Architects and artists have always acknowledged over the centuries that Rome is rightly called the 'eternal city'. Rome is eternal above all because it was always young, always 'in its prime'. Here the buildings that defined the West appeared over more than 2000 years, here the history of European architecture was written. The foundations were laid even in ancient Roman times, when the first attempts were made to design interiors and thus make space open to experience as something physical. And at that time the Roman architects also started to develop building types that are still valid today, thus creating the cornerstone of later Western architecture. In it Rome's primacy remained unbroken -- whether it was with old St Peter's as the first medieval basilica or new St. Peter's as the building in which Bramante and Michelangelo developed the High Renaissance, or with works by Bernini and Borromini whose rich and lucid spatial forms were to shape Baroque as far as Vienna, Bohemia and Lower Franconia, and also with Modern buildings, of which there are many unexpected pearls to be found in Rome. All this is comprehensible only if it is presented historically, i. e. in chronological sequence, and so the guide has not been arranged topographically as usual but chronologically.This means that one is not led in random sequence from a Baroque building to an ancient or a modern one, but the historical development is followed successively. Every epoch is preceded by an introduction that identifies its key features. This produces a continuous, lavishly illustrated history of the architecture of Rome -- and thus at the same time of the whole of the West. Practical handling is guaranteed by an alphabetical index and detailed maps, whose information does not just immediately illustrate the historical picture, but also makes it possible to choose a personal route through history.

When we consider the life of a celebrity, especially a Pope, who lived over four hundred years ago we must not make the mistake of looking at his life with our modern attitudes and prejudices. As a religious who assumed the papacy, Sixtus V brought with him the customs and attitudes of his vocation. Sixtus' spirit of poverty and obedience would present a challenge to the more worldly Roman court, and he had also come from a humble background. In addition, few Popes had been in obscurity-and even disgrace- for fourteen years prior to their election. Sixtus V has perhaps been overshadowed by the more famous Popes, Julius II and Pius V. We know of contemporary biographies, which appear to be official versions of his life. In this new biography, W. T. Selley shows how Sixtus V was outstanding in his creation of Renaissance Rome, only fifty years after it had been sacked. He was outstanding, from the point of view of good civic policy and he greatly facilitated the path of pilgrims visiting the churches of Rome. Sixtus was abstemious and devout, living quietly with his widowed sister and earning the nickname of the Hermit of Villa Montalto. He was also very intelligent in his diplomacy. Sixtus' contribution to papal administration survived virtually intact into our own time. One only needs to look at so many of the monuments of Rome, the obelisks and fountains, the frescoes and Church facades, to get an awareness of the measure of this great Pope.

Having perceived a widespread failure of most community-scale plans, Eduardo Lozano has created a large and humane vision for community design, geared toward urban planners and designers, as well as those concerned with the communities of the future. Lozano strives to unify theory and practice, seeing that design at community scale is a relatively new responsibility for professionals and seeing the need for an awareness of the systemic nature of urban design. He also highlights relevant lessons from historical examples in order to rediscover the community design metier forgotten after the industrial revolution. The author relies on interdisciplinary studies, drawing from biology, ecology, and political science, as well as from history for his fascinating study. Throughout the book there is an emphasis on the interrelationship of design and culture--society, technology, institutions, and values--and on the need for an agenda for political and cultural change.

This collection of twenty-one essays, written by colleagues and former students of the architectural historian Spiro Kostof (1936-1991), presents case studies on Kostof's model of urban forms and fabrics. The essays are remarkably diverse: the range includes pre-Columbian Inca settlements, fourteenth-century Cairo, nineteenth-century New Orleans, and twentieth-century Tokyo ... The theme of the volume is that the street presents itself as the basic structuring device of a city's form and also as the locus of its civilization. Each essay is a detailed investigation of a single urban street with unique historical conditions. The authors' shared concern regarding anthropological, political, and technical aspects of street making coalesce into a critical discourse on urban space.

The Roman architect and engineer Vitruvius declared firmitas, utilitas, and venustas-firmness, commodity, and delight- to be the three essential attributes of architecture. These qualities are brilliantly explored in this book, which uniquely comprises both a detailed survey of Western architecture, including Pre-Columbian America, and an introduction to architecture from the Middle East, India, Russia, China, and Japan. The text encourages readers to examine closely the pragmatic, innovative, and aesthetic attributes of buildings, and to imagine how these would have been praised or criticized by contemporary observers. Artistic, economic, environmental, political, social, and technological contexts are discussed so as to determine the extent to which buildings met the needs of clients, society at large, and future generations.

Publisher Description

"This new edition ensures that the book will continue to be internationally acknowledged as the standard work on the development of modern architecture." -Walter Gropius "A remarkable accomplishment. . . one of the most valuable reference books for students and professionals concerned with the reshaping of our environment. " -José Luis Sert A milestone in modern thought, Space, Time and Architecture has been reissued many times since its first publication in 1941 and translated into half a dozen languages. In this revised edition of Sigfried Giedion’s classic work, major sections have been added and there are 81 new illustrations. The chapters on leading contemporary architects have been greatly expanded. There is new material on the later development of Frank Lloyd Wright and the more recent buildings of Walter Gropius, particularly his American Embassy in Athens. In his discussion of Le Corbusier, Mr. Giedion provides detailed analyses of the Carpenter Center at Harvard University, Le Corbusier’s only building in the United States, and his Priory of La Tourette near Lyons. There is a section on his relations with his clients and an assessment of his influence on contemporary architecture, including a description of the Le Corbusier Center in Zurich (designed just before his death), which houses his works of art. The chapters on Mies van der Rohe and Alvar Aalto have been brought up to date with examples of their buildings in the sixties. There is an entirely new chapter on the Danish architect Jørn Utzon, whose work, as exemplified in his design for the Sydney Opera House, Mr. Giedion considers representative of post–World War II architectural concepts. A new essay, “Changing Notions of the City,” traces the evolution of the structure of the city throughout history and examines current attempts to deal with urban growth, as shown in the work of such architects as José Luis Sert, Kenzo Tange, and Fumihiko Maki. Mr. Sert’s Peabody Terrace is discussed as an example of the interlocking of the collective and individual spheres. Finally, the conclusion has been enlarged to include a survey of the limits of the organic in architecture.

A celebration of the art, architecture, and timeless human passion of the Eternal City, Rome Is Love Spelled Backward explores Rome's best-known treasures, often revealing secrets overlooked in conventional guidebooks. With the ancient play on "Roma" and "Amor"—ROMAMOR—Testa invites readers to experience the world's long love affair with one of its most beautiful cities.

Structured by detailed studies of significant Popes, these essays explore the evolution of the papacy in the last 500 years.