The life of an abused child is filled with pain and self-blame. And there is the never-ending question of why one of the people who is supposed to love you is also responsible for hurting you. Millions of children experience abuse and neglect every day. For most, their stories go untold. In author Jack Flynn’s memoir, Smash-Mouth Jesus—A Memoir: God’s Answer to Violence, he takes you on a journey of redemption through the nightmare of helplessness and self-hatred associated with child abuse. Flynn illustrates the challenges an abandoned and abused child faces when thrown into a cruel world with no direction. He shares his journey of coming to terms with a God he fears—a God who seems to be cruel and all-powerful. Each day Flynn faced the challenge to trust the God who seemed to be destroying him. Smash-Mouth Jesus—A Memoir: God’s Answer to Violence is a story of working through the past and not letting it define you. As Flynn shows, that journey is long and difficult, and the temptation to give up can be great. But if one perseveres, the rewards and love are tremendous.

Transparency is one of the most effective tools we have that can help us heal. It can also help us understand ourselves better as well as other people. What would you do if you believed you only had months to live? How would you feel if your community was stolen from you? Could you survive living on the streets for any length of time? Can you imagine what it's like to try to find a job when you have felonies on your record? Are there any words to describe the heart of a mother as she watches her youngest child die? It’s taken my whole life to realize that the main person I’ve been battling against has been me. As such, my memoir delves into raw detail about my war with my myself. I open up about my crystal meth addiction and how I became a drug dealer in Houston, Tx. The pain of growing up in poverty under the hand of an abusive dad is put on display as well. The time I spent serving in the Air Force during Don’t Ask Don’t Tell and the promiscuity that went along with it is also divulged. I talk about how I received my HIV + diagnosis on a voicemail and my Hep B + diagnosis in the postal mail. My story gets more intense as I share about how I got 3 felonies, the time I spent in jail, and how I ended up homeless after S.W.A.T. kicked my door in. I talk about the biggest heartbreak in my life which happened when I was kicked out of a megachurch, that I had served with my whole soul for years, just because I am a member of the 2SLGBTQIA+ community and refused to accept the conversion therapy package they offered. So often people judge those who have been in similar situations. My hope is that my honesty can offer a glimpse into these issues from the inside, rather than from the outside looking in. I struggled with dividing my memoir into two separate books, but I felt it would be more impactful to tell everything all at once. My memoir is my testament and it’s the greatest form of outreach I have ever offered to the world. I hope that I can earn your trust and attention with the words I have written within these pages.

New York Times bestseller: An “exquisitely wrought memoir” about how “love can flourish even in the harshest climates”—for readers of The Liar’s Club and Running with Scissors (People). This poignant, darkly funny account of two siblings—one white, one Black—growing up in the Christian fundamentalist communities of Indiana and the Dominican Republic is “one of the best memoirs in years” (Anne Lamott, author of Bird by Bird). Julia and her adopted brother, David, are 16 years old. Julia is white. David is black. It is the mid–1980s and their family has just moved to rural Indiana, a landscape of cottonwood trees, trailer parks, and an all–encompassing racism. At home are a distant mother—more involved with her church’s missionaries than her own children—and a violent father. In this riveting and heartrending memoir, Julia Scheeres takes us from the Midwest to a place beyond imagining. Surrounded by natural beauty, Escuela Caribe—a religious reform school in the Dominican Republic—is characterized by a disciplinary regime that extracts repentance from its students by any means necessary. Julia and David strive to make it through these ordeals and their tale is relayed here with startling immediacy, extreme candor, and wry humor. Over a decade after its first publication, Jesus Land remains deeply resonant with readers. This New York Times bestselling memoir is a gripping tale of rage and redemption, hope and humor, morality and malice—and most of all, the truth: that being a good person takes more than just going to church.

