Recollectibles delight popular culture collectors and graphic designers with their interesting design and intriguing subjects. Each book has a unique and engaging cover that is sure to charm people everywhere.

Each and every snowdome presents an irresistable temptation: to upend it and watch the tiny snowstorm coat its little world in white. There's nothing to lose, so why not give in to the urge? More than mere baubles, snowdomes tell the tale of our recent past. They show holiday trends, from mountains to the seaside. They also act as mini memorials to movie stars and important historic events. All but forgotten in the 1980's, snowdomes have made a comeback with a new generation of avid collectors. Helped by advances in production technology, the snowdome universe is at a lively peak, with novel models popping up all over the place.

For more than ten years Warman's Americana & Collectibles has served as the leader in documenting and valuing twentieth-century collectibles ...

An illustrated guide to collectibles, including collecting hints, histories, references, clubs and museums.

Michael Farrell is the most adventurous and experimental of contemporary Australian poets, continually pushing the boundaries of what poetry can do. Highly regarded for the playful rhythms and comic, gestural qualities of his poetry, his poems set language, syntax and punctuation in motion. His eye for metaphor and the unexpected combination, for punning and the letter – in both its verbal and visual aspects — gives his poetry its unique humour and energy. In poems like ‘AC/DC As First Emu Prime Minister’, ‘Sheep, Golden Syrup, Elizabeth Bishop’, and ‘Cate Blanchett And The Difficult Poem’, I Love Poetry scrambles a landscape of colloquial and obscure images. Michael Farrell’s collections include living at the z, ode ode (shortlisted for the Age Poetry Book of the Year Award), BREAK ME OUCH, a raiders guide (published by Giramondo in 2008), thempark and thou sand. His second collection with Giramondo, Open Sesame (2011) was shortlisted for the NSW Premier’s Award for Poetry. Cocky’s Joy (Giramondo 2015) was shortlisted for the Prime Minister’s Literary Award for Poetry. He was the winner of the 2012 Peter Porter Poetry Prize. He is the author of a work of literary criticism, Writing Australian Unsettlement: Modes of Poetic Invention 1796–1945 (Palgrave Macmillan).

This book develops new and innovative methods for understanding the cultural significance of places such as the World Heritage listed Sydney Opera House. By connecting participatory media, visual culture and social value, Cristina Garduño Freeman contributes to a fast-growing body of scholarship on digital heritage and the popular reception of architecture. In this, her first book, she opens up a fresh perspective on heritage, as well as the ways in which people relate to architecture via participation on social media. Social media sites such as YouTube, Pinterest, Wikipedia, Facebook and Flickr, as well as others, become places for people to express their connections with places, for example, the Sydney Opera House. Garduño Freeman analyses real-world examples, from souvenirs to opera-house-shaped cakes, and untangles the tangible and intangible ways in which the significance of heritage is created, disseminated and maintained. As people’s encounters with World Heritage become increasingly mediated by the digital sphere there is a growing imperative for academics, professionals and policy-makers to understand the social value of significant places. This book is beneficial to academics, students and professionals of architecture.

"More than 25,000 updated prices, 240 popular categories, collectibles from 1930s to today, expert collecting advice, histories, references"--Cover