What can the life writing of post-famine Irish immigrants tell us about Irish diasporic memory? Of Memory and the Misplaced considers the endurance and nature of Irish American memory across the twentieth century. Guided by 30 memoirs written between 1900 and 1970, Sarah O'Brien shows the prevalence of intimate and taboo themes in ordinary immigrants' writing, such as domestic violence, same-sex love, and famine-induced trauma. Importantly, Of Memory and the Misplaced critiques the role of the Irish landscape as a site of memory and shows how the interiority of the domestic world has provided Irish women with the language needed to reclaim their own lives. Combining literary and historical theory, Of Memory and the Misplaced highlights voices that have traditionally been silenced and offers a rare and unexplored collection of primary source autobiographical texts to better understand the experiences of Irish immigrants in the United States.

Sectarian violence is one of the defining characteristics of the modern Ulster experience. Riots between Catholic and Protestant crowds occurred with depressing frequency throughout the nineteenth century, particularly within the constricted spaces of the province's burgeoning industrial capital, Belfast. From the Armagh Troubles in 1784 to the Belfast Riots of 1886, ritual confrontations led to regular outbreaks of sectarian conflict. This, in turn, helped keep Catholic/Protestant antagonism at the heart of political and cultural discussion in the north of Ireland. Rituals and Riots has at its core a subject frequently ignored—the rioters themselves. Rather than focusing on political and religious leaders in a top-down model, Sean Farrell demonstrates how lower-class attitudes gave rise to violent clashes and dictated the responses of the elite. Farrell also penetrates the stereotypical images of the Irish Catholic as untrustworthy rebel and the Ulster Protestant as foreign oppressor in his discussion of the style and structure of nineteenth-century sectarian riots. Farrell analyzes the critical relationship between Catholic/ Protestant violence and the formation of modern Ulster's fractured, denominationally based political culture. Grassroots violence fostered and maintained the antagonism between Ulster Unionists and Irish Nationalists, which still divides contemporary politics. By focusing on the links between public ritual, sectarian riots, and politics, Farrell reinterprets nineteenth-century sectarianism, showing how lower-class Protestants and Catholics kept religious division at the center of public debate.

In Ireland, few figures have generated more hatred than Oliver Cromwell, whose seventeenth-century conquest, massacres, and dispossessions would endure in the social memory for ages to come. The Devil from over the Sea explores the many ways in which Cromwell was remembered and sometimes conveniently 'forgotten' in historical, religious, political, and literary texts, according to the interests of different communities across time. Cromwell's powerful afterlife in Ireland, however, cannot be understood without also investigating his presence in folklore and the landscape, in ruins and curses. Nor can he be separated from the idea of the 'Cromwellian': a term which came to elicit an entire chain of contemptuous associations that would begin after his invasion and assume a wholly new force in the nineteenth century. What emerges from all these memorializing traces is a multitudinous Cromwell who could be represented as brutal, comic, sympathetic, or satanic. He could be discarded also, tellingly, from the accounts of the past, and especially by those which viewed him as an embarrassment or worse. In addition to exploring the many reasons why Cromwell was so vehemently remembered or forgotten in Ireland, Sarah Covington finally uncovers the larger truths conveyed by sometimes fanciful or invented accounts. Contrary to being damaging examples of myth-making, the memorializations contained in martyrologies, folk tales, or newspaper polemics were often productive in cohering communities, or in displaying agency in the form of 'counter-memories' that claimed Cromwell for their own and reshaped Irish history in the process.