Ivo, Snakes' Nest. A "tale badly told" in the most artful manner.

This second edition of Historical Dictionary of 'The Dirty Wars' focuses on the period 1954-1990 in South America, when authoritarian regimes waged war on subversion, both real and imagined. This is done through a chronology, an introductory essay, a bibliography, and over 400 cross-referenced dictionary entries on the countries; guerrilla and political movements; prominent guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; and artistic figures (filmmakers, novelists, and playwrights) whose works attempt to represent or resist the period of repression.

The Historical Dictionary of Latin American Literature and Theater provides users with an accessible single-volume reference tool covering Portuguese-speaking Brazil and the 16 Spanish-speaking countries of continental Latin America (Argentina, Bolivia, Chile, Colombia, Costa Rica, Ecuador, El Salvador, Guatemala, Honduras, Mexico, Nicaragua, Panama, Paraguay, Peru, Uruguay, and Venezuela). Entries for authors, ranging from the early colonial period to the present, give succinct biographical data and an account of the author's literary production, with particular attention to their most prominent works and where they belong in literary history. The introduction provides a review of Latin American literature and theater as a whole while separate dictionary entries for each country offer insight into the history of national literatures. Entries for literary terms, movements, and genres serve to complement these commentaries, and an extensive bibliography points the way for further reading. The comprehensive view and detailed information obtained from all these elements will make this book of use to the general-interest reader, Latin American studies students, and the academic specialist.

The Muffled Cries presents a multidisciplinary, historical, overview of the role of the writer and literature during Brazil's military dictatorship between 1964 and 1985. Nancy T. Baden brings together numerous sources, including personal interviews, periodicals, and books translated into English for the first time, to expose the ironies, subtleties, and complexities of the Brazilian cultural milieu under authoritarianism. She explores Brazilian fiction and poetry within this historical framework, in order to portray the role of the writer within the cultural context based on self-perception and the views of others. Baden also examines the official and unofficial controls imposed by the state and the effects they had on the literature produced. Following the varying phases of authoritarianism, she found many experimental techniques and exaggerated realism in use as a method of showing resistance by revealing the underlying sociopolitical problems, and protesting against the military. This ground-breaking work provides much new insight into the history and literature of Brazil from 1964 to 1985.

Discusses writers of the New World and provides a critial analyses of today's outstanding writers.