The National Museum of American History--our country's largest history museum and one of the Smithsonian's most visited--preserves three million objects that capture the American story. From this vast collection, curators have handpicked more than 150 of the Museum's most valued and amazing treasures--from the hat Lincoln wore the night he was assassinated to Jacqueline Kennedy's inaugural gown and Dorothy's ruby slippers; from Alexander Graham Bell's telephone to Edison's light bulb and Albert Einstein's pipe; from an early box of Crayolas to one of the oldest pairs of Levi's. Four separate sections devoted to "Creativity and Innovation," "American Biography," "National Challenges," and "American Identity" reveal fascinating juxtapositions and startling connections on every page. This visual cornucopia of the material culture of American history reveals the familiar, the famous, and the unexpected at every turn.

More than four hundred photographs and reproductions, accompanied by an entertaining text, provide an intriguing glimpse of the richly diverse treasures of the Smithsonian, from art masterpieces to historical memorabilia to technological innovations.

Smithsonian Civil War is a lavishly illustrated coffee-table book featuring 150 entries in honor of the 150th anniversary of the Civil War. From among tens of thousands of Civil War objects in the Smithsonian's collections, curators handpicked 550 items and wrote a unique narrative that begins before the war through the Reconstruction period. The perfect gift book for fathers and history lovers, Smithsonian Civil War combines one-of-a-kind, famous, and previously unseen relics from the war in a truly unique narrative. Smithsonian Civil War takes the reader inside the great collection of Americana housed at twelve national museums and archives and brings historical gems to light. From the National Portrait Gallery come rare early photographs of Stonewall Jackson and Ulysses S. Grant; from the National Museum of American History, secret messages that remained hidden inside Lincoln's gold watch for nearly 150 years; from the National Air and Space Museum, futuristic Civil War-era aircraft designs. Thousands of items were evaluated before those of greatest value and significance were selected for inclusion here. Artfully arranged in 150 entries, they offer a unique, panoramic view of the Civil War.

This souvenir book showcases some of the most influential and important treasures of the National Museum of African American History and Culture's collections. These include a hymn book owned by Harriet Tubman; ankle shackles used to restrain enslaved people on ships during the Middle Passage; a dress that Rosa Parks was making shortly before she was arrested; a vintage, open-cockpit Tuskegee Airmen trainer plane; Muhammad Ali's headgear; an 1835 Bill of Sale enslaving a young girl named Polly; and Chuck Berry's Cadillac. These objects tell us the full story of African American history, of triumphs and tragedies and highs and lows. This book, like the museum it represents, uses artifacts of African American history and culture as a lens into what it means to be an American.

The Smithsonian Institution's new National Museum of the American Indian is dedicated to the preservation, study, and exhibition of the life, languages, literature, history, and arts of Native Americans. Spanning more than ten thousand years, the one million objects in the museum's collections represent the extraordinary scope of Indian life in the Americas. From ancient stone points to contemporary Indian paintings, these objects make vividly clear the diversity and vigorous creativity of Native cultures from the Arctic to the southern tip of South America.

This volume features artists who brought a new sophistication and elegancento American art in the three decades before World War I. Wealthyndustrialists eager to acquire culture began to patronize native artists whoad achieved international recognition. John Singer Sargent, Irving Wiles andecilia Beaux created portraits of these new patrons, while John La Farge andugustus Saint-Gaudens made luxurious adornments for their homes. One groupf painters - including Louis Comfort Tiffany, Frederick Arthur Bridgman,enry Ossawa Tanner and Charles Sprague Pearce - responded especially to theascnation with exotic Middle Eastern, Egyptian or "Oriental" cultures thatharacterized this age of international imperialism. The educated and refinedspects of Gilded Age culture are expressed here in Renaissance-inspiredaintings by Abbott Thayer and Mary Cassatt. Romantic literary works byisionary Albert Pinkham Ryder symbolize the idealized strivings of thiseneration, while the rugged masculine landscapes of Winslow Homer emblemizehe struggle and conflict that marked this period of contending social and

Although the Smithsonian Institution has grown to be over a hundred years old, no full length account of its various collections and fascinating activities had ever been written before Mr. True put them down here in 1950. Founded through a generous bequest by a lonely Englishman who had never visited this country, The Smithsonian, often identified with its headquarters in the quaint Norman castle on the Mall in Washington D.C., also includes the United States National Museum—now called the National Museum of Natural History—with its collection of natural history and American historical treasures, the National Gallery of Art, with its outstanding collection of paintings, prints and sculpture, the Freer Gallery of Art, the National Air Museum—now called the National Air and Space Museum. Mr. True sets forth a biography that covers the treasures of the Smithsonian in the Fifties, while also illuminating the organization of the Smithsonian museums in the Fifties; some things have remained remarkably unchanged over the intervening years, while others are drastically different. Mr. True holds up the Smithsonian Institute as the national treasure it is, one whose value is incalculable.

The Smithsonian Institution is America's largest, most important, and most beloved repository for the objects that define our common heritage. Now Under Secretary for Art, History, and Culture Richard Kurin, aided by a team of top Smithsonian curators and scholars, has assembled a literary exhibition of 101 objects from across the Smithsonian's museums that together offer a marvelous new perspective on the history of the United States. Ranging from the earliest years of the pre-Columbian continent to the digital age, and from the American Revolution to Vietnam, each entry pairs the fascinating history surrounding each object with the story of its creation or discovery and the place it has come to occupy in our national memory. Kurin sheds remarkable new light on objects we think we know well, from Lincoln's hat to Dorothy's ruby slippers and Julia Child's kitchen, including the often astonishing tales of how each made its way into the collections of the Smithsonian. Other objects will be eye-opening new discoveries for many, but no less evocative of the most poignant and important moments of the American experience. Some objects, such as Harriet Tubman's hymnal, Sitting Bull's ledger, Cesar Chavez's union jacket, and the Enola Gay bomber, tell difficult stories from the nation's history, and inspire controversies when exhibited at the Smithsonian. Others, from George Washington's sword to the space shuttle Discovery, celebrate the richness and vitality of the American spirit. In Kurin's hands, each object comes to vivid life, providing a tactile connection to American history. Beautifully designed and illustrated with color photographs throughout, The Smithsonian's History of America in 101 Objects is a rich and fascinating journey through America's collective memory, and a beautiful object in its own right.

The dramatic, never-before-told stories behind the Declaration of Independence, the Constitution, and the Gettysburg Address: America's crown jewels that define its commitment to freedom.

Part adventure story, part maritime archaeological expedition, part historical look into ninth-century Chinese economy, culture, and trade, Shipwrecked is a fascinating journey back in time. Twelve centuries ago, a merchant ship—an Arab dhow—foundered on a reef just off the coast of Belitung, a small island in the Java Sea. The cargo was a remarkable assemblage of lead ingots, bronze mirrors, spice-filled jars, intricately worked vessels of silver and gold, and more than 60,000 glazed bowls, ewers, and other ceramics. The ship remained buried at sea for more than a millennium, its contents protected from erosion by their packing and the conditions of the silty sea floor. Shipwrecked explores this precious cargo and the story of the men who sailed it, with more than 250 gorgeous photographs and essays by international experts in Arab ship-building methods, pan-Asian maritime trade, ceramics, precious metalwork, and more.