James Salley is turning sixteen, and it’s not going well. His family’s too busy to care, the local bully creates new tortures daily, someone appears to be following him, and he’s just learned that he’s the Antichrist. All James ever wanted out of life was for Dorian Delaney — the operatically trained and suicidal girl of his dreams — to fall as in love with him as he is with her. But once he’s told of his bloody destiny, he finds himself fighting between who he thought he was and who he’s supposed to be. With the school librarian pushing him to begin the Apocalypse, an irritable homunculus watching his back, and a murderous cabal of Catholics following him everywhere, James must discover how to navigate a world in which everything he’s ever believed is wrong — and if it’s possible to be the hero of a story when you’ve already been cast as the villain.

While preparing to give birth to her first daughter, actress Jenna von Oy, well-known for her roles as Six on Blossom and Stevie on The Parkers, discovered that the market was filled with clinical guides to pregnancy and beyond. Though they had their merits, she craved a best friend’s guide . . . one that didn’t sugarcoat reality but still offered relatable and heartfelt reassurance. Thus, Situation Momedy: A First-Time Mom’s Guide to Laughing Your Way through Pregnancy & Year One was born. Jenna brings readers a lighthearted and comedic look at pregnancy and the first year of motherhood, highlighting major mommy milestones with chapters like “Houston, We Have a Pregnancy,” “This Is Your Brain on Baby,” “Bringing Sexy Back,” and “All’s Fair in Love and Mommy Wars.”

Providing new insight into key debates over race and representation in the media, this ethnographic study explores the ways in which African Americans have been depicted in Black situation comedies-from 1950's Beulah to contemporary series like Martin and Living Single.

Situation Comedy, Character, and Psychoanalysis puts the sitcom character on the analyst's couch and closely examines the characters of Basil Fawlty, Lucy Ricardo and Kim from Australia's Kath & Kim, in order to reveal the essential elements that must exist in a sitcom before even the first joke is written. Original in its approach, D.T. Klika uncovers major findings about the sitcom as well as human behavior and relationships that we find 'arresting' and even “familial”. By offering a new way of reading the sitcom using psychoanalytic theory, this book can be used as a basis for engaging in critical discourses as well as textual analysis of programs. Psychoanalytic theory enables a reading of character motivations and relationships, in turn elucidating the power struggle that exists between characters in this form of comedy. Situation Comedy, Character, and Psychoanalysis shines a light on what is at play in the sitcom that makes us laugh, and why we love the characters we do, only to discover that this form of comedy is more complex than we first thought.

A hilarious, poignant memoir from comedian Todd Glass about his decision at age forty-eight to finally live openly as a gay man—and the reactions and support from his comedy pals, from Louis CK to Sarah Silverman. Growing up in a Philadelphia suburb in the 1970s was an easy life. Well, easy as long as you didn’t have dyslexia or ADD, or were a Jew. And once you added gay into the mix, life became more difficult. So Todd Glass decided to hide the gay part, no matter how comic, tragic, or comically tragic the results. It might have been a lot easier had he chosen a profession other than stand-up comedy. By age eighteen, Todd was opening for big musical acts like George Jones and Patti LaBelle. His career carried him through the Los Angeles comedy heyday in the 1980s, its decline in the 1990s, and its rebirth via the alternative comedy scene and the explosion in podcasting. But the harder he worked at his craft, the more difficult it became to manage his “situation.” There were the years of abstinence and half-hearted attempts to “cure” himself. The fake girlfriends so that he could tell relationship jokes onstage. The staged sexual encounters to burnish his reputation offstage. It took a brush with death to cause him to rethink the way he was living his life; a rash of suicides among gay teens to convince him that it was finally time to come out to the world. Now, Todd has written an open, honest, and hilarious memoir in an effort to help everyone—young and old, gay and straight—breathe a little more freely. Peppered with anecdotes from his life among comedy’s greatest headliners and tales of the occasionally insane lengths Todd went through to keep a secret that—let’s face it—he probably didn’t have to keep for as long as he did, The Todd Glass Situation is a front-row seat to the last thirty plus years of comedy history and a deeply personal story about one man’s search for acceptance.

Conor Brady is the hottest man I have ever laid eyes on. Ever. He's also my new roommate. In the past few days, I became jobless, homeless, and boyfriendless. So, I did what any 28-year-old woman with her life together would do: I ran. Far, far away from my life in New York and straight to my big brother's house in Atlanta. Only, it turns out that my brother is away on a business trip. And, he failed to tell me that a full-on, godlike hottie-who happens to be a premier house flipper-has taken up residence in the spare bedroom while his enormous new house is being renovated. There's a million reasons why I shouldn't fall for Conor. But our chemistry is undeniable. Which means I have a teeny, tiny situation on my hands... The Roommate Situation is a laugh-out-loud funny, swoony, closed door romantic comedy. Expect some mild language and suggestive jokes alongside sizzling hot chemistry and tension you could cut with a knife-all without the explicit scenes.

The Comedy of Philosophy brings modern debates in continental philosophy to bear on the historical study of early cinematic comedy. Through the films of Mack Sennett, Buster Keaton, Charlie Chaplin, Harold Lloyd, and the Marx Brothers, Lisa Trahair investigates early cinema's exploration of sense and nonsense by utilizing the contributions to the philosophy of comedy made by Freud and Bataille and by examining significant poststructuralist interpretations of their work. Trahair explores the shift from the excessive physical slapstick of the Mack Sennett era to the so-called structural comedy of the 1920s, and also offers a new perspective on the importance of psychoanalysis for the study of film by focusing on the implications of Freud's theory of the unconscious for our understanding of visuality.

The Eight Characters of Comedy is the “How-To” guide for actors & writers who want to break into the world of sitcoms. It has become a staple in acting classes, writers’ rooms, casting offices and production sets around the world. Now, in it’s exciting SECOND EDITION, renowned acting coach and bestselling author, Scott Sedita, gives you even MORE advice and exercises for breaking down comedy scripts, writing jokes and delivering them with comedic precision. Plus, you’ll find in-depth REVISED sections on Sitcom History, The Three Pillars of Comedy, Auditioning for Sitcoms, and his acclaimed comedic technique “The Sedita Method!” Most importantly, you will be introduced to his famous sitcom character archetypes, which will help you build your niche in half-hour comedy... The Eight Characters of Comedy! Who is normally cast as The Logical Smart One? Why do we love The Lovable Loser? Why is The Neurotic a favorite for actors and writers? How do you play The Dumb One smart? Who are the biggest Bitch/Bastards? What drives The Materialistic Ones? Why is The Womanizer/Manizer so popular? How can you realistically write and play someone In Their Own Universe? The Eight Characters of Comedy answers all these questions and more, with UPDATED EXAMPLES from current & classic sitcoms, and from many of the greatest sitcom characters & actors of all time! After reading this book, you WILL be ready to work in the exciting world of situation comedy!

Analysing why we laugh and what we laugh at, and describing how performers can elicit this response from their audience, this book enables actors to create memorable – and hilarious – performances. Rooted in performance and performance criticism, Sidney Homan and Brian Rhinehart provide a detailed explanation of how comedy works, along with advice on how to communicate comedy from the point of view of both the performer and the audience. Combining theory and performance, the authors analyse a variety of plays, both modern and classic. Playwrights featured include Harold Pinter, Tom Stoppard, Christopher Durang, and Michael Frayn. Acting in Shakespeare's comedies is also covered in depth.