"In early '79 I was already engaged in what eventually turned out to be a lengthy photographic study of the New Romantics (though back then they were not known as such). I'd been documenting this nascent scene in the Soho nightclub 'Billy's' and, one evening, a group of about half-a-dozen skinheads turned up. They saw me taking photographs and one of them, a guy called Wally, asked me if I'd like to take some photos of them too. They seemed pretty friendly and not at all camera shy. I took a few snaps, we got talking and Wally suggested I go with the whole gang on one of their Bank Holiday jaunts to the seaside. That was what led, eventually, to five years of photographing skinheads. In those five years I got to know some of the skinheads quite well and liked many of them." Derek Ridgers All the photos were taken between 1979 - 1984 in either London or nearby coastal towns. Over 100 photos including 32 pages of colour.

For some, heaven will not be a perpetual dawn but rather an endless night - an eternity of the wild hours between dusk and sunrise.The Dark Carnival is a celebration of human beings given the rare space to play out their fantasy visions of themselves, the fleeting impressions of people dressed up for the glorious night caught in all their decadent glory. A unique collection of portraits personally selected by one of the UKs foremost portrait photographers covering alternative London's unique counter-cultural history from Punks, New Romantics, Goths, Disco Queens, Soul Boys, Fetish Worshippers, Rockers, Cyberpunks, Ravers, Clubbers and Party Animals. Derek Ridgers has been a feature in the clubs and on the streets of the capital for over 50 years - indulging in his obsession for documenting the people dressed up for the glorious night.Anyone who loves street style, youth subcultures, portrait photography and the curious human penchant for playing dressing up, will find this collection a darkly fascinating celebration of both night life and decadence.Packed with images exploring DIY fashion, self-expression and the fabulous strangeness of the human animal, ravers of all kinds will spend happy hours gazing at this book, at once a piece of social history and a visual poem, an expression of the fascinations of the author, a feast of luscious crepuscular imagery.

First Published in 2002. It is easy to see that we are living in a time of rapid and radical social change. It is much less easy to grasp the fact that such change will inevitably affect the nature of those disciplines that both reflect our society and help to shape it. Yet this is nowhere more apparent than in the central field of what may, in general terms, be called literary studies. ‘New Accents’ is intended as a positive response to the initiative offered by such a situation. Each volume in the series will seek to encourage rather than resist the process of change. To stretch rather than reinforce the boundaries that currently define literature and its academic study.

When Feral House first published the award-winning Lords of Chaos: The Bloody Rise of the Satanic Metal Underground, little was known about the "black metal" genre of music, or how many of its members were involved in the murder of citizens, the torching of churches, or its link to Fascist ideas. We've all heard about the racist form of skinhead punk music, but little do we know of the groups involved, and how they got involved in right-wing political movements. The White Nationalist Skinhead Movement is the first book to provide much more than mere photographs of the scene, documenting the bands, their members, the releases, shows, and infamous events. Robert Forbes and Eddie Stampton can authoritatively speak of the movement, obtaining first-hand material from members of the scene. This book covers both British and American bands, and even if you revile the movement, its ideas, and its music, this is an important piece of pop culture history. Feral House's controversial Lords of Chaos has sold over one hundred thousand copies.

A career spanning Monograph looking at the very best portraiture of a distinguished career covering music, film, popular culture, sport and fashion. Derek Ridgers is one of the UK's foremost portrait photographers with a career spanning forty years. He is best known for his photography of music, film and club/street culture - photographing everyone from James Brown to The Spice Girls, from Clint Eastwood to Johnny Depp. During his career, Ridgers has worked for many publications, including Time Out, The Sunday Telegraph, NME, The Face, Loaded, The Sunday Times, The Sunday Independent, GQ Style and Arena.

Germany has one of the liveliest and well-developed punk scenes in the world. However, punk in this country is not just a style-based music community. This book provides an anthropological examination of how punk reflects the larger changes and contradictions in post-reunification Germany, such as social segmentation, east-west tensions and local politics. Punk in eastern Germany is a reaction to the marginalization of the working class. As a cultural, social and economic niche, punks create their own controversial “substitute society” to compensate for their low status in mainstream society.

"Taken in the streets, clubs, basements and bars of London between 1978 and 1987, this new book brings together an incredible series of images from the British photographer Derek Ridgers. People dressing up and going out have always been central to Derek's work from the first days of punk through to the fetish and fringe scenes of present day."--Publisher's website.

Crime, Shame and Reintegration is a contribution to general criminological theory. Its approach is as relevant to professional burglary as to episodic delinquency or white collar crime. Braithwaite argues that some societies have higher crime rates than others because of their different processes of shaming wrongdoing. Shaming can be counterproductive, making crime problems worse. But when shaming is done within a cultural context of respect for the offender, it can be an extraordinarily powerful, efficient and just form of social control. Braithwaite identifies the social conditions for such successful shaming. If his theory is right, radically different criminal justice policies are needed - a shift away from punitive social control toward greater emphasis on moralizing social control. This book will be of interest not only to criminologists and sociologists, but to those in law, public administration and politics who are concerned with social policy and social issues.

'It was the best of times it was the worst of times.' Maligned, misunderstood and fetishized the 1980's stands as the decade when post-modern life began in the west, and London was at the epicenter of this shift. An explosion of creativity took place against a backdrop of radical social change. London became a city of tribes. The vast youth culture categories of the preceding decades shattered into shards. It was the decade that sub-culture as a way of life reached it's zenith before giving way to it's inevitable scene surfing conclusion. Ridgers documented this cultural moment obsessively. Punks, post-punks, cyber-punks, gothic punks, mods, hard mods, Trojan skins, racist skins, ska, reggae, dub, early electronica, synth pop, acid house, happy hardcore, Blitz Kids, New Romantics, Hip-Hop, Rap, Electro, Break Beat, Techno, Rave - these were all sub-cultural spaces with scenes attached in London in the 1980's. Unlike now, subcultures in the 1980's were not casual playthings - they were a way of life for their participants. They inspired profound loyalty. They were a beautiful a doomed flowering of the hope for a better world. Derek Ridger's exquisite street portrait photography has captured this creative decade beautifully.

Recounts the trial of Tom Metzger and the White Aryan Resistance for the murder of an Ethiopian student in Portland, Oregon.