Preface by C. Levi-Strauss

First published in French in 1998, revised in 2010, and appearing here in English for the first time, Michel Chion's Sound addresses the philosophical, interpretive, and practical questions that inform our encounters with sound. Chion considers how cultural institutions privilege some sounds above others and how spurious distinctions between noise and sound guide the ways we hear and value certain sounds. He critiques the tenacious tendency to understand sounds in relation to their sources and advocates "acousmatic" listening—listening without visual access to a sound’s cause—to disentangle ourselves from auditory habits and prejudices. Yet sound can no more be reduced to mere perceptual phenomena than encapsulated in the sciences of acoustics and physiology. As Chion reminds us and explores in depth, a wide range of linguistic, sensory, cultural, institutional, and media- and technologically-specific factors interact with and shape sonic experiences. Interrogating these interactions, Chion stimulates us to think about how we might open our ears to new sounds, become more nuanced and informed listeners, and more fully understand the links between how we hear and what we do.

Some might ask "Why Locke's theory of knowledge now?" Though appreciated for his social philosophy, Locke has been criticized for his work in the field of epistemology ever since the publication of the Essay. It is even as if Locke serves only as an example of how not to think. When people criticize Locke, they usually cite the hostile commen taries of Berkeley, Kant, Husserl, or Sellars. But, one might ask, are they not all so eager to show the excellence of their own epistemo logical views that they distort and underestimate Locke's thought? Russell aptly noted in his History of Western Philosophy that: No one has yet succeeded in inventing a philosophy at once credible and self-consis tent. Locke aimed at credibility, and achieved it at the expense of consistency. Most of the great philosophers have done the opposite. A philosophy which is not self-consis tent cannot be wholly true, but a philosophy which is self-consistent can very well be wholly false. The most fruitful philosophies have contained glaring inconsistencies, but for that very reason have been partially true. There is no reason to suppose that a self consistent system contains more truth than one which, like Locke's, is obviously more or less wrong. (B. Russell, A History of Western Philosophy [New York: Simon and Schuster, 1945], p. 613. ) Here Russell is uncommonly charitable with Locke.

Dennis Tedlock presents startling new methods for transcribing, translating, and interpreting oral performance that carry wide implications for all areas of the spoken arts. Moreover, he reveals how the categories and concepts of poetics and hermeneutics based in Western literary traditions cannot be carried over in their entirety to the spoken arts of other cultures but require extensive reevaluation.

Representing the Woman: Cinema and Psychoanalysis examines the theory and politics of representation in narrative film. Questioning current accounts of cinema's pleasures for men and women, Elizabeth Cowie draws on the psychoanalytic theory of Freud and Lacan to propose a new understanding of the relation of identification, fantasy and the drives, and of voyeurism and fetishism to the pleasures of cinema and to the making of the feminine and masculine spectators of film.

The Routledge Handbook of Linguistics offers a comprehensive introduction and reference point to the discipline of linguistics. This wide-ranging survey of the field brings together a range of perspectives, covering all the key areas of linguistics and drawing on interdisciplinary research in subjects such as anthropology, psychology and sociology. The 36 chapters, written by specialists from around the world, provide: an overview of each topic; an introduction to current hypotheses and issues; future trajectories; suggestions for further reading. With extensive coverage of both theoretical and applied linguistic topics, The Routledge Handbook of Linguistics is an indispensable resource for students and researchers working in this area.

Linguistic Field Methods approaches the elicitation of linguistic data from native speaker informants in a novel and engaging manner. The authors follow introductory chapters surveying the general enterprise of field research with chapters exploring methods of eliciting data in eight major areas of current linguistic interest: phonetics, phonology, morphology, syntax, semantics, pragmatics, sociolinguistics and dialectology, and historical linguistics.

This book focuses on major theories of language from several disciplines and aims to develop an approach to communicative practice that combines the formal properties of linguistic systems with the dynamics of speech as social activity.

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