an adventure that will turn the next twenty-four hours into an odyssey of terror, mystery--and wondrous discovery. It is a journey that begins when Dylan and Shep’s path intersects with that of Jillian Jackson. Before that evening Jilly was a beautiful comedian whose biggest worry was whether she would ever find a decent man. Now she too is a carrier. And even as Dylan tries to convince her that they’ll be safer sticking together, cold-eyed men in a threatening pack of black Suburbans approach, only seconds before Jilly’s classic Coupe DeVille explodes into thin air. Now the three are on the run together, but with no idea whom they’re running from--or why. Meanwhile Shep has begun exhibiting increasingly disturbing behavior. And whatever it is that’s coursing through their bodies seems to have plunged them into one waking nightmare after another. Seized by sinister premonitions, they find themselves inexplicably drawn to crime scenes--just minutes before the crimes take place. What this unfathomable power is, how they can use it to stop the evil erupting all around them, and why they have been chosen are only parts of a puzzle that reaches back into the tragic past and the dark secrets they all share: secrets of madness, pain, and untimely death. Perhaps the answer lies in the eerie, enigmatic messages that Shep, with precious time running out, begins to repeat, about an entity who does his work “by the light of the moon.” By the Light of the Moon is a novel of heart-stopping suspense and transcendent beauty, of how evil can destroy us and love can redeem us--a masterwork of the imagination in which the surprises come page after page and the spell of sublime storytelling triumphs throughout. BONUS: This edition contains an excerpt from Dean Koontz's The City.

*Finalist for the Pulitzer Prize and the National Book Critics Circle Award* *A New York Times Notable Book* *Winner of the Texas Book Award and the Oklahoma Book Award* This New York Times bestseller and stunning historical account of the forty-year battle between Comanche Indians and white settlers for control of the American West “is nothing short of a revelation…will leave dust and blood on your jeans” (The New York Times Book Review). Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches. Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads, and the amazing story of Cynthia Ann Parker and her son Quanah—a historical feast for anyone interested in how the United States came into being. Hailed by critics, S. C. Gwynne’s account of these events is meticulously researched, intellectually provocative, and, above all, thrillingly told. Empire of the Summer Moon announces him as a major new writer of American history.

Bones of the Moon is the story of a young woman named Cullen James who leads a dual life, one in the real world and the other in her vivid night dreams set in a magical land called Rondua. In these dreams, Cullen embarks on a quest to find the Bones of the Moon, five bones that hold power over Rondua. As the dreams intensify, they begin to impact her waking life, leading to unsettling and frightening intersections between the two worlds. Alongside an enigmatic little boy also seeking the bones, and Mr. Tracy, a dog the size of a hot-air balloon, Cullen navigates through both realms in search of these mystical bones.

A woman writer moves into a house she inherited from a poet in the hills of Arizona. The man died in mysterious circumstances and Maggie Black wants to find out why. So begins a terrifying introduction to the Indian spirits which roam the hills and feed on people's creative juices.

The scream heard by no one is the deadliest. In the rural parishes of Louisiana's French Triangle, young women are disappearing one by one, only to turn up on the banks of the bayou, strangled and cast aside where they are sure to be found. But there is one trophy the killer prizes above all others, one woman who must be silenced forever.... Attorney Laurel Chandler did not come back to Bayou Breaux to seek justice. That once-burning obsession had destroyed her credibility, her career, her marriage—and nearly her sanity. But when a ruthless predator strikes too close to home, she's lured into a perverse game from which there may be no escape. Once before, Laurel's cries against a monstrous evil went unanswered. Who will listen now?

Always a master storyteller, LaVerne Thornton entertains readers with his down-to-earth tales of growing up in "The Bend," an isolated settlement of about thirty families on the Virginia/North Carolina border on the Dan River. Although they technically lived in Virginia, the Bend people were "largely ignored or unknown by Virginia and not totally accepted by North Carolina. It was a rustic life that is hard to imagine today. People in The Bend were poor, strong, resilient, and self-reliant, and Thornton paints their portraits with humor, lover, and compassion. From stories about his snuff-dipping, straight-talking grandmother, "Shotgun Essie," to memories of his Methodist Youth Fellowship group's annual trip to sing for the folks in the poorhouse, Thornton's engaging collection is funny, poignant, and full of warmth for people and a time long gone. Readers will be fascinated and amused by the pranks and adventures of LaVerne and his buddies. Throughout the book, the author's deep love for his mother is a common theme. As a young boy, LaVerne was fascinated by the moon and stars. When the after-supper chores were done, he would often tug at his mother's skirt saying, "Mama, let's walk in 'e moon."

After a death at The White Camellia Orphanage, young Pip Tatnall leaves Lexsy Georgia, to become a road kid, riding the rails east, west, and north. A bright, unusual boy who is disillusioned at a young age, Pip believes that he sees guilt shining in the faces of men wherever he goes. On his picaresque journey, he sweeps through society, revealing the highest and lowest in human nature and only slowly coming to self-understanding. He searches the points of the compass for what will help, groping for a place where he can feel content, certain that he has no place where he belongs and that he rides the rails through a great darkness. His difficult path to collect enough radiance to light his way home is the road of a boy struggling to come to terms with the cruel but sometimes lovely world of Depression-era America. On Marly Youmans’s prior forays into the world of the past, reviewers praised her “spellbinding force” (Bob Sumner, Orlando Sentinel), “prodigious powers of description” (Philip Gambone, The New York Times), “serious artistry,” “unobtrusively beautiful language,” and “considerable power” (Fred Chappell, The Raleigh News & Observer.), “haunting, lyrical language and fierce intelligence” (starred review, Publishers Weekly.) Howard Bahr wrote of The Wolf Pit, “Ms. Youmans is an inspiration to every writer who must compete with himself. I had thought Catherwood unsurpassable, but Ms. Youmans has done it. Her characters are ℜ they live and move in the stream of Time as if they had passed only yesterday. Her lyricism breaks my heart and fills me with envy and delight. No other writer I know of can bring the past to us so musically, so truly.”