Blood in the Water by Jack Flynn is a thriller set in Boston in the gritty world of mob bosses, con artists and gangs, where allegiances are formed with law enforcement and criminals just as easily as they are broken. Homeland Security agent, Kit Steel, is committed to avenge terrorism. And she’s after the blood of her nemesis, one of world’s most ruthless and dangerous criminals, Vincente Carpio. He has the blood of her husband and young son on his hands, and Kit is unwavering in her determination to see him kept behind bars forever. Clever, calculating, and manipulative, Carpio has aid and influence on the outside, and he’s waiting for the perfect moment when the final pieces of the jigsaw fall into place. Harbour Union chief, Cormack McConnell, has lived his life close to the wire above and below the law, and he controls everything that happens on Boston’s waterfront. Someone wants him out of the way, fast. After he narrowly survives a brutal attack on his bar, The Mariner, complications arise when Cormack believes he’s been betrayed by one of his crew – a young man, Buddy Cavanaugh, who he’s shocked to discover is the love of his precious nineteen-year-old daughter, Diamond. Everyone has a game to play until it becomes apparent that there are much darker, far-reaching forces of evil at work which look to be preparing for the international stage. What follows is a gripping race against time, a rollercoaster action-packed story with international terrorism at its core and family at its heart.

His freshman year of college, Alex Lemon was supposed to be the star catcher on the Macalester College baseball team. He was the boy getting every girl, the hard-partying kid everyone called Happy. In the spring of 1997, he had his first stroke. For two years Lemon coped with his deteriorating health by sinking deeper into alcohol and drug abuse. His charming and carefree exterior masked his self-destructive and sometimes cruel behavior as he endured two more brain bleeds and a crippling depression. After undergoing brain surgery, he is nursed back to health by his free-spirited artist mother, who once again teaches him to stand on his own. Alive with unexpected humor and sensuality, Happy is a hypnotic self-portrait of a young man confronting the wreckage of his own body; it is also the deeply moving story of a mother’s redemptive and healing powers. Alex Lemon’s Technicolor sentences pop and sing as he writes about survival—of the body and of the human spirit.

In this “heartrending, passionate, and surprisingly humorous account of the conjunction between art and death” (Andrew Solomon, New York Times bestselling author), acclaimed opera singer Charity Tillemann-Dick recounts her remarkable journey from struggling to draw a single breath to singing at the most prestigious venues in the world after receiving not one but two double lung transplants. Charity Tillemann-Dick was a vivacious young American soprano studying at the celebrated Franz Liszt Academy of Music in Budapest when she received devastating news: her lungs were failing, her heart was three and a half sizes too big, and she would die within five years. Medical experts advised Charity to abandon her musical dreams, but if her time was running out, she wanted to spend it doing what she loved. In just three years, she endured two double lung transplants and had to slowly learn to breathe, walk, talk, eat, and sing again. With new lungs and fierce determination, she eventually fell in love, rebuilt her career, and reclaimed her life. More than a decade after her diagnosis, she has a chart-topping album, performs around the globe, and is a leading voice for organ donation. Weaving Charity’s extraordinary tale of triumph with those of opera’s greatest heroines, The Encore illuminates the indomitable human spirit and is “an uplifting story of overcoming significant odds to fulfill a dream” (Kirkus Reviews).

From the New York Times bestselling author and former beauty editor Cat Marnell, a “vivid, maddening, heartbreaking, very funny, chaotic” (The New York Times) memoir of prescription drug addiction and self-sabotage, set in the glamorous world of fashion magazines and downtown nightclubs. At twenty-six, Cat Marnell was an associate beauty editor at Lucky, one of the top fashion magazines in America—and that’s all most people knew about her. But she hid a secret life. She was a prescription drug addict. She was also a “doctor shopper” who manipulated Upper East Side psychiatrists for pills, pills, and more pills; a lonely bulimic who spent hundreds of dollars a week on binge foods; a promiscuous party girl who danced barefoot on banquets; a weepy and hallucination-prone insomniac who would take anything—anything—to sleep. This is a tale of self-loathing, self-sabotage, and yes, self-tanner. It begins at a posh New England prep school—and with a prescription for the Attention Deficit Disorder medication Ritalin. It continues to New York, where we follow Marnell’s amphetamine-fueled rise from intern to editor through the beauty departments of NYLON, Teen Vogue, Glamour, and Lucky. We see her fight between ambition and addiction and how, inevitably, her disease threatens everything she worked so hard to achieve. From the Condé Nast building to seedy nightclubs, from doctors’ offices and mental hospitals, Marnell “treads a knife edge between glamorizing her own despair and rendering it with savage honesty.…with the skill of a pulp novelist” (The New York Times Book Review) what it is like to live in the wild, chaotic, often sinister world of a young female addict who can’t say no. Combining “all the intoxicating intrigue of a thriller and yet all the sobering pathos of a gifted writer’s true-life journey to recover her former health, happiness, ambitions, and identity” (Harper’s Bazaar), How to Murder Your Life is mesmerizing, revelatory, and necessary.

