In the three decades since Smita Patil died-at the impossibly young age of thirty-one-she has unwaveringly been one of Indian cinema's biggest icons. That is unusual enough for a 'parallel cinema' actor, rendered more remarkable in a career that spanned a mere ten years. Patil, one of the leading lights of the New Indian Cinema of the mid-1970s, has a body of work that would make veterans proud. Smita Patil: A Brief Incandescence tells her remarkable story, tracing it from her childhood to stardom, controversial marriage and untimely death. Her close friends remember 'Smi' as outspoken and bindaas, not beyond hurling abuses or taking off on bikes for impromptu joyrides. Film-makers like Shyam Benegal and Jabbar Patel, and co-stars Om Puri and Shabana Azmi talk about Patil's dedication to her craft and her intuitive pursuit of that perfect take. From the difficult equation she shared with her mother to her propensity for 'wrong' relationships, about which she was always open unlike other stars of the time, this is a complex and honest exploration of Patil's life. The book also includes a sharp critique of the films that defined her. They read like a roster of the best of New Indian Cinema: Bhumika, Mandi, Manthan, Umbartha, Bhavni Bhavai, Akaler Sandhane, Chakra, Chidambaram and Mirch Masala among them. Maithili Rao also examines Patil's many unfortunate forays into mainstream commercial cinema. Incisive and insightful, Smita Patil: A Brief Incandescence is an invaluable addition to film studies in India, bringing alive an entire era when cinema in India was truly different. It is also the definitive biography of a rare talent and a haunting life.

This E-book has the best quotes to uplift your mood instantly and make you set your day ahead. Ideal, for any person can be given as a gift or kept as a little treat for your smart-work. The images and styling used to make this e-book is unique for each quote. This e-book is priced for its designs and concepts @smitapatil25. Worth INR 100/- For orders on +91 9136695128 Watermarked content Source Credit Mentioned ( Quotes : Not part of Sale.) Disclaimer: This Quotes E-Book is made for educational purposes. Not to be used for any commercial purposes / sale without prior permission of the original author for quotes / designs and style @smitapatil25.

The whole world today is in lockdown and people are into places they never wanted to be in. Self-help books or whatever medium you choose, we create as writers or speakers takes a lot of effort. Many of them say, they don’t help and leave you depressed. Be it any medium a book, social media or whatever, we share what we relate to. Sometimes we keep complaining so much that we forget to count the things which we have. We humans have been complaining always about not getting time. Today while they have a lot of it, we still complain. While we are locked down, some in homes and some away from home. We need to know the importance of the things we have despite the ones which we don’t. A life that is less social and more real, which all of us should be grateful for. While we talk of humanity and peace, we need to act like humans first. This is a time to be utilized to rise within and Rise Above.

The Encyclopaedia Which Brings Together An Array Of Experts, Gives A Perspective On The Fascinating Journey Of Hindi Cinema From The Turn Of The Last Century To Becoming A Leader In The World Of Celluloid.

‘Raat baaki, baat baaki... Hona hai jo, ho jaane do...’ Sensuous, glamorous and bold, Parveen Babi set the Hindi cinema screen ablaze during the 1970s and ’80s, breaking the ‘pious, nice girl’ mould of the film heroine and redefining it after her own style. On screen, she sizzled in unforgettable roles in blockbusters like Deewaar, Shaan, Kaalia and Amar Akbar Anthony – while, off-screen, her bohemian and unabashed lifestyle lit up gossip columns, and her appearance on the cover of Time magazine, a first for an Indian, created a stir nationwide. Yet, for all the sensational rumours and films her life inspired, Parveen has remained something of an enigma to generations of fans. In Parveen Babi: A Life, Karishma Upadhyay traces the journey of a shy but ambitious girl from an aristocratic family in Junagadh, Gujarat, to a life of merciless scrutiny that comes with being in the Bollywood spotlight. Exploring with depth and sensitivity the myriad facets of the actress’s life, she lays bare little-known details about Parveen’s doomed romances, her obsession with the spiritual guide who advised her to quit films, the tumultuous years of battling mental illness and her tragic, untimely demise. Rich with insights from the star’s friends, former lovers and colleagues, this compelling narrative captures the nuances of an extraordinary life – the highs and lows of finding fame, love and solace, and then, in the end, losing it all.

In the past stars have been studied as cogs in a mass entertainment industry selling desires and ideologies. But since the 1970s, new approaches have reopened debate, as film and cultural studies try to account for the active role of the star in producing meanings, pleasures, and identites for a diversity of audiences. Stardom brings together for the first time some of the major writing of the last decade which seeks to understand the phemomenon of stars and stardom. Gathered under four headings - The System, Stars and Society, Performers and Signs, Desire and Politics - these essays represent a range of approaches drawn from film history, sociolgy, textual analysis, audience research, psychoanalysis, and cultural politics. They raise important issues about the politics of representation and the cultural limitations and possibilities of stars.

Science fiction, fantasy, comics, romance, genre movies, games all drain into the Cultural Gutter, a website dedicated to thoughtful articles about disreputable art-media and genres that are a little embarrassing. Irredeemable. Worthy of Note, but rolling like errant pennies back into the gutter. The Cultural Gutter is dangerous because we have a philosophy. We try to balance enthusiasm with clear-eyed, honest engagement with the material and with our readers. This book expands on our mission with 10 articles each from science fiction/fantasy editor James Schellenberg, comics editor and publisher Carol Borden, romance editor Chris Szego, screen editor Ian Driscoll and founding editor and former games editor Jim Munroe.

This book picks 200 of the best Hindi films ever produced and catalogues them. Densely packed and visually appealing, the guide is written in a reader-friendly, accessible style to enable even those not familiar with Hindi to see and understand popular Bollywood films. Entries are arranged genre-wise as drama, comedy and romance, among other categories.