Former US Open Champion Timothy Taylor presents weapons for Black against the hugely popular Spanish Opening, basing his repertoire on the Modern Steinitz Defence. This opening can lead to razor-sharp lines, such as the Siesta Variation, where one slip by either player could prove to be fatal. But a major attraction of the Modern Steinitz is its flexibility, as Black can also choose to play in a more positional manner. Taylor studies in depth the critical main lines, and also what to do if White avoids these. Read this book and be ready to slay the Spanish!

The supernatural realm is very real, and it directly impacts our day-to-day lives. Often spiritual battles lie behind our everyday struggles. Though the spiritual world is invisible, we are not unaware of the enemy’s schemes. Through God’s Word and the power of the Holy Spirit we are equipped to be more than conquerors through Christ!

A Publishers Weekly Best Book of 2019! “Gripping and timely.” —People “The YA debut we’re most excited for this year.” —Entertainment Weekly “A book that knocks you off your feet while dropping the kind of knowledge that’ll keep you down for the count. Prepare to BE slain.” —Nic Stone, New York Times bestselling author of Dear Martin and Odd One Out Ready Player One meets The Hate U Give in this dynamite debut novel that follows a fierce teen game developer as she battles a real-life troll intent on ruining the Black Panther–inspired video game she created and the safe community it represents for Black gamers. By day, seventeen-year-old Kiera Johnson is an honors student, a math tutor, and one of the only Black kids at Jefferson Academy. But at home, she joins hundreds of thousands of Black gamers who duel worldwide as Nubian personas in the secret multiplayer online role-playing card game, SLAY. No one knows Kiera is the game developer, not her friends, her family, not even her boyfriend, Malcolm, who believes video games are partially responsible for the “downfall of the Black man.” But when a teen in Kansas City is murdered over a dispute in the SLAY world, news of the game reaches mainstream media, and SLAY is labeled a racist, exclusionist, violent hub for thugs and criminals. Even worse, an anonymous troll infiltrates the game, threatening to sue Kiera for “anti-white discrimination.” Driven to save the only world in which she can be herself, Kiera must preserve her secret identity and harness what it means to be unapologetically Black in a world intimidated by Blackness. But can she protect her game without losing herself in the process?

Former US Open Champion Timothy Taylor presents a repertoire for White against the most popular opening in chess – the Sicilian Defence. Taylor’s repertoire is based first and foremost on the Open Sicilian, which is regarded as White’s most ambitious and challenging response to the Sicilian. He focuses on the classical Be2 lines, which were popularized by the success of former World Champion and chess legend Anatoly Karpov. These lines are easy to learn and generally lead to solid positional play, but with a drop of poison. Taylor covers what to do against all the Sicilian variations. He examines the most important games, studies in depth the main plans and tactics for both sides, and highlights the key practical issues. Read this book and you will be ready to slay the Sicilian! *Presents a Sicilian repertoire for White *Covers all the main variations *Ideal for improvers, club players and tournament players

Study of Vitoria by a leading figure in twentieth-century international law. Originally published: Oxford: Clarendon Press, 1934. 19a, 288, [6], clviii pp. Francisco de Vitoria [c.1483-1546] was a founder of international law. Scott holds that Vitoria's doctrines, popularized in his important Reflectiones, De Indis Noviter Inventis and De Jure Belli (the text of these are included in the appendix), are in fact the first works to address the law of nations, which was to become the international law of Christendom and the world at large. Vitoria held that pagans were entitled to freedom and property, declared slavery to be unsound and upheld the rights of Indians. He also questioned the legitimacy of Spain's recent conquest of the New World. This was the source of his thesis that the community of nations transcends Christendom. One of the greatest figures in modern international law, James Brown Scott [1866-1943] was the guiding force behind the American Society of International Law, and was editor-in-chief of the American Journal of International Law. He played a key role in several important diplomatic conferences and was secretary of the Carnegie Endowment for International Peace. His books include The American Institute of International Law: Its Declaration of the Rights and Duties of Nations (1916), The Catholic Conception of International Law (1934) and Law, The State and the International Community (1939).

