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Excerpt from Sketches of the Rites and Customs: Of the Greco-Russian Church Looking back into the far past, we see that the germs of separation were to be found from the first foundation of the Church. Eastern and Western, Greek and Latin, differed in constitution and prejudices as well as in language, and tradition and custom necessarily diverged the more as time went on. The sense of the paramount importance of unity, together with the large-minded candour of the primitive Fathers, prevented any actual schism from taking place. The dispute respecting the time of keeping Easter was, as they perceived, no worthy cause for casting off the brethren whose hope was in the same Resurrection and while essentials remained the same, unchanged, unbroken, they could perceive that small modifica tions of ceremonies to suit climate, character, or circumstance, were the very signs of the Catholicity of the Church in distinction to the exclusive Jewish ritual. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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The question of restoring women to the ordained diaconate surfaced during the Second Vatican Council and continued to resound in academic and pastoral circles well after the diaconate was restored as a permanent order in the church in the West. This volume contains twelve essays—five translated from Italian, three translated from French, and four in their original English—that answer the questions about the history and possible future of women deacons. Essays by: Yves Congar, OP Philippe Delhaye Peter Hünermann Valerie A. Karras Corrado Marucci, SJ Pietro Sorci, OFM Jennifer H. Stiefel Cipriano Vagaggini, OSB Cam Phyllis Zagano Ugo Zanetti, OSB

At the foot of Mount Ararat on the crossroads of the eastern and western worlds, medieval Armenians dominated international trading routes that reached from Europe to China and India to Russia. As the first people to convert officially to Christianity, they commissioned and produced some of the most extraordinary religious objects of the Middle Ages. These objects—from sumptuous illuminated manuscripts to handsome carvings, liturgical furnishings, gilded reliquaries, exquisite textiles, and printed books—show the strong persistence of their own cultural identity, as well as the multicultural influences of Armenia’s interactions with Romans, Byzantines, Persians, Muslims, Mongols, Ottomans, and Europeans. This unprecedented volume, written by a team of international scholars and members of the Armenian religious community, contextualizes and celebrates the compelling works of art that define Armenian medieval culture. It features breathtaking photographs of archaeological sites and stunning churches and monasteries that help fill out this unique history. With groundbreaking essays and exquisite illustrations, Armenia illuminates the singular achievements of a great medieval civilization. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}

This insightful volumes the use of imitation and the modern cult of originality through a consideration of the disparate fates of two Venetian painters - the canonised master Titian and his artistic heir, the little-known Padovanino.