The greatest treasure, a most dangerous magic. Growing up in the Cinzio Traveling Players Company, Genevieve Flannery is accustomed to a life most teenagers could never imagine: daily workouts of extravagant acrobatics; wild animals for pets; and her mother, Delia, whose mind has always been tortured by visions—but whose love Geni never questions. In a world of performers who mystify and amaze on a daily basis, Delia’s ghostly hallucinations never seemed all that strange . . . until the evening Geni and her mother are performing an aerial routine they’ve done hundreds of times, and Delia falls to her death. That night, a dark curtain in Geni’s life opens. Everything has changed. As they reel from the tragedy, the Cinzio Players are also grappling with the circus’s new owner: a generous, mysterious man whose connection to the circus—Geni suspects—has a dark history. And with the discovery of an otherworldly inheritance and her perilous mission to protect it, Geni is suddenly stumbling into a new reality of her own, her life interrupted daily by the terrors only Delia used to see. As the visions around her grow stronger, and her magical legacy becomes even more menacing, Geni is not sure who she should trust or love. Worst of all, she’s starting to question whether she can trust her own mind.

This “fun, brain-twisting book . . . will make you think” as it explores more than 75 paradoxes in mathematics, philosophy, physics, and the social sciences (Sean Carroll, New York Times–bestselling author of Something Deeply Hidden). Paradox is a sophisticated kind of magic trick. A magician’s purpose is to create the appearance of impossibility, to pull a rabbit from an empty hat. Yet paradox doesn’t require tangibles, like rabbits or hats. Paradox works in the abstract, with words and concepts and symbols, to create the illusion of contradiction. There are no contradictions in reality, but there can appear to be. In Sleight of Mind, Matt Cook and a few collaborators dive deeply into more than 75 paradoxes in mathematics, physics, philosophy, and the social sciences. As each paradox is discussed and resolved, Cook helps readers discover the meaning of knowledge and the proper formation of concepts—and how reason can dispel the illusion of contradiction. The journey begins with “a most ingenious paradox” from Gilbert and Sullivan’s Pirates of Penzance. Readers will then travel from Ancient Greece to cutting-edge laboratories, encounter infinity and its different sizes, and discover mathematical impossibilities inherent in elections. They will tackle conundrums in probability, induction, geometry, and game theory; perform “supertasks”; build apparent perpetual motion machines; meet twins living in different millennia; explore the strange quantum world—and much more.

Sisters Lark and Clef have spent their lives honing their bodies for sleight, an interdisciplinary art form that combines elements of dance, architecture, acrobatics, and spoken word. After being estranged for several years, the sisters are reunited by a deceptive and ambitious sleight troupe director named West who needs the sisters' opposing approaches to the form--Lark is tormented and fragile, but a prodigy; Clef is driven to excel, but lacks the spark of artistic genius. When a disturbing mass murder makes national headlines, West seizes on the event as inspiration for his new performance, one that threatens to destroy the very artists performing it. In language that is at once unsettling and hypnotic, Sleight explores ideas of performance, gender, and family to ask the question: what is the role of art in the face of unthinkable tragedy? Kirsten Kaschock has earned degrees from Yale University, the University of Iowa, Syracuse University, and the University of Georgia. The author of two collections of poetry, Unfathoms and A Beautiful Name for a Girl, she resides in Philadelphia, Pennsylvania, where she is currently a doctoral fellow in dance at Temple University.

Reproduction of the original: Sleight of hand by Edwin Sachs

This unusual book, containing an impressive variety of sleight of hand magic tricks, is sure to delight young and old alike and is the perfect introduction to magic of this type. Its 88 pages contain a wealth of anecdote on a variety of tricks and stunts that are guaranteed to liven up your dinner party. Thoroughly recommended reading for the budding magician. Extensively illustrated with black and white drawings and explanatory diagrams This book contains classic material dating back to the 1900s and before. The content has been carefully selected for its interest and relevance to a modern audience.

What can magic tell us about ourselves and our daily lives? If you subtly change the subject during an uncomfortable conversation, did you know you're using attentional 'misdirection', a core technique of magic? And if you've ever bought an expensive item you'd sworn never to buy, you were probably unaware that the salesperson was, like an accomplished magician, a master at creating the 'illusion of choice'. Leading neuroscientists Stephen Macknik and Susana Martinez-Conde meet with magicians from all over the world to explain how the magician's art sheds light on consciousness, memory, attention, and belief. As the founders of the new discipline of NeuroMagic, they combine cutting-edge scientific research with startling insights into the tricks of the magic trade. By understanding how magic manipulates the processes in our brains, we can better understand how we work - in fields from law and education to marketing, health and psychology - for good and for ill.

Sleight of Hand is a manual by Edwin Sachs. It shows the basics and finer points of the skillful use of one's hands when performing magical tricks. Magic is divided into two parts, Drawing-room Magic and Grand Magic.

It is always a matter for self-congratulation on the part of an author to be called upon to furnish a Preface to a second or subsequent edition of some "bantling of his brain." In the present instance the task is more satisfactory than usual, the author not coming before the reader empty-handed. Since the publication of the first edition, conjurors have not been idle, and numerous new methods for producing magical surprises have been invented. Such of these as are suitable or worthy—for, in their haste to be novel, many have failed to be satisfactory—the author has incorporated; and, by a thorough revision of the work, he has placed before the aspiring conjuror, written up to date, all that it is possible for him to know in the region of Sleight of Hand. E. S.Part I. Drawing-room Magic. I.—Palming II.—Tricks with Coins III.—Tricks with Common Objects IV.—Tricks with Cups and Balls V.—Tricks with Handkerchiefs VI.—Chinese Tricks VII.—Tricks at Table VIII.—Tricks with Cards Part II.—Grand, or Stage Magic. IX.—General Remarks X.—The Table and Dress XI.—Sleights and Properties for General Use XII.—Tricks with Cards XIII.—Tricks with Handkerchiefs and Gloves XIV.—Tricks with Coins XV.—Miscellaneous XVI.—The Cornucopian Hat XVII.—Tricks with Watches and Live Stock XVIII.—Sham Mesmerism, Clairvoyance, &c. XIX.—Final Instructions

A brilliant and original reimagining of sexuality, this book examines how concepts lend themselves to power/knowledge formations, and offers a robust synthesis of insights from Foucault and Deleuze to extend those into a proposal for a conceptual next step for imagining the structures of sexuality as eros. Many contemporary French philosophers make incidental use of the notion of a ruse. Its names are legion: 'duplicity,' 'concealment,' 'forgetting,' and 'subterfuge,' among others. This book employs Gilles Deleuze's philosophy of the concept to describe three specifically conceptual ruses, or sleights, that make up part of the conceptual support for the concept of sex. These are the sleights associated with the concepts of norm, bisexuality and development. Mary Beth Mader argues that concepts can trick us, and shows how they can effect conceptual sleights, or what she calls sleights of reason.