A riveting tale of unfathomable success great joy deep pain, and redemption that can come only from above. From a working-class background in North Carolina to a job as a cook and club singer in Nashville to his "overnight success" with his smash 1986 album Storms of Life--which launched the neotraditional movement in country music--Randy's first three decades are a true rags-to-riches story. But in 2009, this seemingly charmed life began a downward spiral. His marriage dissolved, he discovered that his finances had unraveled, and his struggles with anger led to alcohol abuse, public embarrassment, and even police arrest in 2012. Then, just as he was putting his life back together, Randy suffered a devastating viral cardiomyopathy that led to a massive stroke which he was not expected to survive. Yet he not only survived but also learned to walk again and, in 2016, accepted his induction into the Country Music Hall of Fame by singing the hymn that explains his life today: "Amazing Grace." Filled with never-before-told stories, Forever and Ever, Amen is a fascinating behind-the-scenes look at dizzying success and the miraculous road to restoration.

NOW AN ORIGINAL SERIES ON ABC • “Just may be the best new comedy of [the year] . . . based on restaurateur Eddie Huang’s memoir of the same name . . . [a] classic fresh-out-of-water comedy.”—People “Bawdy and frequently hilarious . . . a surprisingly sophisticated memoir about race and assimilation in America . . . as much James Baldwin and Jay-Z as Amy Tan . . . rowdy [and] vital . . . It’s a book about fitting in by not fitting in at all.”—Dwight Garner, The New York Times NATIONAL BESTSELLER • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS Assimilating ain’t easy. Eddie Huang was raised by a wild family of FOB (“fresh off the boat”) immigrants—his father a cocksure restaurateur with a dark past back in Taiwan, his mother a fierce protector and constant threat. Young Eddie tried his hand at everything mainstream America threw his way, from white Jesus to macaroni and cheese, but finally found his home as leader of a rainbow coalition of lost boys up to no good: skate punks, dealers, hip-hop junkies, and sneaker freaks. This is the story of a Chinese-American kid in a could-be-anywhere cul-de-sac blazing his way through America’s deviant subcultures, trying to find himself, ten thousand miles from his legacy and anchored only by his conflicted love for his family and his passion for food. Funny, moving, and stylistically inventive, Fresh Off the Boat is more than a radical reimagining of the immigrant memoir—it’s the exhilarating story of every American outsider who finds his destiny in the margins. Praise for Fresh Off the Boat “Brash and funny . . . outrageous, courageous, moving, ironic and true.”—New York Times Book Review “Mercilessly funny and provocative, Fresh Off the Boat is also a serious piece of work. Eddie Huang is hunting nothing less than Big Game here. He does everything with style.”—Anthony Bourdain “Uproariously funny . . . emotionally honest.”—Chicago Tribune “Huang is a fearless raconteur. [His] writing is at once hilarious and provocative; his incisive wit pulls through like a perfect plate of dan dan noodles.”—Interview “Although writing a memoir is an audacious act for a thirty-year-old, it is not nearly as audacious as some of the things Huang did and survived even earlier. . . . Whatever he ends up doing, you can be sure it won’t look or sound like anything that’s come before. A single, kinetic passage from Fresh Off the Boat . . . is all you need to get that straight.”—Bookforum

Robert Hughes has trained his critical eye on many major subjects, from the city of Barcelona to the history of his native Australia. Now he turns that eye inward, onto himself and the world that formed him. Hughes analyzes his experiences the way he might examine a Van Gogh or a Picasso. From his relationship with his stern and distant father to his Catholic upbringing and school years; and from his development as an artist, writer, and critic to his growing appreciation of art and his exhilaration at leaving Australia to discover a new life, Hughes’ memoir is an extraordinary feat of exploration and celebration.