Sleepwalk is a high speed and darkly comic road trip through a near future America with a big-hearted mercenary, from beloved and acclaimed award-winning novelist Dan Chaon. “[Chaon] does madcap well and likes his characters, even the killers—especially the killers.”—The New York Times Book Review A New York Times Book Review Editors’ Choice An NPR “Book of the Day” A USA Today “Must Read” Sleepwalk’s hero, Will Bear, is a man with so many aliases that he simply thinks of himself as the Barely Blur. At fifty years old, he’s been living off the grid for over half his life. He’s never had a real job, never paid taxes, never been in a committed relationship. A good-natured henchman with a complicated and lonely past and a passion for LSD microdosing, he spends his time hopscotching across state lines in his beloved camper van, running sometimes shady often dangerous errands for a powerful and ruthless operation he’s never troubled himself to learn too much about. He has lots of connections, but no true ties. His longest relationships are with an old rescue dog that has post-traumatic stress and a childhood friend as deeply entrenched in the underworld as he is, who, lately, he’s less and less sure he can trust. Out of the blue, one of Will's many burner phones heralds a call from a twenty-year-old woman claiming to be his biological daughter. She says she’s the product of one of his long-ago sperm donations; he’s half certain she’s AI. She needs his help. She’s entrenched in a widespread and nefarious plot involving Will’s employers, and for Will to continue to have any contact with her increasingly fuzzes the line between the people he is working for and the people he’s running from. With his signature blend of haunting emotional realism and fast-paced intrigue, Dan Chaon populates his fractured America with characters who ring all too true. Gazing both back to the past and forward to an inevitable-enough-seeming future, Sleepwalk examines where we’ve been and where we’re going and the connections that bind us, no matter how far we travel to dodge them or how cleverly we hide.

Offers a humorous memoir about first love, denial, sleepwalking, and the author's perils and pitfalls of being himself.

The debut novel from the New York Times–bestselling author of The Interestings and The Female Persuasion, a story of three college students’ shared fascination with poetry and death, and how one of them must face difficult truths in order to leave her obsession behind. Published when she was only twenty-three and written while she was a student at Brown, Sleepwalking marks the beginning of Meg Wolitzer’s acclaimed career. Filled with her usual wisdom, compassion and insight, Sleepwalking tells the story of the three notorious “death girls,” so called on the Swarthmore campus because they dress in black and are each absorbed in the work and suicide of a different poet: Sylvia Plath, Anne Sexton, and Wolitzer’s creation Lucy Asher, a gifted writer who drowned herself at twenty-four. At night the death girls gather in a candlelit room to read their heroines’ work aloud. But an affair with Julian, an upperclassman, pushes sensitive , struggling Claire Danziger—she of the Lucy Asher obsession-–to consider to what degree her “death girl” identity is really who she is. As she grapples with her feelings for Julian, her own understanding of herself and her past begins to shift uncomfortably and even disturbingly. Finally, Claire takes drastic measures to confront the facts about herself that she has been avoiding for years.

An early work from the acclaimed poet of Memorial and Falling Awake, appearing for the first time in the United States. A Sleepwalk on the Severn is a reflective, book-length poem in several registers, using dramatic dialogue. Ghostly, meditative, and characterized by Alice Oswald’s signature sensitivity to nature, the poem chronicles a night on the Severn Estuary as the moonrise travels through its five stages: new moon, half moon, full moon, no moon, and moon reborn.

National bestseller: In this brilliantly readable book, a Pulitzer Prize-winning journalist chronicles the Reagan decade, when America fell from dominant world power to struggling debtor nation and when optimism turned to foreboding. In human terms and living case histories, Haynes Johnson captures the drama and tragedy of an era nurtured by greed and a morality that found virtue in not getting caught."It is morning again in America," Reagan's campaign commercials told us, and for too long we embraced that convenient lie. Indeed, the problems that came to plague us in that decade are with us even more today, as Johnson memorably demonstrates in--his afterword, "Notes on an Era," written especially for this new paperback reissue. This book will remain a signature work of political analysis for years to come.

“A monumental new volume. . . . Revelatory, even revolutionary. . . . Clark has done a masterful job explaining the inexplicable.” — Boston Globe One of The New York Times Book Review’s 10 Best Books of the Year • Winner of the Los Angeles Times Book Prize (History) Historian Christopher Clark’s riveting account of the explosive beginnings of World War I. Drawing on new scholarship, Clark offers a fresh look at World War I, focusing not on the battles and atrocities of the war itself, but on the complex events and relationships that led a group of well-meaning leaders into brutal conflict. Clark traces the paths to war in a minute-by-minute, action-packed narrative that cuts between the key decision centers in Vienna, Berlin, St. Petersburg, Paris, London, and Belgrade, and examines the decades of history that informed the events of 1914 and details the mutual misunderstandings and unintended signals that drove the crisis forward in a few short weeks. Meticulously researched and masterfully written, The Sleepwalkers is a dramatic and authoritative chronicle of Europe’s descent into a war that tore the world apart.

Once defined by her career and independence, stay-at-home mom Samantha Friedman realizes her life has become a routine of errands, car pools and suburban gossip. She deals with a husband who shows up for dinner but is too preoccupied for conversation, an increasingly moody daughter who won't talk at all, and wonders, Is this it? Since finding out she was adopted, seventeen-year-old Cammy Friedman has felt like an outsider. Unwilling to reach out to the parents she once adored, she shields herself behind black clothing and begins to drift into dangerous territory with questionable friends and risky behavior. Mother and daughter indulge in their own respective escapism— for Sam, clandestine coffee dates with a handsome stranger, fueled by the desire to feel something; for Cammy, a furtive search for her birth mother punctuated by sex, pills and the need to feel absolutely nothing—until a pivotal moment in an otherwise average day alters their relationships forever.

"Worth reading just for Tomine's eloquent restraint and literary leanings"--The Boston Phoenix.

Mia Couto's first novel, judged one of the twelve best African books of the 20th century

Mayra Bates fears that her noctural jaunts through the streets of her town will kill her.