Negotiating Freedom : Writing the Emancipated Narrative -- Sketches of Slave Life, First Edition -- Sketches of Slave Life, Second Edition -- From Slave Cabin to the Pulpit -- Appendix -- Chronology

Negotiating Freedom : Writing the Emancipated Narrative -- Sketches of Slave Life, First Edition -- Sketches of Slave Life, Second Edition -- From Slave Cabin to the Pulpit -- Appendix -- Chronology

A firsthand account of the horrors of slavery in America. Peter Randolph, a former slave, shares his experiences and sheds light on the inhumanity and injustice of the institution. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Negotiating Freedom : Writing the Emancipated Narrative -- Sketches of Slave Life, First Edition -- Sketches of Slave Life, Second Edition -- From Slave Cabin to the Pulpit -- Appendix -- Chronology

Excerpt from Sketches of Slave Life: Or, Illustrations of the 'Peculiar Institution' IN giving the following sketches or slave life to the public, the writer hepes that, whatever may be their literary defects, they will help to increase the sympathy now so widely felt for the poor crushed and perishing slaves in this land - a land most untru ly styled the home of the free and the brave. He has known what it is to be a slave; and now that he has been set free, it is the ruling desire of his heart to do something, however feeble it may be, towards efi'ect ing the emancipation of the millions of his afflicted brethren, who are still held in the galling chains of bondage at the South. Remembering that he has never had any education, except such as he has been able to pick up for himself, the readers of this little work (especially in view of its object) will kindly overlook such errors of style as may be found in it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

In 1853, Eyre Crowe, a young British artist, visited a slave auction in Richmond, Virginia. Harrowed by what he witnessed, he captured the scene in sketches that he would later develop into a series of illustrations and paintings, including the culminating painting, Slaves Waiting for Sale, Richmond, Virginia. This innovative book uses Crowe’s paintings to explore the texture of the slave trade in Richmond, Charleston, and New Orleans, the evolving iconography of abolitionist art, and the role of visual culture in the transatlantic world of abolitionism. Tracing Crowe’s trajectory from Richmond across the American South and back to London—where his paintings were exhibited just a few weeks after the start of the Civil War—Maurie D. McInnis illuminates not only how his abolitionist art was inspired and made, but also how it influenced the international public’s grasp of slavery in America. With almost 140 illustrations, Slaves Waiting for Sale brings a fresh perspective to the American slave trade and abolitionism as we enter the sesquicentennial of the Civil War.

Enslaved African Americans longed for freedom, and that longing took many forms—including music. Drawing on biblical imagery, slave songs both expressed the sorrow of life in bondage and offered a rallying cry for the spirit. Like a Bird brings together text, music, and illustrations by Coretta Scott King Award–winning illustrator Michele Wood to convey the rich meaning behind thirteen of these powerful songs.