A radical new perspective revealing the truth behind the making of modern Ireland from economic rebirth to entering the EEC.

This book revisits the history of industry and industrial and economic policy in independent Ireland from the birth of the state to the eve of EEC accession. Though there were several manufacturing employers of significance, and smaller firms in operation in almost every major branch of industry, the Irish Free State was predominantly agricultural at its establishment in 1922. Industrial development was high on the nationalist agenda, as would be the case across the entire developing world in the later post-colonial era. Despite decades of protection, and a substantial increase in the size of the manufacturing sector, Ireland remained under-industrialised when it joined the European Economic Community in 1973. Over the previous decade and a half however the foundations of later convergence had been laid. Ireland was an early adopter of what would come to be known as dual-track reform. The policy of attracting outward-oriented foreign direct investment was initiated before substantial trade liberalisation began. By 1972 there had been a significant diversification in export categories and export destinations, and in the nationality of ownership of the leading manufacturing firms. Some of the most successful indigenous companies of the future were also beginning to emerge. In these and other respects the foundations of the economic progress that would be made over the course of EEC membership were already discernible, notwithstanding the post-accession collapse of most protectionist-era businesses. The analysis is supplemented by a unique firm-level database that allows for the identification of the leading manufacturing firms in operation at any stage from the early 1900s through to 1972. The database extends by more than 50 years the period for which estimates of the significance of foreign-owned industry can be provided.

This volume offers a range of sociological, political, and historical perspectives on religion in Ireland from 1800 to the present. Going beyond the usual Catholicism-Protestantism dichotomy and adopting an all-island approach, the book's contributors address religion's interaction with several contemporary themes and debates in modern Ireland.

Before the 1970s flipped the switch to colour, Irish children ere raised in a world of black, white and an awful lot of grey. But kids, being kids, found endless ways to have fun. Do you remember Dáithí Lacha, Radio Caroline and holidays in Butlin's Mosney? Then this is the book for you! Damian Corless takes us on a tongue-in-cheek trip down memory lane to the age of Let's Draw With Bláithín, instant mashed potato and 'Yellow Submarine'. Set against a backdrop of the space race and the miniskirt, this is a delightful celebration of the days we thought would never end (and some we're glad are gone forever).

Seamus Heaney & the End of Catholic Ireland takes off from the poet’s growing awareness in the new millennium of “something far more important in my mental formation than cultural nationalism or the British presence or any of that stuff—namely, my early religious education.” It then pursues an examination of the full trajectory of Heaney’s religious beliefs as represented in his poetry, prose, and interviews, with a briefer account of the interactive religious histories of the Irish and international contexts in which he lived. Thus, in the 1940s and 50s, Heaney was inducted into the narrow, punitive, but also enabling Catholicism of the era. In the early 1960s he was witness to the lively religious debates from the Anglican Bishop of Woolwich’s Honest to God to the seismic disruptions of Vatican II. When the conflict in Northern Ireland between Catholics and Protestants broke out, Heaney was forced to dig deep for an imaginative understanding of its religious roots. From the 1980s on, Heaney more and more proclaimed his own religious loss while also recognizing the institution’s residual value in an Irish society of rising prosperity, weariness with the atrocities of a partly religion-inspired IRA, and beset by the scandals of sex abuse among the clergy. Kieran Quinlan sees Heaney as an exemplar of this period of major change in Ireland as he engaged the religious issue not only in major writers such as James Joyce, W. B. Yeats, T. S. Eliot, Wallace Stevens, Philip Larkin, and Czeslaw Miłosz, but also in a diverse array of less familiar commentators lay and clerical, creative and academic, believers and unbelievers, Irish and international. Breaking new ground by expanding the scope of Heaney’s religious preoccupations and writing in an accessible, reflective, and sometimes provocative manner, Quinlan’s study places Heaney in his universe, and that universe in turn in its wider intellectual setting.

Assessing the relative importance of British influence and of indigenous impulses in shaping an independent Ireland, this book identifies the relationship between personality and process in determining Irish history.

The first history of contraception in twentieth-century Ireland to explore the lived experiences of Irish men and women and activists.

The experience of being lesbian, gay, bisexual, transgender or a questioning woman in Ireland has changed radically over the past number of years. From a place of secrecy and shame, LGBTQ women are proudly taking their place in Irish society and communities. But their stories are many and varied. There are many inspiring, touching and uplifting stories out there about the experience of being LGBTQ in Ireland. Many of these stories are about "coming out". The stories accurately describe human resilience and reflect the painful and joyful process of coming out to oneself, one's family and one's community. Sharing stories is a powerful tool we all use to create a sense of community and to provide support to each other. Hearing the stories of LGBTQ women in Ireland will help other women as they face their own coming out journey, while also demonstrating both the variety and the commonality of human nature. Running Amach in Ireland is a collection of 35 true stories gathered from the membership of Running Amach, a social networking group for LGBTQ women in Ireland. They range from the humorous to the tragic, covering love, denial, heartbreak, joy, fear, happiness, religion, rejection and acceptance. Touching on many different aspects of what it means to be LGBTQ in Ireland today, and coming in the aftermath of the historic Marriage Equality Referendum, these stories will shine a light on a corner of Irish society that has for too long been ignored. Running Amach in Ireland will appeal to all those with an interest in LGBTQ issues, social history, women's studies and the changing face of Irish society.

As a contribution to cultural policy studies, this book offers a uniquely detailed and comprehensive account of the historical evolution of cultural policies and their contestation within a single democratic polity, while treating these developments comparatively against the backdrop of contemporaneous influences and developments internationally. It traces the climate of debate, policies and institutional arrangements arising from the state’s regulation and administration of culture in Ireland from 1800 to 2010. It traces the influence of precedent and practice developed under British rule in the nineteenth century on government in the 26-county Free State established in 1922 (subsequently declared the Republic of Ireland in 1949). It demonstrates the enduring influence of the liberal principle of minimal intervention in cultural life on the approach of successive Irish governments to the formulation of cultural policy, right up to the 1970s. From 1973 onwards, however, the state began to take a more interventionist and welfarist approach to culture. This was marked by increasing professionalization of the arts and heritage, and a decline in state support for amateur and voluntary cultural bodies. That the state had a more expansive role to play in regulating and funding culture became a norm of cultural discourse.