In Smith Blue, Camille T. Dungy offers a survival guide for the modern heart as she takes on twenty-first-century questions of love, loss, and nature. From a myriad of lenses, these poems examine the human capability for perseverance in the wake of heartbreak; the loss of beloved heroes and landscapes; and our determination in the face of everyday struggles. Dungy explores the dual nature of our presence on the planet, juxtaposing the devastation caused by human habitation with our own vulnerability to the capricious whims of our environment. In doing so, she reveals with fury and tenderness the countless ways in which we both create and are victims of catastrophe. This searing collection delves into the most intimate transformations wrought by our ever-shifting personal, cultural, and physical terrains, each fraught with both disillusionment and hope. In the end, Dungy demonstrates how we are all intertwined, regardless of race or species, living and loving as best we are able in the shadows of both man-made and natural follies. Flight It is the day after the leaves, when buckeyes, like a thousand thousand pendulums, clock trees, and squirrels, fat in their winter fur, chuckle hours, chortle days. It is the time for the parting of our ways. You slid into the summer of my sleeping, crept into my lonely hours, ate the music of my dreams. You filled yourself with the treated sweet I offered, then shut your rolling eyes and stole my sleep. Came morning and me awake. Came morning. Awake, I walked twelve miles to the six-gun shop. On the way there I saw a bird-of-prayer all furled up by the river. I called to it. It would not unfold. On the way home I killed it. It is the time of the waking cold, when buckeyes, like a thousand thousand metronomes, tock time, and you, fat on my summer sleep, titter toward me, walk away. It is the time for the parting of our days.

The Witch Boy meets The Legend of Korra in this breathtaking, epic graphic novel. After a terrible political coup usurps their noble house, Hawke and Grayson flee to stay alive and assume new identities, Hanna and Grayce. Desperation and chance lead them to the Communion of Blue, an order of magical women who spin the threads of reality to their will. As the twins learn more about the Communion, and themselves, they begin to hatch a plan to avenge their family and retake their royal home. While Hawke wants to return to his old life, Grayce struggles to keep the threads of her new life from unraveling, and realizes she wants to stay in the one place that will allow her to finally live as a girl. This title will be simultaneously available in paperback.

Winner of 2004 Agnes Lynch Starrett Poetry Prize. These artful, yet accessible poems are concerned with the body, desire, anxiety, and obsession—how what we want redeems and isolates us. They urge complete exploration of one’s physical and mental selves as a means to remain alive in the material world.

In this seventh installment in the internationally bestselling, universally beloved series, there is considerable excitement at the shared premises of the No. 1 Ladies’ Detective Agency and Tlokweng Road Speedy Motors. A cobra has been found in Precious Ramotswe’s office. Then a nurse from a local medical clinic reveals to Mma Ramotswe that faulty blood-pressure readings are being recorded there. And it looks as though Aunty Emang, the advice columnist in the local newspaper, may not be what she seems. It all means a lot of work for Mma Ramotswe and her inestimable assistant, Grace Makutsi, and they are, of course, up to the challenge. But there’s trouble brewing in Mma Makutsi’s own life. Her greedy uncles are demanding an extra-large bride price from her well-to-do fiancé, a man of substance, Phuti Radiphuti, and though money may buy her that fashionably narrow (and uncomfortable) pair of blue shoes, it won’t buy her the happiness that Mma Ramotswe promises her she’ll find in simpler things – in contentment with the world and enough tea to smooth over the occasional bumps in the road.

Inspired and informed by the latest research in African American, military, and social history, the fourteen original essays in this book tell the stories of the African American soldiers who fought for the Union cause. An introductory essay surveys the history of the U.S. Colored Troops (USCT) from emancipation to the end of the Civil War. Seven essays focus on the role of the USCT in combat, chronicling the contributions of African Americans who fought at Port Hudson, Milliken's Bend, Olustee, Fort Pillow, Petersburg, Saltville, and Nashville. Other essays explore the recruitment of black troops in the Mississippi Valley; the U.S. Colored Cavalry; the military leadership of Colonels Thomas Higginson, James Montgomery, and Robert Shaw; African American chaplain Henry McNeal Turner; the black troops who occupied postwar Charleston; and the experiences of USCT veterans in postwar North Carolina. Collectively, these essays probe the broad military, political, and social significance of black soldiers' armed service, enriching our understanding of the Civil War and African American life during and after the conflict. The contributors are Anne J. Bailey, Arthur W. Bergeron Jr., John Cimprich, Lawrence Lee Hewitt, Richard Lowe, Thomas D. Mays, Michael T. Meier, Edwin S. Redkey, Richard Reid, William Glenn Robertson, John David Smith, Noah Andre Trudeau, Keith Wilson, and Robert J. Zalimas Jr.

As the vastly advanced guardians of mankind, the Belphins knew how to make a lesson stick—but whom? Evelyn E. Smith is best known as the author of the Miss Melville mysteries. From 1952 to 1969 she wrote dozens of science fiction and fantasy short stories that appeared in magazines such as The Magazine of Fantasy and Science Fiction, Galaxy, Super Science Fiction, and Fantastic Universe. Her stories were witty, well written, often humorous, and always unforgettable.

Two very different families. One love story. There had always been MacKenzies and Colebrooks on the land known as Blue Willow, their histories entangled like the graceful branches of the rare willow trees that thrived there. Artemas Colebrook and Lily MacKenzie shared more than that history, their souls bound to each other and to the land the day the boy held tiny Lily minutes after her birth. But the tragedy that has brought Lily back to the small farm where she spent her childhood has also made Artemas's brothers and sisters her bitter enemies. Torn between family loyalties and their shared sense of destiny, Artemas and Lily must come to terms with a childhood devotion that has turned to bittersweet desire, a passion that could destroy all they have struggled for - even Blue Willow itself.

Sam Abernathy prepares to leave home for the first time in this charming follow-up to award-winning author Andrew Smith’s The Size of Truth. Vampires have just moved into the haunted house next door. All twelve-year-old Sam Abernathy wanted to do was make the most of his last few weeks in Blue Creek before he has to say goodbye. Goodbye to the well he fell in eight years ago; goodbye to cooking at Lily Putt’s snack bar; goodbye to his overdramatic best friend, Karim; goodbye to unsweetened iced tea at Colonel Jenkins’s Diner every Saturday with Bahar (who he does not have a crush on); goodbye to his old life. But the arrival of the Monster People throws a wrench into his plans. Things only get worse when the new family hires Bahar to babysit their child, Boris, who is almost certainly a cannibal. And then—scariest of all—they employ Sam’s catering services. He can’t possibly say no. If he doesn’t survive the summer, Sam might not have to say bye-bye to Blue Creek at all.

Blue Sky was born out of the ferment of the late 1960s and early 1970s, but it has proved to have much more talent, tenacity and imagination than most other idealistic initiatives from that time. Blue Sky