Sometimes the family you've lost can lead you to the family you need... When Beatriz Sánchez-Milligan turned her back on her troubled sister, she ushered in a lifetime of regret. So when the niece Beatriz never knew she had appears on her doorstep--announcing that her mother has died--she can't help but see fourteen-year-old Celeste as a chance to redo the past . . . despite her own family's objections. But Celeste is skittish around her new family. She can feel the tension radiating from her uncle and cousins and, despite her aunt's enthusiasm, is hesitant to share her dreams of the traditional quinceañera she and her mother had been planning. Overwhelmed, Celeste does what her mom did years ago: she vanishes. Terrified the past is repeating itself, Beatriz scrambles to uncover the mystery surrounding her sister's life and death?and build a future in which the niece she dearly loves is truly part of her family.

A warm, empathetic guide to understanding, coping with, and healing from the unique pain of sibling estrangement "Whenever I tell people that I am working on a book about sibling estrangement, they sit up a little straighter and lean in, as if I've tapped into a dark secret." Fern Schumer Chapman understands the pain of sibling estrangement firsthand. For the better part of forty years, she had nearly no relationship with her only brother, despite many attempts at reconnection. Her grief and shame were devastating and isolating. But when she tried to turn to others for help, she found that a profound stigma still surrounded estrangement, and that very little statistical and psychological research existed to help her better understand the rift that had broken up her family. So she decided to conduct her own research, interviewing psychologists and estranged siblings as well as recording the extraordinary story of her own rift with her brother--and subsequent reconciliation. Brothers, Sisters, Strangers is the result--a thoughtfully researched memoir that illuminates both the author's own story and the greater phenomenon of estrangement. Chapman helps readers work through the challenges of rebuilding a sibling relationship that seems damaged beyond repair, as well as understand when estrangement is the best option. It is at once a detailed framework for understanding sibling estrangement, a beacon of solidarity and comfort for the estranged, and a moving memoir about family trauma, addiction, grief, and recovery.

In Shanghai, China's largest industrial center prior to 1949, cotton was king and the majority of mill workers were women. This book presents rich information on all aspects of the life of this group of urban workers. Book jacket.

All Ana Ruiz wanted was to have a traditional quinceañera for her daughter, Carmen. She wanted a nice way to mark this milestone year in her daughter's life. But Carmen was not interested in celebrating. Hurt and bitter over her father Esteban's departure, she blamed Ana for destroying their happy family, as did everyone else. A good man is hard to find, especially at your age Ana was told. Why not forgive his one indiscretion? Despite everything, Ana didn't want to tarnish Carmen's childlike devotion to her beloved father. But Ana knows that growing up sometimes means facing hard truths. In the end, Ana discovers that if she's going to teach Carmen anything about what it means to be a woman, it will take more than simply a fancy party to do it... "Belinda Acosta's Damas, Dramas, and Ana Ruiz delivers all its title promises and more: it's a book about damas of all ages, from teenage girls to the struggling mothers of those teenage girls; it's packed with drama so you don't want to stop reading; it's a novel that deeply and honestly tells the story of Ana Ruiz, her own coming of age as a woman and as a mother. Belinda Acosta is up to all of the challenges of such a rich panorama of characters and events. She's sassy, she's smart, she makes it look easy! But it takes a lot of hard work and a pile of talent to write such an engaging, touching book. A wonderful quinceaera of a novel!" -- Julia Alvarez, author of Once Upon a Quinceaera: Coming of Age in the USA and Return to Sender "Lively and perceptive... Acosta empathically captures the innermost feelings of her characters." -- Booklist

From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M

Four women seeking the promise of salvation and prosperity in a new land.

Perfect for fans of Alafair Burke and Megan Collins, Sarah Warburton's debut novel that explores the dangerous bond between sisters. When her sister goes missing, Zoe assumes it's just another one of her estranged sibling's stunts--but the danger is all too real. Zoe Hallett and her sister, Ava, are the precocious offspring of two pioneering scientists, but the sisters have been estranged for years. When Zoe reads a news story about Ava's mysterious disappearance, she assumes it's just another of her sister's twisted fictions, designed to blame Zoe and destroy the peaceful life she's created with her husband and beautiful stepdaughter in Houston. But Zoe's email is hacked to send threatening messages to Ava--and a more sinister picture begins to emerge. Zoe returns to her home state of Virginia to prove her innocence to the authorities, to her parents, and to Glenn, her ex-boyfriend and current brother-in-law. For the first time, Zoe begins to believe Ava is in grave danger, and when Glenn catches her searching for clues in Ava's home, she looks guiltier than ever--but maybe Glenn is not all he seems. The clues Zoe finds point to a bizarre link between Ava's disappearance and her mother's "research". Is there a secret someone is trying to protect? And would someone be willing to kill to protect it? As her sister's life hangs in the balance, Zoe draws on hidden reserves of strength and hope to save the sister she never thought she loved.

"What began as a response to a random bulletin board posting would ultimately challenge Sister Marilyn Lacey's life - and the life of countless refugees. Nhia Bee, along with his wife and five children, had been placed for a few weeks at [her] convent upon arriving in California from a refugee camp in Thailand. When the family was moved to permanent housing, Sr. Lacey realized, to her own surprise, just how much the family had lodged itself in her heart. Not long after, she had a dream that changed the course of her life. ..."--Back cover.

This volume examines how the field of Chicana/o studies has developed to become an area of interest to scholars far beyond the United States and Spain. For this reason, the volume includes contributions by a range of international scholars and takes the concept of place as a unifying paradigm. As a way of overcoming borders that are both physical and metaphorical, it seeks to reflect the diversity and range of current scholarship in Chicana/o studies while simultaneously highlighting the diverse and constantly evolving nature of Chicana/o identities and cultures. Various critical and theoretical approaches are evident, from eco-criticism and autoethnography in the first section, to the role of fiction and visual art in exposing injustice in section two, to the discussion of transnational and transcultural exchange with reference to issues as diverse as the teaching of Chicana/o studies in Russia and the relevance of Anzaldúa’s writings to post 9/11 U.S. society.

Mexican and Mexican American women have written about Texas and their lives in the state since colonial times. Edited by fellow Tejanas Inés Hernández-Ávila and Norma Elia Cantú, Entre Guadalupe y Malinche gathers, for the first time, a representative body of work about the lives and experiences of women who identify as Tejanas in both the literary and visual arts. The writings of more than fifty authors and the artwork of eight artists manifest the nuanced complexity of what it means to be Tejana and how this identity offers alternative perspectives to contemporary notions of Chicana identity, community, and culture. Considering Texas-Mexican women and their identity formations, subjectivities, and location on the longest border between Mexico and any of the southwestern states acknowledges the profound influence that land and history have on a people and a community, and how Tejana creative traditions have been shaped by historical, geographical, cultural, linguistic, social, and political forces. This representation of Tejana arts and letters brings together the work of rising stars along with well-known figures such as writers Gloria Anzaldúa, Emma Pérez, Alicia Gaspar de Alba, Carmen Tafolla, and Pat Mora, and artists such as Carmen Lomas Garza, Kathy Vargas, Santa Barraza, and more. The collection attests to the rooted presence of the original indigenous peoples of the land now known as Tejas, as well as a strong Chicana/Mexicana feminism that has its precursors in Tejana history itself.