J.W. Gregorys Skinhead Girl is based on the true story of a white supremacist skinhead girl who is involved in a murder. This book examines the actual hate crime while illustrating the secret interworkings of several authentic white supremacist groups including the Ku Klux Klan, the National Alliance and Volksfront. While the crime story evolves so does the narrative of the institutional racism that permeates society in the United States, in both past and present eras, and alarmingly through insitutions such as Planned Parenthood. This deeply documented book includes academic footnotes for readers that would like to follow the reality of American racism today. This work contains an in depth look at the life of a young Skinhead girl from various perspectives inluding her beliefs on religion, politics and race. Skinhead Girl tells the story of a devoutly religious white supremacist family which is using newfound tactics and technology to reign terror on those that they consider members of inferior races. J.W. Gregory provides a realistic version of racism and argues that although Americans may assume that because the U.S. has an African-American in the White House that racism is no longer a problem, while in reality the number of white supremacist groups grow in number year after year. White supremacist groups continue to use their system of the secretive cellular divide while permeating into the very fabric of America. Skinhead girl believes that every individual action makes a difference in what she sees as Americas white power race war. The current events in Egypt clearly reflect how individuals can utilize the power of the Internet to make change happen. Think about it. Never doubt that a small group of thoughtful, committed citizens can change the world. Indeed, it is the only thing that ever has. Margaret Meade -

This book provides a fascinating examination of one of the most notorious countercultures in the United States. Skinheads: A Guide to An American Subculture is an insider's look at the history of skinheads in the United States, from their emergence from the U.S. hardcore underground in the 1980s in New York City, Chicago, Washington, DC, and Los Angeles, to the current scene that thrives in many major metropolitan areas today. What makes this revelatory book so compelling is its one-of-a-kind view of skinhead culture from the inside out. Coauthor Perry Hardy is a skinhead, bass player for the band, The Templars, and veteran member of the American skinhead scene since the onset of the movement. Based on his experiences, plus interviews with dozens of skinheads of all kinds, Skinheads draws back the curtain to reveal a world that more often is simply a haven for those disaffected from society, rather than a subculture of hatred or violence.

Moore emphasizes throughout the American identity of skinheadism.

When Feral House first published the award-winning Lords of Chaos: The Bloody Rise of the Satanic Metal Underground, little was known about the "black metal" genre of music, or how many of its members were involved in the murder of citizens, the torching of churches, or its link to Fascist ideas. We've all heard about the racist form of skinhead punk music, but little do we know of the groups involved, and how they got involved in right-wing political movements. The White Nationalist Skinhead Movement is the first book to provide much more than mere photographs of the scene, documenting the bands, their members, the releases, shows, and infamous events. Robert Forbes and Eddie Stampton can authoritatively speak of the movement, obtaining first-hand material from members of the scene. This book covers both British and American bands, and even if you revile the movement, its ideas, and its music, this is an important piece of pop culture history. Feral House's controversial Lords of Chaos has sold over one hundred thousand copies.

What does it mean to be young in a changing world? How are migration, settlement and new urban cultures shaping young lives? And in particular, are race, place and class still meaningful to contemporary youth cultures? This path-breaking book shows how young people are responding differently to recent social, economic and cultural transformations. From the spirit of white localism deployed by de-industrialized football supporters, to the hybrid multicultural exchanges displayed by urban youth, young people are finding new ways of wrestling with questions of race and ethnicity. Through globalization is whiteness now being displaced by black culture -- in fashion, music and slang -- and if so, what impact is this having on race politics? Moreover, what happens to those people and places that are left behind by changes in late modernity? By developing a unique brand of spatial cultural studies, this book explores complex formations of race and class as they arise in the subtle textures of whiteness, respectability and youth subjectivity. This is the first book to look specifically at young ethnicities through the prism of local-global change. Eloquently written, its riveting ethnographic case studies and insider accounts will ensure that this book becomes a benchmark publication for writing on race in years to come.

The question of how boys become men or how girls become women may seem simple, but the answers can be complex. This new edition draws upon rich examples from research, popular media, and global accounts, to explore how gender is produced, consumed, regulated and performed in young lives today.

Keith Lowell Jensen thinks you should punch Nazis. In this collection of essays, stories, interviews, and rants, he tells us why. Jensen grew up and into the Sacramento punk music scene in the late eighties and early nineties, where weirdos, LGBTQ folk, feminists, and allies strived to carve out safe community spaces. This scene also attracted a different kind of outsider--white supremacists and Nazi skinheads—making for a politically charged and complicated landscape. In Punching Nazis, he reflects on his experiences with these racist fringe groups that infiltrated the progressive scene that gave rise to bands like Green Day. From unwittingly driving around in a lowrider with a gang called “The Suicidals,” to a night doing stand-up with a clown with an unwanted Swastika tattoo, Jensen brings his brand of subtle, sincere comedy to reflect on the complicated relationship that punk music has with racist skinheads and what we should do about it. In recent times, Americans are surprised to find groups like the Klan, and more recently the "Racial Realists" and the "Alt-Right," are still prominent, and now as they grow increasingly emboldened, it’s intriguing and valuable to hear tales of those who, through the love of punk rock music, have a history of dealing with racist fringe groups.

This collection of classic essays focuses on the theoretical frameworks that informed the work of the Centre for Contemporary Cultural Studies at the University of Birmingham, the methodologies and working practices that the Centre developed for conducting academic research and examples of the studies carried out under the auspices of the Centre. This volume is split into seven thematic sections that are introduced by key academics working in the field of cultural studies, and includes a preface by eminent scholar, Stuart Hall. The thematic sections are: Literature and Society Popular Culture and Youth Subculture Media Women's Studies and Feminism Race History Education and Work.