The year 1000 A.D. was one of strange history. Its advent threw the people of Europe into a state of mortal terror. Ten centuries had passed since the birth of Christ. The world was about to come to an end. Such was the general belief. How it was to reach its end,—whether by fire, water, or some other agent of ruin,—the prophets of disaster did not say, nor did people trouble themselves to learn. Destruction was coming upon them, that was enough to know; how to provide against it was the one thing to be considered. Some hastened to the churches; others to the taverns. Here prayers went up; there wine went down. The petitions of the pious were matched by the ribaldry of the profligate. Some made their wills; others wasted their wealth in revelry, eager to get all the pleasure out of life that remained for them. Many freely gave away their property, hoping, by ridding themselves of the goods of this earth, to establish a claim to the goods of Heaven, with little regard to the fate of those whom they loaded with their discarded wealth. It was an era of ignorance and superstition. Christendom went insane over an idea. When the year ended, and the world rolled on, none the worse for conflagration or deluge, green with the spring leafage and ripe with the works of man, dismay gave way to hope, mirth took the place of prayer, man regained their flown wits, and those who had so recklessly given away their wealth bethought themselves of taking legal measures for its recovery. Such was one of the events that made that year memorable. There was another of a highly different character. Instead of a world being lost, a world was found. The Old World not only remained unharmed, but a New World was added to it, a world beyond the seas, for this was the year in which the foot of the European was first set upon the shores of the trans-Atlantic continent. It is the story of this first discovery of America that we have now to tell. In the autumn of the year 1000, in a region far away from fear-haunted Europe, a scene was being enacted of a very different character from that just described. Over the waters of unknown seas a small, strange craft boldly made its way, manned by a crew of the hardiest and most vigorous men, driven by a single square sail, whose coarse woollen texture bellied deeply before the fierce ocean winds, which seemed at times as if they would drive that deckless vessel bodily beneath the waves. This crew was of men to whom fear was almost unknown, the stalwart Vikings of the North, whose oar-and sail-driven barks now set out from the coasts of Norway and Denmark to ravage the shores of southern Europe, now turned their prows boldly to the west in search of unknown lands afar. Shall we describe this craft? It was a tiny one in which to venture upon an untravelled ocean in search of an unknown continent,—a vessel shaped somewhat like a strung bow, scarcely fifty feet in length, low amidships and curving upwards to high peaks at stem and stern, both of which converged to sharp edges. It resembled an enormous canoe rather than aught else to which we can compare it. On the stem was a carved and gilt dragon, the figurehead of the ship, which glittered in the bright rays of the sun. Along the bulwarks of the ship, fore and aft, hung rows of large painted wooden shields, which gave an Argus-eyed aspect to the craft. Between them was a double row of thole-pins for the great oars, which now lay at rest in the bottom of the boat, but by which, in calm weather, this "walker of the seas" could be forced swiftly through the yielding element.

David Bevington's new introduction to this classic play includes the latest developments in performance history and theater criticism. Detailed notes make this an ideal teching text.

This study offers an introduction to an important branch of Spanish literature—the romance, or ballad. Although a great many of these poems have been translated into English by various authors, they are not generally known nor easily accessible. Collected here for the first time in a single volume is a broad and representative sampling of romances in translation that encompasses historical ballads (including those about Spain's greatest folk hero, el Cid), Moorish ballads, and ballads of chivalry, love, and adventure. For the collection, Shasta M. Bryant has written a perceptive commentary and critique in which he discusses the individual poems and compares the translation with the original; both texts are presented to facilitate comparison. For those who wish to pursue their reading further there is an index of romances that have been translated into English, along with the names of the translators. Although the text has been written with the non-specialist in mind, this book will be equally valuable for students of comparative literature and of medieval Spain.