After explaining the principles of mouth conformation and bit fitting, this text discusses types of mouthpieces and bit rings and provides an analysis of the various snaffle actions. The book includes chapters on bitting youngsters, the influence of nosebands and aids on bit action, and solving specific schooling problems.

A scruffy-looking rabbit teaches Snaffles, one of the emotionless Gruffs, the meaning of sadness, happiness, and laughter.

'Silver Snaffles' is the magical story of Jenny, who longs to learn to ride and has her chance when she follows the instructions of Tattles, the pony that she visits every day. After uttering the password, Jenny finds herself in a parallel world where ponies can speak.

Since its inception in the early 1830s, southern frontier humor (also known as the humor of the Old Southwest) has had enduring appeal. The onset of the new millennium precipitated an impressive rejuvenation of scholarly interest. Southern Frontier Humor: New Approaches represents the next step in this revival, providing a series of essays with fresh perspectives and contexts. First, the book shows the importance of Henry Junius Nott, a virtually unknown and forgotten writer who mined many of the principal subjects, themes, tropes, and character types associated with southern frontier humor, followed by an essay addressing how this humor genre and its ideological impact helped to stimulate a national cultural revolution. Several essays focus on the genre's legacy to the post-Civil War era, exploring intersections between southern frontier humor and southern local color writers--Joel Chandler Harris, Charles W. Chesnutt, and Sherwood Bonner. Mark Twain's African American dialect piece "A True Story," though employing some of the conventions of southern frontier humor, is reexamined as a transitional text, showing his shift to broader concerns, particularly in race portraiture. Essays also examine the evolution of the trickster from the Jack Tales to Hooper's Simon Suggs to similar mountebanks in novels of John Kennedy Toole, Mark Childress, and Clyde Edgerton and transnational contexts, the latter exploring parallels between southern frontier humor and the Jamaican Anansi tales. Finally, the genre is situated contextually, using contemporary critical discourses, which are applied to G. W. Harris's Sut Lovingood and to various frontier hunting stories.

When notorious feline felon Snaffles and his dim canine sidekick Bonehead are caught red-pawed trying to steal the Sensational Salmon of Sumatra, not everything is what it seems. Their capture leads them on a top secret mission for the Ministry of Secret Shenanigans.